The latest reviews and critic recommendations from Off-Off-Broadway.
Written by Harrison David Rivers, conceived/directed by Sherri Eden Barber and presented by Ricochet Collective, Only You Can Prevent Wildfires celebrates its World Premiere by bringing the true story of forest technician Terry Lynn Barton and the Hayman Fire of 2002 to audiences in a rather unprece
Do you ever think about how much of this life is planned, sculpted by human hands to go the way we desire it to? How, no matter what we have been taught or the values we hold dear to our hearts, there will always be something beyond our reach that we cannot control - something we cannot ever predict
When I posted a short reaction to BREEDERS on Facebook, a friend commented: So the play compares gay men to hamsters!? No, but Dan Giles traces, in parallel, the lives of a gay couple expecting the birth of a baby via a surrogate, and the lives of a bickering hamster couple expecting pup, to pro
Set in modern-day Red Bank, Tennessee, PETIE is essentially a Greek tragedy and like the heroes of those classics, Bonnie is a sad portrait of proud thoughtlessness that corrodes over self-inflicted loathing.
Somewhere in the second act of BLOOD BOUNDARY there is an interesting play to be found with alert performances and a powerful storyline that seamlessly resolves.
This simple folk tale focuses on falling in love, taking on responsibility, and learning how to fly.
Picture four people in a room, possessing just short of enough free will to be there but knowing that they can walk out if the mood strikes them.
Like it or hate it, Yelp is an undeniable force in American culture.
Given her distinguished career that includes such significant works at PAINTING CHURCHES, COASTAL DISTURBANCES and PRIDE'S CROSSING, a new play by Tina Howe is certainly a noteworthy event.
In Martin Denton, Martin Denton, now in performances at the Kraine Theater over on East 4th, a tag team of mother and son tell the tale of their almost haphazardly formed theater lives with the grace and pomp of any engaging storyteller; you would think they actually had the entire thing planned out
While it's not unexpected to have the title character of a musical based on Henry Fielding's infamously bawdy 1749 novel "The History of Tom Jones, a Foundling" be introduced to the audience while enjoying the afterglow of a lusty time with an agreeable lass, what's a bit surprising at first about B
Written and directed by Emmy Award winner Eric Maierson and now in performances at Tom Noonan's Paradise Factory Theater, Reprise arrives for its World Premiere and packs quite a punch in the brief hour it takes to get through the entire ordeal.
Although the show has officially ended, the curtain closed, the beautiful coloratura no longer reaching the heavens, the likes of Giovanni the Fearless are still very much alive in the hearts of audiences fortunate enough to see this whimsical musical comedy.
![BWW Review: DIVORCE PARTY and the End of Life As We [Don't Really] Know It](https://cloudimages2.broadwayworld.com/columnpic7/2002007A23F15D-FA6A-9432-F8AA670FA3516799.jpg?format=auto&width=220)
What we have here is a masterfully crafted show called Divorce Party, something so wacky and farfetched but so rooted in the inward and outward complexities of life (as are so many absurd things) that it encapsulates life as we acknowledge it to be, but are not always so eager or able to share with
ANGRY YOUNG MAN, a British play by Ben Woolf, is both entertaining and puzzling.
When a man gets into a taxi, inebriated and tired, and is convinced that the driver kidnapped him because he refused to pay an exorbitant fare, is his truth greater than the driver's testimony of racial slurs and attempted murder? When there is no other witness accept one's memory, these two men mus
Omega Kids is now being performed at Access Theater through Sunday, March 25th.
In the one-woman show TURNING PAGE, Angelica Page takes on perhaps the role of her career - that of her real-life mother, Geraldine Page, who was theater, Hollywood and Actors Studio royalty.
Written by Jean Ann Douglass and directed by Jess Chayes, The Providence of Neighboring Bodies comes to Theater 511 (in association with Ars Nova) for its World Premiere in New York.
When it comes to theater, there's immersive and there's immersive.
Directed by Aimee Todoroff and Tonya Pinkins and now in performances at the Gloria Maddox Theatre, Visionary Voices begins with Susan Glaspell's Trifles, followed by Marita Bonner's Exit: An Illusion and ending with Glaspell's The People - three wonderful plays that are more engaging and poignant in
It would be nice to be able take in The Wooster Group's intriguing docu-theatre piece, THE TOWN HALL AFFAIR, as a look at the grotesquely blatant brand sexism of nearly 50 years ago that we have since outgrown.
After establishing himself as resident doorman, stage manager and sex slave at the Caffe Cino, the historic Cornelia Street birthplace of Off-Off Broadway and America's gay theatre movement, Robert Patrick summoned up the courage to join the ranks of the venue's resident staff of playwrights (Lanfor
In a world with so many peddling-and profiting from--faux inspiration, SILENT NO MORE: A THEATRICAL DOCUMENTARY offers the real thing.
New York theatre stuck it to the patriarchy this year with healthy-for-the-soul offerings like A 24 Decade History of Popular Music, O, Earth, The Wolves, and more!
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A Tom Lehrer Cabaret The Green Room 42 (7/29-7/29) |
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Oil & Whiskey The Bitter End, Laurie Beechman, Prohibition, The Rat NYC (7/15-8/12) |
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Rock Never Dies Hard Rock Cafe (5/29-8/30) |
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SAY MY NAME AMT Theatre (7/23-7/26) |
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Shangri-La-La, a comedy musical about Siegfried & Roy American Theatre of Actors (ATA) (7/25-7/26) |
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Shrek, the Musical! Emelin Theater (7/09-7/12) |
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That Math Show Theater555 (6/11-8/16) |
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Mozart's The Game of Love (Così Fan Tutte) Tri-Cities Opera (3/05-3/07) |
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Can We Talk? The Lounge at Dixon Place (7/23-7/23) |
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Shterna and the Lost Voice Teatro Latea (8/13-8/16) |
