BWW Review: HOLIDAY HOUSE: CHRISTMAS BENDS Delves Into Psychic Darkness At Christmas In Cold War America
HOLIDAY HOUSE: CHRISTMAS BENDS, the latest from Tracy Weller's experimental theater company, Mason Holdings, bills itself as a 'darkly comedic... psychological study of how we experience childhood as outsiders.' A brief perusal of Weller's fascinating website, Tracy Weller Land-a rabbit hole in the ...
BWW Review: WHAT THEY'LL REMEMBER at The Nuyorican Poet's Cafe
Dramatic explosion with 'What They'll Remember" explores this question: Why would average women commit murder?...
BWW Review: A DOG STORY Captures Hearts and Laughs at The Davenport Theater Loft
A DOG STORY is that rare musical comedy that manages to be sweet but not cloying, accessible but not banal, and light but not unsubstantial. With most of the city still in deep mourning over the election (and facing a logistical nightmare in Midtown for the next four years), this new musical--with a...
BWW Review: The Bond of Friendship Remains Unearthed in Panettieri's A BURIAL PLACE
Presented by New Light Theater Project, in association with 5000 Broadway Productions, A Burial Place recently opened at the Dorothy Strelsin Theatre and marks Director Joey Brenneman's third collaboration with its playwright. This play, representing what true camaraderie is among three childhood fr...
BWW Review: In BLACKTOP HIGHWAY, Performance Artist John Fleck Muses on Simulacra, Animals (Live and Dead), and Trump
In BLACKTOP HIGHWAY, Performance Artist John Fleck Muses on Simulacra, Animals (Live and Dead), and Trump. Taking on ten characters and mimicking as many animal sounds, the NEA 4 artist weaves a multi-media tale of horror that manages, incredibly, to make us laugh....
BWW Review: ONE FLEA SPARE at Playhouse Creatures Theatre Company
ONE FLEA SPARE is a play with a deceptively simple premise, but one that becomes almost overwhelmingly complex as secrets are revealed, motivations get murky and time takes its toll on people. Mr. and Mrs. Snelgrave are upper class Londoners during the plague. As they're quarantined in their home,...
BWW Review: CALM MOM at The New York International Fringe Festival
'Chaos plus Hysteria Equals Love,' one of the clever and melodic songs of Gaby Gold's one-woman musical in the Fringe Festival, pretty much sums up the tone of her trip down memory lane...
BWW Review: Forgotten Marx Bros. Musical I'LL SAY SHE IS; Restored! Revived! Rejoice!
The lost 1924 Marx Brothers vehicle has been reconstructed and mounted in a crisp and buoyant new production....
BWW Review: YOU ARE NOW THE OWNER OF THIS SUITCASE - A Global 'Edutainment' Family Experience at West End Theatre
Before entering the theatre, we were asked to look at a map on the wall and mark a spot of our personal origin. I admit that I had to think a moment as to exactly how many dots to mark. So many of us come from different areas of the world and this process was fascinating to start with and put me imm...
BWW Review: Wowed by the Workshop Theater in NYC
This time of year faithful pilgrims travel to Bethlehem. My pilgrimage this year was accidental and secular. During a whirlwind trip to Manhattan, I happened upon The Workshop Theater on West 36th Street in Manhattan, a place where great plays are born. Their Sundays@ Six program, in the Jewel Box ...
BWW Review: Full Spectrum Shows Us the True Meaning of 'All-American'
The Full Spectrum Theatre Company, founded by its artistic director Suzie Cho, is dedicated to telling 'All-American' stories with diverse casts. David Lindsay-Abaire's Rabbit Hole, which tackles universals such as family and grief, was a fitting choice for the company's inaugural production....
BWW Review: The Peculiar Genius of Mmakgosi Kgabi
When you legitimately start to question the performer's sanity, you know you've arrived at the best kind of avant-garde theatre! ...
