BWW Reviews: The Conflicts of Fact, Fiction and Freedom in Solnik's THE UNAMERICAN
Recently concluding performances at Theater for the New City, The UnAmerican questions the power that is supposedly given to those who believe they are above the consensus of the many. Directed by Joe John Battista, Solnik’s play follows the troubled triad of relationships between Marilyn Monroe, Elia Kazan and Arthur Miller - three legendary figures who are criticized and tried for their Communist affiliation



