THAT'LL BE THE DAY Will Embark on Spring UK Tour
by BWW News Desk - December 15, 2025
Trevor Payne and Prestige Productions are back on the road as That’ll Be The Day embarks on its 40th anniversary spring tour. Learn more about the tour here!
by BWW News Desk - December 15, 2025
Trevor Payne and Prestige Productions are back on the road as That’ll Be The Day embarks on its 40th anniversary spring tour. Learn more about the tour here!
MFA/BFA Dance Concert INTERTWINED | UNRAVELED Comes to UHM Kennedy Theatre in January
by BWW News Desk - December 15, 2025
The University of Hawai‘i at Mānoa's Department of Theatre & Dance and Kennedy Theatre will present Intertwined | Unraveled, 2026 MFA/BFA Dance Concert featuring original choreographic works by graduating MFA and BFA student artists.
by BWW News Desk - December 15, 2025
The University of Hawai‘i at Mānoa's Department of Theatre & Dance and Kennedy Theatre will present Intertwined | Unraveled, 2026 MFA/BFA Dance Concert featuring original choreographic works by graduating MFA and BFA student artists.
Review: THE OTHER SIDE STORY at GALA Hispanic Theatre
by Roger Catlin - December 14, 2025
Most know the musical “West Side Story,” where Puerto Rican and white gangs rumble on the Upper West Side 1950s New York in the manner of the Montagues and Capulets.
by Roger Catlin - December 14, 2025
Most know the musical “West Side Story,” where Puerto Rican and white gangs rumble on the Upper West Side 1950s New York in the manner of the Montagues and Capulets.
Review Roundup: ANNA CHRISTIE Starring Michelle Williams and Tom Sturridge
by Gillian Blum - December 14, 2025
What did critics think of ANNA CHRISTIE, running at Brooklyn's St. Ann's Warehouse, directed by Thomas Kail, and starring Michelle Williams and Tom Sturridge?
by Gillian Blum - December 14, 2025
What did critics think of ANNA CHRISTIE, running at Brooklyn's St. Ann's Warehouse, directed by Thomas Kail, and starring Michelle Williams and Tom Sturridge?
Review: AN IRISH CAROL at The Keegan Theatre
by Jackson Malmgren - December 14, 2025
DC holiday theatre isn’t complete without The Keegan Theatre’s AN IRISH CAROL- an uproarious, colorfully-phrased ode to Christmas. Modeled on Charles Dicken’s “A Christmas Carol,” AN IRISH CAROL has become a classic in its own right.
by Jackson Malmgren - December 14, 2025
DC holiday theatre isn’t complete without The Keegan Theatre’s AN IRISH CAROL- an uproarious, colorfully-phrased ode to Christmas. Modeled on Charles Dicken’s “A Christmas Carol,” AN IRISH CAROL has become a classic in its own right.
Video: First Look at Canadian & JULIET at the Royal Alexandra Theatre
by Gillian Blum - December 14, 2025
Get a first video look at & Juliet, opening at the Royal Alexandra Theatre tonight.
by Gillian Blum - December 14, 2025
Get a first video look at & Juliet, opening at the Royal Alexandra Theatre tonight.
Review: Cheyenne Jackson Makes His Rapturous Carnegie Hall Solo Debut
by Rebecca Kaplan - December 14, 2025
The 30 ROCK and XANADU star made his Carnegie Hall solo show debut on December 8th as part of the Originals series, which continues February 2 with Patti LuPone. Read a review of Jackson's joy-filled show.
by Rebecca Kaplan - December 14, 2025
The 30 ROCK and XANADU star made his Carnegie Hall solo show debut on December 8th as part of the Originals series, which continues February 2 with Patti LuPone. Read a review of Jackson's joy-filled show.
