Andrew Stenson

The Richard Tucker Music Foundation today announces the 2022 recipients of its prestigious Richard Tucker Award, Richard Tucker Career Grant, and Sara Tucker Study Grant.

The Dallas Opera’s premiere production of Jonathan Dove’s Flight beautifully captures these happenstance experiences in all their simplicity, magic, humor, and heartbreak, reminding us that we are at our most human when we find ourselves at our most vulnerable.

The Dallas Opera has secured the cabin and announced takeoff for Flight, the opera based on the real-life story that also inspired Steven Spielberg's The Terminal. The Dallas premiere of Jonathan Dove and April De Angelis' contemporary masterpiece opens at the Winspear Opera House on Friday, March 4, 2022.

Madison Opera’s Opera in the Park celebrates its twentieth year on Saturday, July 24 at 8pm in Garner Park on  Madison’s West Side.

From a new streaming production of Tosca filmed at a historic Seattle cathedral, to live outdoor recitals at Seattle Center, and a conductor dialogue on race and gender, there's plenty of ways to engage with music through Seattle Opera's June offerings.

Madison Opera's Opera in the Park 2021 will take place in person in Garner Park in 2021.  As always, it is free to attend, thanks to generous sponsors.

In light of ongoing and rising violence against Asian people in the US, Wear Yellow Proudly is producing The #StopAsianHate Benefit Concert in partnership with the Asian American Federation to raise awareness, funds for social change, and provide solace through music and art.

On March 5, 2021, Seattle Opera presented Mozart’s Don Giovanni to its worldwide online audience. Stage director Brenna Corner notes that the 1964 Hamlet on Broadway directed by Richard Burton inspired her to do this black-and-white film production and use it to communicate the opera’s basic premise. Corner says she intended to emphasize the drama.

For many years, the character of Don Giovanni was celebrated as “Mozart's bad boy”—an evil but charming anti-hero of opera. But for Stage Director Brenna Corner and Maestro Lidiya Yankovskaya—the duo behind Seattle Opera's streaming Don Giovanni—there's so much more to this masterpiece than toxic masculinity.

Seattle Opera is introducing “single tickets” to its 2021 streaming productions of Don Giovanni, Flight, and Tosca—plus a bonus reprise of The Elixir of Love. This is the company’s first foray into pay-per-view streaming content, which can be enjoyed by opera lovers worldwide.

Available to season ticket holders from November 13–December 4, 2020 , Recorded on the McCaw Hall stage

As Songs of Summer, a free, 15-performance recital series concludes this week, Seattle Opera unveils its Fall Season. With a variety of free performances and programming to enjoy at home, the Fall Season was created with both artistic innovation-and public safety-in mind, said General Director Christina Scheppelmann.

Long Beach Opera is bringing back its popular and relevant series of Community Conversations June 14, 21, and 28 that were inspired by the LBO world premiere production of  The Central Park Five, which recently won the Pulitzer prize.  These Conversations are available on facebooklive and archived following at www.longbeachopera.org.

Witness rare and poignant moments of humanity during the world's most brutal war in this stunning musical depiction of the legendary Christmas truce of 1914. a?oeSilent Night,a?? one of the most performed American operas of our time, is based on the 2005 screenplay a?oeJoyeux Noëla??. Tomer Zvulun will direct the production, and Robert Tweten will conduct the cast, Utah Opera Chorus, and Utah Symphony.

On April 23rd, the New-York Historical Society's latest installment of the Bernard and Irene Schwartz Distinguished Speakers Series showcased An American Soldier, a two-act opera composed by Huang Ruo, featuring a libretto by David Henry Hwang, in the Robert H. Smith Auditorium at the New-York Historical Society, 170 Central Park West, New York, NY 10024.

Utah Opera continues its 2018-19 season with Wolfgang Amadeus Mozart's The Magic Flute, a fairytale-like story with lessons of courage, respect, and truth. Utah Symphony Music Director Thierry Fischer together with Stage Director Paul Peers will lead five performances at the Janet Quinney Lawson Capitol Theatre (50 West 200 South) on March 9 and 15 at 7:30 PM, March 11 and 13 at 7 PM, and March 17 at 2 PM. Tickets, priced from $29-$108, and $15 student tickets, are available for purchase through www.utahopera.org or by calling 801-533-6683.

Utah Opera continues its 2018-19 season with Wolfgang Amadeus Mozart's The Magic Flute, a fairytale-like story with lessons of courage, respect, and truth. Utah Symphony Music Director Thierry Fischer together with Stage Director Paul Peers will lead five performances at the Janet Quinney Lawson Capitol Theatre (50 West 200 South) on March 9 and 15 at 7:30 PM, March 11 and 13 at 7 PM, and March 17 at 2 PM. Tickets, priced from $29-$108, and $15 student tickets, are available for purchase through www.utahopera.org or by calling 801-533-6683.

n the midst of a polar vortex this winter, MN Opera sends an early valentine filled with warmth to the Twin Cities in their production The Italian Straw Hat at the Ordway Center's Orchestra Hall. This comic Italian opera set in 1950's Paris plays similar to a French farce while sung in Italian and accompanied with English subtitles. Composed and written by Nino Rota and his wife Ernesta, the composer earned accolades for his film scores written for Federico Fellini, and "The Godfather," both the first and second versions. In this opera, Rota's mid-century comedy, a groom's horse eats an expensive straw hat on the morning of his wedding day while his father in law's patent leather shoes fit too tight. Sound extraordinary? Yes, all is wondrous mayhem as this Parisian wedding spins out of control and delightful events happen on stage throughout this enchanting opera.

Well, it's that time of the year again--time for a look-back on what was worth making note of during the calendar year that's about to come to an end. It's from a totally personal, subjective point of view, of course, but frankly that's the way opera-lovers always seem to like it, n'est-ce pas? The productions worth noting come from places big, small and in-between, from composers old as the hills to freshly minted or somewhere in between (likewise the performers), from traditional or boldly modern to simply stand up and sing.

A major highlight of MasterVoices' 77th season will take place on Wednesday, November 28 at 8 pm in Carnegie Hall's Stern Auditorium when the ensemble's Artistic Director Ted Sperling leads the New York premiere of a multi-media version of Israel in Egypt, Handel's timely oratorio of exile and displacement, reflecting the biblical account of the heroic flight of Israelites enslaved in Pharaonic Egypt and their crossing the Red Sea. In collaboration with The Juilliard School, MasterVoices will feature soloists who are current students or alumni from the Ellen and James S. Marcus Institute for Vocal Arts, including sopranos Mikaela Bennett and Jessica Niles, countertenor John Holiday, baritone Gregory Feldmann and bass-baritone Erik Van Heyningen, as well as rising star tenor Andrew Stenson.