HIDEAWAY PERFORMING ARTS CENTER

by Benoit Teves - May 19, 2026

The second week of the festival kicks off with polyamory, English breakfast, the Emerald City, and UFOs....

by Benoit Teves - May 19, 2026

The festival's first weekend closes out with grief, 'inspiration porn', and a cacophony of kazoos....

by Benoit Teves - May 17, 2026

What did our critic think of INTIMI(DATING), SINGLE RIDER SONGBOOK, AND MORE at The Orlando Fringe Festival?...

by Benoit Teves - May 18, 2026

Day two of the festival brings us a not-so-high-school-musical, a magician's beef with American Airlines, and a ghost of parties past....

by Benoit Teves - May 15, 2026

Fugly dogs and an AI of a queer aunt kick off BroadwayWorld's coverage of the 35th annual fringe festival....

by Albert Gutierrez - May 14, 2026

The stage production does make a lot of strides that strengthens the endurance and popularity of this love story. It repeats iconic moments from the popular 2004 film, but isn’t aping the original screenplay in any way. A new libretto offers a fresh take that borrows the basic structure of the nov...

by Albert Gutierrez - May 03, 2026

There’s a strange dichotomy that exists in live theater. I may not like the material, but will still find reason to love its execution. And at Theater West End, they’ve culled together a company of players who help elevate the material of POTUS into a comedy that now exists thanks to their appro...

by Julie Gardieff - April 24, 2026

The Marriage of Bette and Boo is a play written by Christopher Durang, a playwright who rose to prominence in the 1980s and is best known for his absurdist comedies. His most famous work is Vanya and Sonia and Masha and Spike. ...

by Julie Gardieff - April 23, 2026

Ride the Cyclone is one of those cult musicals - shows that didn’t have much financial success in their original runs but were later adopted by theatre kids everywhere, eventually gaining viral popularity via TikTok.  ...

by Benoit Teves - April 21, 2026

Paris Clayton III’s world premiere production is a compelling, historically-grounded drama that unfortunately finds itself hindered by the 'unintended insularity' of its writer-director. While the staging often feels as stuck as the characters it depicts, a standout second act offers flashes of br...