BWW Reviews: I KNOW WHAT BOYS WANT Favors Melodrama Over Nuance
New York based theatre company Ego Actus is staging the world premiere of award-winning playwright Penny Jackson's I KNOW WHAT BOYS WANT. The play is a thought provoking cautionary tale that explores the seedy underbelly of cell phone camera surveillance and how once something is shared online, it n...
BWW Reviews: LABUTE DOUBLE-BILL FOR 2015 PRIDEFEST! at The Tank Theater
Playwright Neil LaBute seems to like to write stories about men who behave badly. The protagonist of 'Some Girl(s)' (who is nameless) is yet another LaBute bad boy....
BWW Review: When Life is Not Our Own to Live- McCasland's NEAT AND TIDY
Is it possible that the fundamental essence of who we are as people is the same, regardless of how moral or immoral our lives - how we are supposed to live and feel and how we actually do? Do all people truly want to feel loved and as though they are living instead of waiting for their lives to star...
BWW Review: THE TRAILS OF ALICE IN WONDERLAND Dazzles With a Cast of Talented Kiddos at TADA! Youth Theatre
Resident NYC youth theatre's latest features a wonderful cast from all across the NYC/NJ area....
BWW Review: Terri Mateer's One-Woman A KIND SHOT Is One of the Most Honest Pieces This Season
A KIND SHOT may not be the kindest story...
BWW Reviews: LIVE FROM THE SURFACE OF THE MOON Just Doesn't Land
Stable Cable Lab Co.'s production of "Live from the Surface Of the Moon" is certainly far out like the radical 1960s decade in which it takes place…but not necessarily in a good way. Written and directed by Max Baker, this new play takes audiences to a blue-collar home in 1969 Cleveland, Ohio. In ...
BWW Reviews: 'I OF THE STORM' IS A SURGE OF LIFE LESSONS at The Playroom Theater
A look at life's lessons are at the core of the one-man play 'I of the Storm.' A one-man play is a tough act. Many have attempted it. Not all succeed. The latter is not the case with 'I of the Storm' - a spectacular show that takes the audience on a journey of self-discovery....
BWW Reviews: Playhouse Creatures Theatre Company's Hysterical New York City Debut of HUNTER GATHERERS is Outrageous Entertainment
Forget the freshly slaughtered lamb that Richard is preparing. Playwright Peter Sinn Nachtrieb's HUNTER GATHERERS is an all-you-can-eat buffet of betrayal, sexual awkwardness, blood, red wine, lust-filled passions, and a blurring of the lines between civilization and primal instincts. The hysterical...
BWW Review: Antony Raymond's World Premiere of PRETTY BABIES Explodes With Grit and Relevance
Acting as writer and director, Raymond's world premiere drama may just be the love story of our time....
BWW Reviews: James Lecesne's THE ABSOLUTE BRIGHTNESS OF LEONARD PELKEY Shines Beautifully at Dixon Place
A poignant story performed by one actor, and many characters shines in this eighty-minute spectacular....
BWW Reviews: Flux Theatre Ensemble's ONCE UPON A BRIDE THERE WAS A FOREST Combines Fairy Tale Troupes, 21st Century References
Once upon a time there was a play that showcased fairy tale motifs and iPhones, dollhouses and GPS directional systems. This is Flux Theatre Ensemble's production of Kristen Palmer's world premiere play "Once Upon A Bride There Was A Forest," now running at the 4th Street Theatre. The logic behind t...
BWW Reviews: Ground UP Productions' ASYMMETRIC at 59E59 Theaters Offers Theatrical Thrills
Mac Rogers's New York premiere play "Asymmetric" holds the distinction of being the only live theater thriller this audience member has seen. As staged by director Jordana Williams in the intimate Theater C at 59E59 Theaters, this play about troubled former CIA agent Josh Ruskin and his duplicitous ...
BWW Reviews: On the Edge of Hope
Written by David A. Gill and directed by Tom Wallace, Providence is essentially a deep study of humanity - of how difficult it is to be human and live without existentially getting lost at least at least a thousand times. Originally produced at Transient Theater in Chicago and marking the completion...
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