Review: STEREOPHONIC at Hollywood Pantages Theatre
by Harker Jones - December 14, 2025
The actors are phenomenal musicians, playing the instruments themselves, and are extraordinary vocalists, with DeJean being particularly jaw dropping.
by Harker Jones - December 14, 2025
The actors are phenomenal musicians, playing the instruments themselves, and are extraordinary vocalists, with DeJean being particularly jaw dropping.
Review: ALADDIN, Adam Smith Theatre
by Natalie O'Donoghue - December 14, 2025
Can Aladdin escape the clutches of the wicked sorcerer, unlock the secrets of the magic lamp,and win the heart of the beautiful Jasmine?
by Natalie O'Donoghue - December 14, 2025
Can Aladdin escape the clutches of the wicked sorcerer, unlock the secrets of the magic lamp,and win the heart of the beautiful Jasmine?
Review: THE DANGEROUS CHRISTMAS OF RED RIDING HOOD at FMCT / The Hjemkomst Center
by Brian Michaels - December 14, 2025
FMCT’s The Dangerous Christmas of Red Riding Hood is a whimsical, heartwarming, and joyfully mischievous holiday musical that spins the classic fairy tale on its head.
by Brian Michaels - December 14, 2025
FMCT’s The Dangerous Christmas of Red Riding Hood is a whimsical, heartwarming, and joyfully mischievous holiday musical that spins the classic fairy tale on its head.
Interview: Sidney Myer Rings in the New Year with a Brand-New Show at Pangea
by Rebecca Kaplan - December 14, 2025
Catch the brand-new show SIDNEY MYER RIDES AGAIN! on December 21, 23, 27, and 29, with a special NYE performance, all at 7 pm. Read a conversation with Myer about the show.
by Rebecca Kaplan - December 14, 2025
Catch the brand-new show SIDNEY MYER RIDES AGAIN! on December 21, 23, 27, and 29, with a special NYE performance, all at 7 pm. Read a conversation with Myer about the show.
Review: SLEEPING BEAUTY, Galleon Centre, Kilmarnock
by Natalie O'Donoghue - December 14, 2025
With some exciting favourites and fresh faces set to bring the fairytale story to life, Andrew Agnew (Balamory, Scot Squad) returns as Nurse Netty Knickerbocker, Killie’s best loved Dame, alongside Jamie McKillop as the cheeky comic, Hilarious Hector. Also returning are James McAnerney as King Cuthbert, Craig McDougall as the dashing Prince Gordon of Galston and Ali Cleland the delightfully boo-able Carabosse. Gill McGowan sprinkles some panto magic as Fairy Flutterby and Charis Murray stars in the title role as Princess Beauty.
by Natalie O'Donoghue - December 14, 2025
With some exciting favourites and fresh faces set to bring the fairytale story to life, Andrew Agnew (Balamory, Scot Squad) returns as Nurse Netty Knickerbocker, Killie’s best loved Dame, alongside Jamie McKillop as the cheeky comic, Hilarious Hector. Also returning are James McAnerney as King Cuthbert, Craig McDougall as the dashing Prince Gordon of Galston and Ali Cleland the delightfully boo-able Carabosse. Gill McGowan sprinkles some panto magic as Fairy Flutterby and Charis Murray stars in the title role as Princess Beauty.
THE WIZARD OF OZ Takes You “Over the Rainbow” at City Springs Theatre Company
by Caroline Powell - December 14, 2025
THE WIZARD OF OZ is one of City Spring Theatre Company’s best, perfect for the holiday season and theatre lovers of all ages. You’re guaranteed to leave with a smile on your face, and a song in your heart.
by Caroline Powell - December 14, 2025
THE WIZARD OF OZ is one of City Spring Theatre Company’s best, perfect for the holiday season and theatre lovers of all ages. You’re guaranteed to leave with a smile on your face, and a song in your heart.
