BURNING COAL THEATRE COMPANY 2013-14 SEASON - Burning Coal Theatre Non Equity Auditions

Posted March 10, 2013
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BURNING COAL THEATRE COMPANY 2013-14 SEASON - Burning Coal Theatre

AUDITION!



Burning Coal Theatre Company of Raleigh, NC will hold auditions for
its 2013/2014 on Saturday, April 20th from 9 am to 5:30 pm. Actors of
ages, races, genders and ethnicities are encouraged to attend. Please
bring two copies of your picture/resume and two one-minute contrasting
monologues (one Shakespeare, one contemporary). To register for a
timeslot, please email
coalartisticdir@ncrrbiz.com with a time you
would like to audition. We will respond with a specific timeslot.
Auditions will be held at Burning Coal Theatre, 224 Polk Street,
Raleigh, NC 27604.
www.burningcoal.org for additional details.



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Auditions. Burning Coal Theatre Company will hold auditions for its
2013/2014 season of plays in Raleigh, NC on Saturday, April 20, 2013
from 9 a.m. to 5:30 pm. Actors should email

coalartisticdir@ncrrbiz.com for a timeslot. Please prepare two
one-minute contrasting monologues (one Shakespeare, one contemporary)
and bring two copies of your picture resume. Arrive 15 minutes before
your appointed timeslot to 224 Polk Street, Raleigh, NC 27604 For
further information please visit us at
www.burningcoal.org.

NOTE: If possible, please include “Burning Coal Theatre Company” as
part of these listings.

Thank you.

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Burning Coal Theatre Company is one of Raleigh's intimate,
professional theatres. Burning Coal is an incorporated, non-profit
[501 (c) (3)] organization. Burning Coal's mission is to produce
literate, visceral, affecting theatre that is experienced, not simply
seen. Burning Coal produces explosive reexaminations of overlooked
classic and modern plays, as well as new plays, whose themes and
issues are of immediate concern to our audience, using the best local,
national and international artists available. We work toward a theatre
of high-energy performances and minimalist production values. The
emphasis is on literate works that are felt and experienced
viscerally, unlike more traditional linear plays, at which audiences
are most often asked to observe without participating. Race and gender
non-specific casting is an integral component of our perspective, as
well as an international viewpoint.

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