Jennifer Teska

Christian Duhamel, recipient of the 2018 Kleban Award for most promising musical librettist, presents a concert reading of his latest musical, The Uncivil Ones, as a benefit for Emerging Artists Theatre's New Work Series on October 28 at 7 pm.

Isle of Shoals Productions announces their cast for the world premiere of their new musical, Love Court, an irreverent look at romantic entanglements in the modern workplace, loosely modeled on Shakespeare's Measure for Measure.

Isle of Shoals Productions, Inc. is a non-profit theatre company located in New York City now in its 22nd season, winner of four New York Innovative Theatre Awards (8 nominations). BroadwayWorld has a sneak peek at the company in rehearsal below!

Isle of Shoals Productions announces their cast for the world premiere of their new musical, Love Court, an irreverent look at romantic entanglements in the modern workplace, loosely modeled on Shakespeare's Measure for Measure.

The IRT Theater presents Veronica Cooper & Adam Thomas Smith's Wake Up Call, a 90-minute contemporary play set in the lobby of a luxury boutique hotel in New York City. In the midst of an unexpected double shift (on Christmas Eve, no less) a group of degenerate hotel employees stumble their way through an unusual night of service. It's a 'coming of age when you're already of age' story. Sometimes it takes a miracle to grow the hell up. While navigating through the misadventures of the evening, from outlandish guests to unpredictable coworkers, we follow their journey into adulthood. Sort of.

The IRT Theater presents Veronica Cooper & Adam Thomas Smith's Wake Up Call, a 90-minute contemporary play set in the lobby of a luxury boutique hotel in New York City. In the midst of an unexpected double shift (on Christmas Eve, no less) a group of degenerate hotel employees stumble their way through an unusual night of service. It's a 'coming of age when you're already of age' story. Sometimes it takes a miracle to grow the hell up. While navigating through the misadventures of the evening, from outlandish guests to unpredictable coworkers, we follow their journey into adulthood. Sort of.

WAY Productions is proud to announce its private, industry-only stage reading of WHO ARE YOU?, a new musical by Simon Chouinard & T. Michael Vest.

The Gallery Players announces EVITA, the final musical of their 48th Season. With music by Andrew Lloyd Webber and lyrics by Tim Rice, this epic musical is directed by Mark Harborth (Rent, Dreamgirls), choreographed by Elyse Daye Hart (Dreamgirls, A Little Night Music), with music direction by Emily Croome. Carman Napier (Next to Normal) fills the title role of the Argentinian legend, with Dale Sampson (Rent) as Che, and Jonathan Mesisca making his Gallery debut as Juan Peron. EVITA opens this evening, April 25th at 8pm and runs through Sunday, May 17th, 2015.

The Gallery Players announces EVITA, the final musical of their 48th Season. With music by Andrew Lloyd Webber and lyrics by Tim Rice, this epic musical is directed by Mark Harborth (Rent, Dreamgirls), choreographed by Elyse Daye Hart (Dreamgirls, A Little Night Music), with music direction by Emily Croome. Carman Napier (Next to Normal) fills the title role of the Argentinian legend, with Dale Sampson (Rent) as Che, and Jonathan Mesisca making his Gallery debut as Juan Peron. EVITA opens Saturday evening, April 25th at 8pm and runs through Sunday, May 17th, 2015.

Roots and Wings Theatrical has announced the world premiere production of RISE, directed by Samantha Shechtman. RISE will play a three-week limited engagement at Theatre 54 (244 W. 54th Street, 12th Floor). Performances begin tonight, April 5 and continue through Saturday, April 20. Opening Night is tonight, April 5 (8 p.m.).

Roots and Wings Theatrical has announced the world premiere production of RISE, directed by Samantha Shechtman. RISE will play a three-week limited engagement at Theatre 54 (244 W. 54th Street, 12th Floor). Performances begin Friday, April 5 and continue through Saturday, April 20. Opening Night is Friday, April 5 (8 p.m.).

Musical theatre composer/ lyricist and cabaret performer Seth Bisen-Hersh returns to Don't Tell Mama with a brand new song cycle: If Adele Can Do It, So Can I: an evening of mostly sorrow, tonight, March 21st at 8PM and Friday, March 22nd at 9:15pm.

If Adele Can Do It, So Can I, an evening of mostly sorrow, a new song cycle by Seth Bisen-Hersh, will play Don't Tell Mama on Thursday, March 21 at 8 p.m. and Friday, March 22 at 9:15 p.m. Directed by Shana Solomon.

Larry Daggett (Ragtime, Candide), Kimberly Faye Greenberg (Danny and Sylvia, OneNight with Fanny Brice), and Erin Mackey (Wicked, Sondheim on Sondheim) are set to star ina one-night-only performance of Irving Berlin's last Broadway musical Mr. President, presented July 18 in Manhattan to benefit the Actors Fund.

In conjunction with their one-night-only benefit performance of Irving Berlin's long-lostBroadway musical Mr. President, Theatrical Gems is offering up an auction of items such as Broadway tickets, signed posters, and more.The complete list of items includes:

Larry Daggett (Ragtime, Candide), Kimberly Faye Greenberg (Danny and Sylvia, OneNight with Fanny Brice), and Erin Mackey (Wicked, Sondheim on Sondheim) are set to star ina one-night-only performance of Irving Berlin's last Broadway musical Mr. President, presented July 18 in Manhattan to benefit the Actors Fund.

LET MY PEOPLE COME - The Party!, Earl Wilson, Jr.s ultra-hot sexual musical revue adapted from his precedent setting, barrier-breaking 1970s hit show, opens Monday, April 19 at 5 and 8 PM, for a three-week engagement at New York City's popular Ritz Bar and Lounge, 369 West 46th Street, in Manhattan.

LET MY PEOPLE COME - The Party!, Earl Wilson, Jr.s ultra-hot sexual musical revue adapted from his precedent setting, barrier-breaking 1970s hit show, opens Monday, April 19 at 5 and 8 PM, for a three-week engagement at New York City's popular Ritz Bar and Lounge, 369 West 46th Street, in Manhattan.

It's my firm belief that if composer Leroy Anderson, lyricist Joan Ford and bookwriter/lyricists Walter & Jean Kerr had named their brash and funny 1958 musical comedy about the love/hate relationship between a silent movie director and his reluctant star anything other than Goldilocks, it might not only have had a longer run than its five months on Broadway, but would have been a popular choice among regional and amateur theatres as well. With a good collection of snazzy tunes and well-crafted lyrics (most notably the semi-standard torcher, 'I Never Know When To Say When') and a book loaded with guffaws and wise-cracks (originally quipped by stars Elaine Stritch and Don Ameche), Goldilocks is a solid example of a show that, if not exactly a musical theatre triumph, provided a fun night out for audiences in an era when affordable ticket prices meant that not every Broadway production had to be a huge event.