Video: 'Nixon's Big Number' from THE UNTITLED UNAUTHORIZED HUNTER S. THOMPSON MUSICAL
by Michael Major - Jun 14, 2025
Signature Theatre has revealed a new look at the DC premiere of The Untitled Unauthorized Hunter S. Thompson Musical, with music and lyrics by Joe Iconis (Be More Chill, NBC’s Smash) and a book by Joe Iconis and Gregory S. Moss (Indian Summer, Reunion). Check out brand new video of 'Nixon's Big Number' from the show.
59E59 Theaters Reveals Summer 2025 Season Lineup
by A.A. Cristi - May 6, 2025
59E59 Theaters has announced the lineup of its Summer 2025 season, featuring a robust collection of shows celebrating iconic love stories, a comedic peek into the life of government staffers, and exhilarating psychological dramas.
Interview: Theatre Life with Jordan Slattery
by Elliot Lanes - Feb 18, 2025
Today’s subject Jordan Slattery is currently living her theatre life onstage at Signature Theatre playing the role of Jane in Job. The production runs through March 16th in Signature’s ARK space.
Review: PRAYER FOR THE FRENCH REPUBLIC at Theater J
by Mary Lincer - Nov 5, 2024
In an elegant coincidence (or a charming conspiracy by the theatre gods), DC audiences will be able to see two absolutely engrossing plays about Jewish family life in 20th and 21st century Europe, back to back: Tom Stoppard's Tony award-winning Leopoldstadt next month at the Shakespeare Theatre and Joshua Harmon's Drama Desk award-winning Prayer for the French Republic through November 24 at Theater J.
PRAYER FOR THE FRENCH REPUBLIC Comes to Theater J
by Stephi Wild - Oct 2, 2024
Beginning on Oct 30 and running through November 24, 2024, Theater J brings the timely and important Prayer for the French Republic to the stage. Written by the highly acclaimed playwright Joshua Harmon, the play was a Broadway hit, a Tony Award nominee and won the inaugural Trish Vradenburg Jewish Play Prize.Â
Review: THIS MUCH I KNOW at Theater J
by David Friscic - Feb 8, 2024
What an odd thing the human mind is! –for it can make false assumptions, construct facile rationalizations, and rely on preconceived notions---as the audience soon finds out through the alternately clever, character-driven, and coiling convolutions of Theater J’s east coast premiere of the play This Much I Know. This is a play that asks questions more than it supplies answers and in that the audience can find sufficient satisfaction.