Photos: 15th ANNUAL JOE ICONIS CHRISTMAS EXTRAVAGANZA
by Genevieve Rafter Keddy - December 14, 2025
Check out photos from the 15th Annual Joe Iconis Christmas Extravaganza, the event at 54 Below that is considered A New York City Twisted Holiday Tradition.
by Genevieve Rafter Keddy - December 14, 2025
Check out photos from the 15th Annual Joe Iconis Christmas Extravaganza, the event at 54 Below that is considered A New York City Twisted Holiday Tradition.
Exclusive: Oh My Pod U Guys- Picnic At Hanging Rock with Tatianna Cordoba
by Jayke Workman - December 14, 2025
Tatianna Cordoba shares about her experience making her Broadway debut as Ana in the original cast of Real Women Have Curves, and the intricacies of navigating a career in theater as a Latin-American woman. We talk about her upbringing surrounded by art and culture, and how it led to her studying musical theater at Boston Conservatory before moving to NYC and working on almost exclusively new works.
by Jayke Workman - December 14, 2025
Tatianna Cordoba shares about her experience making her Broadway debut as Ana in the original cast of Real Women Have Curves, and the intricacies of navigating a career in theater as a Latin-American woman. We talk about her upbringing surrounded by art and culture, and how it led to her studying musical theater at Boston Conservatory before moving to NYC and working on almost exclusively new works.
Review: DUNGEONS & DRAGONS: THE TWENTY-SIDED TAVERN at Montalbán Theatre
by Amanda Callas - December 14, 2025
Dungeons & Dragons: The Twenty-Sided Tavern is an improv comedy extravaganza, with all kinds of madcap silliness on display.
by Amanda Callas - December 14, 2025
Dungeons & Dragons: The Twenty-Sided Tavern is an improv comedy extravaganza, with all kinds of madcap silliness on display.
Review: BODYTRAFFIC: CHECK-MATE Dazzled at The Wallis
by Shari Barrett - December 14, 2025
The four pieces performed during BODYTRAFFIC: Check-Mate highlighted the dance company’s technical prowess and ability to masterfully embody diverse choreography styles via their dazzling versatility.
by Shari Barrett - December 14, 2025
The four pieces performed during BODYTRAFFIC: Check-Mate highlighted the dance company’s technical prowess and ability to masterfully embody diverse choreography styles via their dazzling versatility.
Review: WHAT THE DICKENS at TheatreWorks New Milford
by Jared Reynolds - December 14, 2025
If I had a nickel for every time that I’ve reviewed the same show, I’d have 2 nickels. Which isn’t a lot, but I’m surprised that it took so long in my reviewing history to happen. It shouldn’t be a surprise, however, that in both cases, they are to review Christmas productions. For the first time since 2021, I’ve been treated with attending TheatreWorks New Milford’s production of Matt Austin’s, What the Dickens. Can we officially call this a Christmas Classic?
by Jared Reynolds - December 14, 2025
If I had a nickel for every time that I’ve reviewed the same show, I’d have 2 nickels. Which isn’t a lot, but I’m surprised that it took so long in my reviewing history to happen. It shouldn’t be a surprise, however, that in both cases, they are to review Christmas productions. For the first time since 2021, I’ve been treated with attending TheatreWorks New Milford’s production of Matt Austin’s, What the Dickens. Can we officially call this a Christmas Classic?
Review: SARA SHEPERD: PLEASE COME HOME FOR CHRISTMAS at The Blue Strawberry Showroom And Lounge
by James Lindhorst - December 14, 2025
Watching Broadway’s Sara Sheperd perform her holiday themed cabaret, Please Come Home for Christmas, is akin to sitting in front of a cozy fire with a mug of hot cocoa. Sheperd, and her piano playing father Scott, shared more than a dozen of her favorite holiday songs peppered with a few seasonally appropriate Broadway tunes. From her opening number “Let it Snow” to her final song “It’s Beginning to Look a Lot Like Christmas,” Sara Sheperd gifted the audience with a lovely evening of perfectly pitched and precisely phrased vocals. Her audience left the club feeling the spirit of the season and grateful that the humble Sheperd shared her talent again in St. Louis.
