Carolan Trbovich is an innovator who used corporate savvy and her considerable creativity to blaze new trails in entertainment industry operations for two powerhouse music companies, Word Entertainment of Warner Brothers Records and Sparrow Records of EMI Music Group.
Carolan studied at UCLA, The Film Actors’ Workshop, The Hollywood Film Institute, and The American Film Institute where she received extensive professional training in various areas of entertainment operations in theater, film, and music business development. Trbovich has numerous board memberships/affiliations including, the American Marketing Association, National Public Relations Committee Board, The Gospel Music Association, The Country Music Association, The Recording Academy, The Country Connection NYC, the Manhattan Association of Cabarets, The American Federation of Television and Radio Artists, The National Association of Record Merchandisers, American Theatre Critics Association and the United States Press Agency.
Ms. Trbovich has made great strides in increasing productivity and profitability for many clients through inspired marketing and creating trend-setting new standards of operation. Her efforts have made Trbovich a popular speaker at retail trade and arts conventions nationwide. Carolan is the Broadway correspondent, writing reviews and interviews for Nashville's Dish Magazine, and has published articles in various business journals, entertainment blogs, and magazines.
Carolan has impacted the entertainment, education and performing arts industries with groundbreaking new ideas in business operations, media management, and community outreach. From her love of the Arts, she has pioneered MasterClass Guild, Conservatory of the Arts, designed for creative arts students to study with artists and industry professionals. Out of her passion for all things Broadway, Carolan created the first Broadway cabaret in the state of Tennessee, Absinthe, A Broadway Cabaret, bringing Broadway performers and cabaret artists to perform standards from The Great American Songbook repertoire of classics by such beloved composers as Lerner & Loewe, Rodgers & Hammerstein, Gershwin, Berlin, and Cole Porter.
Raised on the Ohio River, in the picturesque pottery town of East Liverpool, Carolan’s upbringing was colored by a rich and diverse heritage. “My mother was Italian and my father was Serbian”, she explains. “They were proud Americans and taught my brothers and me about our European heritage. They also taught us to be passionate in all we do.” That passion can be clearly seen in Trbovich’s life and career, which she approaches with great enthusiasm. Carolan is thrilled to return to Nashville after 7 years of writing for BroadwayWorld Sarasota and affirms, "The Nashville area has so much unparalleled talent and the finest venues for all types of staging. It's an honor and a blessing for me to be "back home" and reporting on all things entertainment in Music City".
What did our critic think of DRACULA at Turner Theater? Put on your turtlenecks, grab a crucifix, and lock your doors. Dracula is on the loose in Franklin!
Born into one of Hollywood’s most beloved musical dynasties, with mother Shirley Jones, father Jack Cassidy, and brothers David and Shaun, Patrick Cassidy has long stood out as a star in his own right.
What did our critic think of JERSEY BOYS at Turner Theater?
Studio Tenn brings yet another delightful production to their stage in Mischief Theatre’s, The Play That Goes Wrong, a masterclass in comedic chaos, blending slapstick humor, impeccable timing, and rapid delivery of theatrical mayhem.
What did our critic think of EDGAR ALLAN POE SPEAKEASY at Franklin Theatre?
What did our critic think of MILLION DOLLAR QUARTET CHRISTMAS at Turner Theater?
What did our critic think of ODDITY IMPROV at Mockingbird Theater?
It All Comes Out in the Wash, is a warm, humorous, and skillfully written story staged by Backlight Productions, Theater Arts for Individuals with Intellectual and Developmental Disabilities.
BroadwayWorld readers know the theater is blessed with talented people who not only perform on the stage but also manage operations behind the scenes. From tech crews, producers, directors, and writers, to publishers, instructors, and dramaturgs, these folks have their own “stage presence” that leans toward the creative side of this craft.
What did our critic think of BRIGHTSTONE HOLIDAY CONCERT at Liberty Hall The Factory At Franklin?
What did our critic think of CHICAGO at Loveland's Center Performing Arts Theatre?
Sharon Preston-Folta's documentary feature, Little Satchmo, is the heartwarming and heart-wrenching story of her journey as the secret daughter of legendary jazz trumpeter, Louis Armstrong.
What did our critic think of MAN OF LA MANCHA at Asolo Repertory Theatre?
What did our critic think of BIG SEXY: THE FATS WALLER REVUE at Westcoast Black Theatre Troupe?
What did our critic think of WE ALL FALL DOWN at The Players Centre? Who doesn't like a good Seder? The lovely gathering. The kosher wine. The heartfelt tradition. The kosher wine. The four questions. The kosher wine. The Culture Clash. The identity clash. The guilt. More wine, please.
What did our critic think of COME ON, GET HAPPY! at Riveview Performing Arts Center?
What did our critic think of DREAMGIRLS at Westcoast Black Theatre Troupe?
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