Not for Resale is a play that explores queer identities, queer communities and, the implications of queerness in socially constructed spaces.
A high-spirited, comedic, at times irreverent and other times vulnerable music-filled production that examines queerness as a place of personal and cultural innovation. And, like any place of innovation and experimentation that has strong aesthetics at work, there is the ever-present danger for appropriation and commodification by capitalist, patriarchal systems. With any visibility comes the danger of this commodification and the play wrestles with identities being marketed and examines "what is being sold". It suggests that, potentially, queerness may only successfully exist outside of capitalist structures and asks us to consider if it can operate within them. It was devised by queer-identifying performers and drama therapists in NYU's As Performance research series and written by actor and playwright Jess Barbagallo and directed by Alexis Powell.
A high-spirited, comedic, at times irreverent and other times vulnerable music-filled production that examines queerness as a place of personal and cultural innovation. And, like any place of innovation and experimentation that has strong aesthetics at work, there is the ever-present danger for appropriation and commodification by capitalist, patriarchal systems. With any visibility comes the danger of this commodification and the play wrestles with identities being marketed and examines "what is being sold". It suggests that, potentially, queerness may only successfully exist outside of capitalist structures and asks us to consider if it can operate within them. It was devised by queer-identifying performers and drama therapists in NYU's As Performance research series and written by actor and playwright Jess Barbagallo and directed by Alexis Powell.
News About Not For Resale at Dixon Place
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About the Theatre
Established in 1986, Dixon Place is a nonprofit institution dedicated to supporting visionary artists through the development and presentation of original works in the performing and literary arts. In a professional, compassionate environment, artists are inspired and encouraged to implement new ideas and new practices. Programming and curatorial policies support inclusivity and diversity regarding gender, race, sexual identity, age, disabilities, social class, and ethnicity. Committed to fostering social justice, DP’s foremost priorities are to serve as a safe haven for artists of all stripes and callings and to provide meaningful, culturally enriching experiences for audiences.
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