The latest reviews and critic recommendations from Nashville.
Dominique Morisseau's Pipeline, which continues Nashville Repertory Theatre's 35th season, is an emotionally driven work of contemporary eloquence and power, a play which audiences should experience in hopes of opening their eyes to the institutional prejudice and bias that exists in this country a?
I love The Rocky Horror Show and Clint Randolph and his stellar ensemble of performers have won me over! Their 2019 production of The Rocky Horror Show is incredibly good, outlandishly fun and faithful to the material.
Street Theatre Company has been on a bit of a roll in 2019 a?' there's been a spate of terrific shows, the move into an impressive new space on Elm Hill Pike that will allow the company to grow, and they've continued the legacy created by company founders by continuing to push the envelope in ways c
Eric Butler is a good writer.
There comes a moment quite near the conclusion of Roxy Regional Theatre's production of Assassins that is both brilliant and chilling, perfectly encapsulating what the Stephen Sondheim-John Weidman musical is all about.
As the lights came up in Nashville Children's Theatre's Ann Stahlman Hill Theatre at the conclusion of Return to Sender a?" the world premiere production of Marisela Trevino Orta's adaptation of Julia Alvarez's novel of the same name, now onstage at NCT through October 27 a?" the familiar a?oedinga?
Elizabeth Caballero's captivating performance as the tragic romantic heroine Cio Cio San, the titular lead of Puccini's classic opera Madame Butterfly, is so breathtakingly, so exquisitely heartbreaking that she alone is enough to make the 2019-20 season opening production from Nashville Opera a tri
a?oeWhat the hell did I just sit through?a?? was my visceral reaction upon leaving the opening night performance of A.
Seven Brides for Seven Brothers, the 1982 stage musical borne of the 1954 film treatment based on a story by Stephen Vincent Benet, doesn't hold up as well in 2019 as many classic musical theater titles a?" what with its sexist storyline, ersatz score that longs to remind us of something by Rodgers
Who'd have ever thought a seven-foot-tall, dark, handsome and green chap a?' crafted from the bits and pieces of various fellows gone home to meet their maker, as it were a?' could prove to be so likable, charming and, we daresay, sexy? But leave it to Mel Brooks (and Gene Wilder, his co-writer on t
Somewhere among the cards and letters, photographs and souvenirs from my misspent youth is a picture (circa 1978) of me clad in a powder blue tuxedo, with a ruffled-front shirt edged in the same hue, all capped off by an impossibly wide bow tie to match a?" my costume to serve as a groomsman in the
Now onstage at Clarksville's Roxy Regional Theatre, in a production that is respectful of the material and with emotions reverberating through a heart so true that one is likely to be caught up in a very particular moment in theatrical time, A Chorus Line resonates as deeply in 2019 as it did in 197
Sharply focused direction and an imaginative design concept by Cat Arnold a?" along with stellar leading performances from Tyler Henry, Craig Hartline and Deborah Seidel a?" combine to make Way Off Broadway Productions' The Curious Incident of the Dog in the Night-Time one of the year's best stage d
Brilliant social commentary or sophomoric lowbrow humor? Just what is it that makes Urinetown the Musical such a hit with audiences and theater companies a?' is it the biting satire delivered in Greg Kotis' book and lyrics and in Mark Hollmann's music and lyrics, or is it (in the case of Nashville R
Profoundly moving and endlessly poignant a?' yet somehow laugh out loud funny at times it is most unexpected a?' Dear Evan Hansen, the Tony Award-winning musical that sharply reflects society's fascination with popularity and a?oefitting ina?? with a decidedly contemporary flavor, has settled into A
One need venture no further than Street Theatre Company's Be More Chill a?" directed by Sawyer Wallace, it's one of the year's best musicals a?" for just such a theatrical adventure.
Director Daniel DeVault has assembled a stellar cast for the latest production onstage at Chaffin's Barn Dinner Theatre a?" Steven Dietz's Sherlock Holmes: The Final Adventure a?" who bring the tale to life with enthusiasm and vigor that's leavened by enough humor to keep even the most discerning of
Sort of like an extra-special episode of The Golden Girls - ACCC's Mamma Mia!, not to be confused with Studio Tenn's Mamma Mia! which runs through September 8 in Franklin - is given a new lease on life, as it were, thanks to Deason's casting choices: Imagine if Dorothy, Rose, Blanche and Sophia were
Directed with his signature creative flair, boundless imagination and penchant for fun by Benji Kern, Studio Tenn's interim artistic director, Mamma Mia! features a stellar cast of performers bringing the show to life with the expected verve and energy that the ABBA score virtually demands.
Roald Dahl's Matilda the Musical a?" with music and lyrics by Tim Minchin and book by Dennis Kelly a?" plays the historic Franklin Theatre through August 11, with a rollicking production helmed by Sondra Morton, featuring musical direction by Jamey Green and choreography by Everett Tarlton, who scor
Powerhouse vocals from its two leading players (Anthony Lazzaro and Cassie Donegan), along with focused direction, spirited choreography, effusive music coming from the pit and an eye-popping visual design aesthetic combine to make Cumberland County Playhouse's most recent iteration of Joseph and th
Cori Anne Laemmel continues to do amazing things at The Theater Bug a?' whether it's creating new and compelling art, engaging in revealing collaborations with other creative individuals, or, more importantly, providing a safe space for a new generation of young theater artists eager to transform th
Life, as we know it, happens all around us in an amazing cavalcade of events that at once might seem inconsequential yet their importance becomes evident with time and experience.
Once upon a time, there was a country that only existed for one brief day and there was a man named Adam, who was determined to return to his long-lost homeland who held the key to its ephemeral history.
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Moon Over Buffalo Tellico Community Playhouse (9/03-9/20) |
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Monty Python's Spamalot Orpheum Theatre (10/27-11/01) |
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An Enemy of the People The Circuit Playhouse (9/11-10/04) |
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Cyrano Watershed Public Theatre (9/10-9/19) |
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Les Miserables Playhouse on the Square (5/28-6/27) |
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Jack Johnson at Ascend Amphitheater Ascend Amphitheater (8/25-8/25) |
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Clue Orpheum Theatre (9/15-9/20) |
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ATRIUM TheatreWorks@TheSquare (1/08-1/24) |
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Disney's The Little Mermaid Ramsey Theatre Company (6/26-6/27) |
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Inherit the Wind South Jackson Performing Arts Center (9/17-9/20) |
