Philip O'Gorman

The live show, which was made possible by a City Artist Corps grant from the New York Foundation of the Arts, will offer a rare and exciting look under the hood of audio drama -- with practical sound effects being performed on stage. But the show has been designed with theatre in mind.

Following two weeks of sold out previews, The Bloody Deed of 1857 opens tonight at the landmark Colonnade Row for an open ended run. The new play is based on the actual murder of Dr. Harvey Burdell on January 30, 1857 on nearby Bond Street. The scandalous crime captivated the city, filling the columns of every newspaper for months because all evidence pointed at his rejected lover, a devoted mother and conniving widow named Emma Cunningham. But the jury didn't believe a woman could commit such a violent act. Officially, the case remains unsolved, leaving restless ghosts behind to sort through the truth for eternity.

After a sold-out workshop run in March, Paranormal History Productions returns to Colonnade Row with an official limited run of The Bloody Deed of 1857 for the autumn season. The immersive 90 minute play is an adaptation of news accounts which reported the breathless daily developments about a sensational murder that took place on nearby Bond Street. Elise Gainer, author of Ghosts and Murders of Manhattan, credits the nearby Merchant's House Museum with the idea to turn this true-life murder into a play. The work was selected as the featured piece in the Tectonic Theatre Project's Advanced Moment Work Master Class with Moises Kaufman in May 2017. Ken Davenport, the veteran Broadway producer, consulted on this unique immersive experience including script and overall project development.

After a sold-out workshop run in March, Paranormal History Productions returns to Colonnade Row with an official limited run of The Bloody Deed of 1857 for the autumn season. The immersive 90 minute play is an adaptation of news accounts which reported the breathless daily developments about a sensational murder that took place on nearby Bond Street. Elise Gainer, author of Ghosts and Murders of Manhattan, credits the nearby Merchant's House Museum with the idea to turn this true-life murder into a play. The work was selected as the featured piece in the Tectonic Theatre Project's Advanced Moment Work Master Class with Moises Kaufman in May 2017. Ken Davenport, the veteran Broadway producer, consulted on this unique immersive experience including script and overall project development.

After a sold-out workshop run in March, Paranormal History Productions returns to Colonnade Row with an official limited run of The Bloody Deed of 1857 for the autumn season. The immersive 90 minute play is an adaptation of news accounts which reported the breathless daily developments about a sensational murder that took place on nearby Bond Street. Elise Gainer, author of Ghosts and Murders of Manhattan, credits the nearby Merchant's House Museum with the idea to turn this true-life murder into a play. The work was selected as the featured piece in the Tectonic Theatre Project's Advanced Moment Work Master Class with Moises Kaufman in May 2017. Ken Davenport, the veteran Broadway producer, consulted on this unique immersive experience including script and overall project development.

After a sold-out workshop run in March, Paranormal History Productions returns to Colonnade Row with an official limited run of The Bloody Deed of 1857 for the autumn season. The immersive 90 minute play is an adaptation of news accounts which reported the breathless daily developments about a sensational murder that took place on nearby Bond Street. Elise Gainer, author of Ghosts and Murders of Manhattan, credits the nearby Merchant's House Museum with the idea to turn this true-life murder into a play. The work was selected as the featured piece in the Tectonic Theatre Project's Advanced Moment Work Master Class with Moises Kaufman in May 2017. Ken Davenport, the veteran Broadway producer, consulted on this unique immersive experience including script and overall project development.

International director, composer and Pulitzer Prize-nominee Christopher Martin (also Founding Artistic Director of Classic Stage Company where he directed nearly 100 productions) directs a NYC revival of the Harold Pinter play OLD TIMES, which will run tonight, November 25th, through December 11th at the 'White Space' at Alchemical Theatre Laboratory (104 West 14 St.).

International director, composer and Pulitzer Prize-nominee Christopher Martin (also Founding Artistic Director of Classic Stage Company where he directed nearly 100 productions) is set to direct a NYC revival of the Harold Pinter play OLD TIMES which will run November 25th thru December 11th at the 'White Space' at Alchemical Theatre Laboratory (104 West 14 St.).

The Onomatopoeia Theatre Company presents Arsene Lupin VS Sherlock Holmes based on characters created by Maurice Leblanc & Sir Arthur Conan Doyle adapted by Thomas R. Gordon: The Mystery of the Fair Haired Lady.

The Onomatopoeia Theatre Company presents Arsene Lupin VS Sherlock Holmes based on characters created by Maurice Leblanc & Sir Arthur Conan Doyle adapted by Thomas R. Gordon: The Mystery of the Fair Haired Lady.