by James Lindhorst - December 14, 2025
Watching Broadway’s Sara Sheperd perform her holiday themed cabaret, Please Come Home for Christmas, is akin to sitting in front of a cozy fire with a mug of hot cocoa. Sheperd, and her piano playing father Scott, shared more than a dozen of her favorite holiday songs peppered with a few seasonally appropriate Broadway tunes. From her opening number “Let it Snow” to her final song “It’s Beginning to Look a Lot Like Christmas,” Sara Sheperd gifted the audience with a lovely evening of perfectly pitched and precisely phrased vocals. Her audience left the club feeling the spirit of the season and grateful that the humble Sheperd shared her talent again in St. Louis.
Review: LA CAGE AUX FOLLES at Théâtre De Châtelet
by Patrick Honoré - December 14, 2025
La Cage aux Folles finally returns to its French roots at the Théâtre du Châtelet—and the homecoming is worth the wait. Olivier Py’s ambitious revival, led by a radiant Laurent Lafitte, blends glamour, wit, and quiet political force in a production that reclaims Jerry Herman’s musical as both spectacle and statement
by Patrick Honoré - December 14, 2025
La Cage aux Folles finally returns to its French roots at the Théâtre du Châtelet—and the homecoming is worth the wait. Olivier Py’s ambitious revival, led by a radiant Laurent Lafitte, blends glamour, wit, and quiet political force in a production that reclaims Jerry Herman’s musical as both spectacle and statement
BLACKBARN in NoMad Publishes New Cookbook-Make Chef Doherty's Renowned Recipes
by Marina Kennedy - December 14, 2025
In celebration of BLACKBARN Restaurant's 10th Anniversary in 2025, Chef John Doherty sought to capture the memories from some of its most festive occasions, stories from staff both past and present.
by Marina Kennedy - December 14, 2025
In celebration of BLACKBARN Restaurant's 10th Anniversary in 2025, Chef John Doherty sought to capture the memories from some of its most festive occasions, stories from staff both past and present.
Review Roundup: BENGAL TIGER AT THE BAGHDAD ZOO at the Young Vic
by Gillian Blum - December 14, 2025
BENGAL TIGER AT THE BAGHDAD ZOO opened at the Young Vic this week, and runs through January 31 — here is what critics thought of the production in the United Kingdom.
by Gillian Blum - December 14, 2025
BENGAL TIGER AT THE BAGHDAD ZOO opened at the Young Vic this week, and runs through January 31 — here is what critics thought of the production in the United Kingdom.
Review: THE BFG, Royal Shakespeare Theatre
by Cindy Marcolina - December 14, 2025
Co-Artistic Director of the RSC Daniel Evans brings to life one of Roald Dahl’s most darkly beloved children’s books in an utterly thrilling adaptation by Tom Wells.
by Cindy Marcolina - December 14, 2025
Co-Artistic Director of the RSC Daniel Evans brings to life one of Roald Dahl’s most darkly beloved children’s books in an utterly thrilling adaptation by Tom Wells.
Historic Spots To See From Your Favorite Broadway Shows
by Jennifer Ashley Tepper - December 14, 2025
One of the best parts of seeing a show in New York City is how there is often a relevant historic spot to visit, just steps away from the show you’re seeing. Here's just a few examples...
by Jennifer Ashley Tepper - December 14, 2025
One of the best parts of seeing a show in New York City is how there is often a relevant historic spot to visit, just steps away from the show you’re seeing. Here's just a few examples...
Review: THE MYSTERY OF IRMA VEP - A PENNY DREADFUL, Jack Studio Theatre
by Gary Naylor - December 14, 2025
Part-panto, part-pastiche, an affectionate and funny homage to genres past and present
by Gary Naylor - December 14, 2025
Part-panto, part-pastiche, an affectionate and funny homage to genres past and present
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