Legends of Las Vegas at Dont Tell Mama

Cabaret Warhorse, RICKY RITZEL has been a fixture on the nightclub and cabaret scene in NYC for over 38 years and his latest venture, RICKY RITZEL’S BROADWAY, received the 2016, 2017, 2018, 2019 & 2020 MAC Award for Outstanding Recurring Series. Ricky has received most Cabaret awards including 20 Manhattan Association of Cabarets & Clubs Awards in 11 different categories. An accomplished solo performer, Ricky has also accompanied such greats as Vivian Blaine,, Varla Jean Merman, Julie Wilson, Lenora Nemetz , Nanette Fabray and Miss Coco. With famed Chicago jazz vocalist Spider Saloff, Ricky created several award winning revues such as "1938", which was recorded on the Kopathetics label, "Porgy & Bess: a Cabaret Concert" and "Ira and Others".. Ricky is half of the kooky "Lounge does Top 40" duo, THE LOUNGEOLEERS with 5 CD's on the Emenar label. He can also be seen as SCARY MAN who comes on to Christian Campbell in the film"TRICK". Ricky has been seen in Las Vegas as Jimmy Durante in"Stop the Music!' with Sharon McNight as Sophie Tucker and toured with Leslie Anderson for 5 years performing every known work they could find by Johnny Mercer in 4 different revues. He is also proud to have served as the first Artistic Director for cabaret at the premiere season of the Gettysburg Festival ,and is on the Advisory Board of Directors for the Manhattan Association of Cabarets, of which he was President from 2006-2009.

TANYA IS A 2019 BISTRO AWARD WINNER FOR OUTSTANDING DIRECTOR.

Mary Ellen Ryan is Special Guest.

Don Kelly is Drummer

Matt Scharfglass is Bass

Frank has been doing cabaret for over 8 years and studied under Collette Black. This is the second series of his show "Legends of Las Vegas" - Stephen Mosher of Broadway World says: “Mr. McDonough himself is greatly reminiscent of a Las Vegas crooner, a lounge lizard having fun at his favorite pastime. The fun is the platform upon which the show is built: Frank McDonough's outgoing and effervescent personality is the driving force of the show. It isn't that Frank's singing isn't center stage, for the man's instrument is incredibly palatable - interesting and enjoyable - but the stage presence arising from both his personality and his enthusiasm is enough to power a nightclub act on a bigger stage, lasting a longer time. Frank McDonough cannot help it: he is irresistible.” “Mr. McDonough spends a quick (and quick-paced) hour running through the music of Misters Martin ("Ain't That A Kick in the Head"), Darin ("Mack the Knife"), Davis (a stupendous "Birth of the Blues"), Bennet (a performance of "The Best is Yet To Come" is an evening highlight), Sinatra, Prima (a smile-a-minute mashup at the start of the show) and more, curating the program around the clubs of The Strip and the men who played them…”