Eleanor King

Creative people create, and during Covid, Christine Jowers, Janis Brenner, and JoAnna Mendl Shaw turned their attention to 'visual choreography.' The three dancer/choreographers have joined forces to show their 'Doodles, Collages, and Paintings: Dancers Pivot to Visual Choreography,'

Upon entering the space the audience is immediately surrounded by the dwellings of a castle. The beautiful set design by Tom Hansen lent itself well to this harkened tale of Christmas in England. Henry II, King of England and his ward Alais are seen talking about their love and the King donning a Blood Red Crown that has been exquisitely crafted to the finest detail. Soon we meet the three sons of King Henry, Richard Lionheart, John and Geoffrey. All three are bastards in the eyes of King Henry and all three feel their stake at the Crown is higher, and more deserving than the others. Whether written into the script or a Directors choice, the use of Christmas carols, both modern and Baroque was a nice touch and lent itself well to the story and made scene changes seamless. A nice touch from the set design was having the pieces of the King's table fly in from up above and added nicely to the set. The texture of having the candles on every inch of the set, gave the castle a warm feeling and made it also feel very elegant and regal.

Paul Taylor has invited New York City Ballet Principal Dancer Sara Mearns to perform works by Isadora Duncan reconstructed by The Isadora Duncan Dance Company Artistic Director, Lori Bellilove during the 2018 Season of Paul Taylor American Modern Dance (PTAMD) at the David H. Koch Theater at Lincoln Center.

Richard Daniels -- the 54-year-old dancer/choreographer who began to create a daring, new body of work 10 years ago when he resumed his career in dance after a 15-year absence -- will present his newest concert, RICHARD DANIELS: TELLING TALES for four performances only September 29 to October 2 at Danspace Project (131 E. 10 St.) in Manhattan.