Cast Announced for GANGSTA BABY at Open Space Arts
by Emmy Rice - Jun 22, 2025
Josh Odor, Bryan Nicholas Carter, and Jensen Knudson will join Cameron Raasdal-Munro in his semi-autobiographical play about a gay sex worker who is the son of a gangster.
TheatreSquared Extends PRIMARY TRUST
by Stephi Wild - Feb 12, 2025
TheatreSquared announced the extension of Eboni Booth’s surprising, touching comedy Primary Trust on the Spring Theatre stage. Learn more about the show here!
PRIMARY TRUST Begins Performances At Theatre Squared This Month
by A.A. Cristi - Jan 10, 2025
TheatreSquared kicks off 2025 with Eboni Booth's surprising, touching comedy Primary Trust on the Spring Theatre stage. Opening January 22 at TheatreSquared (477 W. Spring St., Fayetteville), the show will run through February 23.
Janet Ulrich Brooks Leads Cast of Drury Lane Theatre's THE AUDIENCE
by Blair Ingenthron - Jul 26, 2024
Drury Lane Theatre has announced casting for its production of The Audience. Written by Peter Morgan, writer of the Emmy Award-winning “The Crown,” Drury Lane’s production is directed by Jessica Fisch and runs August 28 – October 20, 2024.
Photos: First Look at NO MAN'S LAND at Steppenwolf Theatre
by Blair Ingenthron - Jul 24, 2023
Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is concluding its 47th season with Harold Pinter’s celebrated masterwork No Man’s Land directed by Les Waters, playing July 13 – August 20, 2023 in Steppenwolf’s Downstairs Theater. Check out production photos here!
Review: NO MAN'S LAND at Steppenwolf Theatre Company
by Rachel Weinberg - Jul 24, 2023
It’s easy to see why Harold Pinter’s NO MAN’S LAND has been categorized as Theater of the Absurd: The play focuses on four male characters in a nebulous space, debating nothing and everything all at the same time. Les Waters directs a game ensemble of actors who wholeheartedly embrace the true absurdity and existentialism of the text. The production design mirrors the liminal state of the play: Andrew Boyce’s set is a staid, elegant, and sparsely populated living room (chiefly featuring two armchairs and two decidedly less comfortable chairs on each side of the stage). All of the action takes place inside a literal room, with walls flanked by an open blue-gray space. Janice Pytel’s costume designs are likewise timeless: Well-tailored suits that seem oddly formal for just sitting around, talking about nothing. But they fit the production nicely. Mikhail Fiksel’s sound design lends an extra sense of eeriness to the production as well.