Patric Robinson

After two delays due to COVID-19, Westcoast Black Theatre Troupe will finally bring to the stage the world-premiere musical, “Ruby.”

Westcoast Black Theatre Troupe continues its 2023-2024 season with the Pulitzer Prize-winning drama, “A Soldier's Play,” which was written by Charles Fuller. WBTT and Goodman Theatre (Chicago, Ill.) resident director Chuck Smith returns to Sarasota to direct.

Westcoast Black Theatre Troupe is continuing its celebration of Black History Month with a staged reading of Dominique Morisseau’s powerful play, “Skeleton Crew.” The reading, presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. will take place at WBTT on February 26 at 4 p.m.

SAVANNAH REPERTORY THEATRE announces that the Pulitzer-Prize winning American classic Driving Miss Daisy by Alfred Uhry will kick off their 2019/20 season at The PLAYshop (980 Industry Drive, in Savannah), running September 27th - October 6th. Tickets are on sale now at http://savannahrep.org.

A Classic Theatre's next production, Intimate Apparel by Lynn Nottage is winner of the 2004 New York Drama Critics' Circle and the Outer Critics Circle Awards. The production is directed by Patric Robinson.

A Classic Theatre's next production, Intimate Apparel by Lynn Nottage is winner of the 2004 New York Drama Critics' Circle and the Outer Critics Circle Awards. The production is directed by Patric Robinson. Intimate Apparel is an exquisite, emotional story of longing, love, and betrayal a timeless story of woman's strength and courage.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

Palm Beach Dramaworks presents Lillian Hellman's The Little Foxes. Considered by many to be Hellman's masterpiece, this classic play about greed and the path of destruction it leaves in it's wake is as timely now as when it was written in 1939.

Shortly after The Little Foxes opened on Broadway in 1939, Lillian Hellman summed up the meaning of her play in an interview in theNew York Herald Tribune . I merely wanted, in essence, to say: 'Here I am representing for you the sort of person who ruins the world for us.'

Shortly after The Little Foxes opened on Broadway in 1939, Lillian Hellman summed up the meaning of her play in an interview in the New York Herald Tribune. I merely wanted, in essence, to say: 'Here I am representing for you the sort of person who ruins the world for us.'

FENCES at Mad Cow gives the audience a snapshot of the life of Troy Maxson, a garbage worker struggling to support his family. The show explores themes such as family, discrimination, death and loyalty.

Mad Cow Theatre is delighted to announce its upcoming production of August Wilson's Fences, the award-winning American drama, directed by Tony Simotes, which will take the Harriett stage August 4 as the ninth production of Mad Cow Theatre's Season 20.

Mad Cow Theatre is delighted to announce its upcoming production of August Wilson's Fences, the award-winning American drama, directed by Tony Simotes, which will take the Harriett stage August 4 as the ninth production of Mad Cow Theatre's Season 20.

Westcoast Black Theatre Troupe Stages Another Hit With Dearly Departed

Audiences at Limelight's 25th season opener will be treated to a cozier, more down-home OKLAHOMA! on their intimate mainstage, but that's by design. Executive Director, Beth Lambert, who also directs this production of the landmark Pulitzer Prize-winning Rodgers and Hammerstein musical, didn't want this to be the 'show that you do to pay for the other shows in your season.' It's a show that she has always wanted to do since performing with her mother in a summer stock production when Lambert was in fifth grade. However, Lambert thought it was too large of a production for the Limelight space.