Richard Tauber

Pina Bausch's NELKEN (CARNATIONS) Returns to Sadler's Wells Theatre in February
by Stephi Wild - Nov 13, 2023

Pina Bausch's Nelken (Carnations) returns to Sadler's Wells Theatre for the first time since 2005 from Wednesday 14 February – Thursday 22 February 2024.

Shortlist Announced For 2019 Wigmore Hall/Independent Opera International Song Competition
by Stephi Wild - May 1, 2019

As part of Wigmore Hall's longstanding commitment to celebrating the art form, its week-long biennial International Song Competition has grown in status and prestige to become one of the most significant platforms worldwide for recognising young talent in song recital since it was established in 1997.

Bard Music Festival's 30th Anniversary Season Explores Life And Times Of Korngold
by Julie Musbach - Mar 29, 2019

This summer, the Bard Music Festival celebrates its 30th anniversary season with a two-week, in-depth exploration of 'Korngold and His World.'

Carnegie Hall Presents Jonas Kaufmann on October 5
by Julie Musbach - Sep 6, 2018

Hailed as "the world's greatest tenor" by The Telegraph, superstar German tenor Jonas Kaufmann returns to Carnegie Hall's Stern Auditorium / Perelman Stage on Friday, October 5 at 8:00 p.m. for a special one-night-only performance of hits from his bestselling album You Mean the World to Me. Accompanied by Orchestra of St. Luke's, under the direction of conductor Jochen Rieder, this concert features hits from Germany's Golden Era-a time when operetta and popular song were flourishing-ranging from the unbeatable hits of the "Golden 20s" to the songs of the new "talkie" era.

Sony Masterworks Announces New US Classical Releases
by BWW News Desk - Sep 18, 2014

The Last Symphonies: Mozart's Instrumental Oratorium Nikolaus Harnoncourt 2-CD Set Now Available Preview: https://soundcloud.com/nikolaus-harnoncourt/sets/nikolaus-harnoncourt-mozart On The Last Symphonies, Nikolaus Harnoncourt explores his fascinating new interpretation of the composer's last three symphonies; that they are one whole work which he calls Mozart's “Instrumental Oratorium.” Harnoncourt argues that, in terms of structure, the first movement of Symphony No. 39 is the Prelude of the “Instrumental Oratorium,” while the last movement of Symphony No. 41 is the Finale.