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MONTREAL THEATER REVIEWS

The latest reviews and critic recommendations from Montreal
Review: SIRE: A FATHER-DAUGHTER VAMPIRE STORY at Cafe Campus

Review: SIRE: A FATHER-DAUGHTER VAMPIRE STORY at Cafe Campus

by Tara McGowan-Ross — June 18, 2022
A near-death experience very nearly stops this reviewer from writing a rave....
BWW Review: THE ONE at Freestanding Room

BWW Review: THE ONE at Freestanding Room

by Tara McGowan-Ross — June 12, 2022
This artful delve into the alienation of modern dating is wise beyond its runtime....
BWW Review: NEXT TO NORMAL at Monument National

BWW Review: NEXT TO NORMAL at Monument National

by Tara McGowan-Ross — May 11, 2022
I like musicals, in theory. I genuinely don’t like very many of them in practice. I know that the true and beautiful melding of rock and musical theatre is possible, because I have seen it. When I’m hard on musicals, I am not angry. I am disappointed. I know that musicals can be good....
BWW Review: THE BOX at Studio Hydro-Quebec Monument-National

BWW Review: THE BOX at Studio Hydro-Quebec Monument-National

by Tara McGowan-Ross — June 19, 2021
The Nils Svensson Carell-penned breakup drama is well-acted, funny, and very deep for its short length....
BWW Review: THIRD NIPPLE CHAKRA ACTIVATION STATION at Balustrade Monument-National

BWW Review: THIRD NIPPLE CHAKRA ACTIVATION STATION at Balustrade Monument-National

by Tara McGowan-Ross — June 16, 2021
Ilana Schecter's punk rock sensibilities and unrepentant queer joy rescue a hard-to-follow narrative in this experimental clown piece about learning to enjoy yourself....
BWW Review: PAPILLON at La Chapelle Scènes Contemporaines

BWW Review: PAPILLON at La Chapelle Scènes Contemporaines

by Tara McGowan-Ross — November 13, 2020
Celebrated Montreal choreographer Helen Simard looks for the internal logic of chaos in a show that mixes contemporary and urban dance. Exploring themes of ingenuity, resistance, adaptation and resilience, it opened to an empty theatre....
BWW Review: MYTHIC at The Segal Centre

BWW Review: MYTHIC at The Segal Centre

by Noelle Hannibal — November 7, 2019
The Segal Centre has another hit on it's hands with the North American Premiere of the pop/rock musical, MYTHIC. Directed by Brian Hill, this energetic production has already been extended through November 24, 2019....
BWW Review: HEDWIG AND THE ANGRY INCH at Café Cléopatra

BWW Review: HEDWIG AND THE ANGRY INCH at Café Cléopatra

by Tara McGowan-Ross — August 13, 2019
Ladies and gentlemen, whether you like it or not: Hedwig is here to set the record straight on the whole Tommy Gnosis thing. Did you know she wrote all his songs?...
BWW Review: HEDWIG AND THE ANGRY INCH at Menz And Mollyz Bar

BWW Review: HEDWIG AND THE ANGRY INCH at Menz And Mollyz Bar

by Chelsey Robichaud — July 18, 2019
Touring production featuring two Nova Scotians brings Tony Winning Hedwig and the Angry Inch to Halifax...
BWW Review: MONTREAL FRINGE FESTIVAL

BWW Review: MONTREAL FRINGE FESTIVAL

by Marilla Steuter-Martin — June 10, 2019
The Montreal Fringe Festival marks a vibrant start to the city's summer season. Artists come together from all over to flood the venues on and around St. Laurent Blvd. with light, music, movement and laughter....
BWW Review: CABARET at Harold Greenspon Auditorium

BWW Review: CABARET at Harold Greenspon Auditorium

by Noelle Hannibal — June 9, 2019
'...There was a city called Berlin in a country called Germany and it was the end of the world...' The Cote Saint-Luc Dramatic Society has another hit on their hands with a perfectly marvelous production of CABARET. The show is both highly entertaining and brutally tragic; sadly fitting to the wo...
I am Woman, Hear me Roar--With Laughter! 
Just For Laughs to Have Strong Female Line

I am Woman, Hear me Roar--With Laughter! Just For Laughs to Have Strong Female Lineup for Theatre Folk

by Andee Shuster — May 27, 2019
Over the past decade or so, the Just for Laughs lineup has branched out from the classic scene of funny comics with microphone in hand; audiences can also enjoy humorous theatrical presentations as well. Aside from the plethora of impressive comedians and celebrities that are part of the festivities...
BWW Review: BONNIE & CLYDE at MainLine Theatre

BWW Review: BONNIE & CLYDE at MainLine Theatre

by Noelle Hannibal — April 27, 2019
Brand new musical theatre company, Contact Theatre has made it's debut with a bang! Their inaugural production BONNIE & CLYDE opened last night at the MainLine Theatre to a sold out crowd....
BWW Preview: KINKY BOOTS at Saint-Denis Theatre

BWW Preview: KINKY BOOTS at Saint-Denis Theatre

by Andee Shuster — April 22, 2019
A Tony-Award winning Broadway musical based on the British film of the same name, Kinky Boots is inspired by the real-life makeover story of the W.J. Brooks Shoe Company; a family business that went from making conservative footwear to...well...kinky boots....
BWW Review: I Forgot Your Name: REQUIEM POP at Agora De La Danse

BWW Review: I Forgot Your Name: REQUIEM POP at Agora De La Danse

by Tara McGowan-Ross — April 11, 2019
REQUIEM POP's deconstruction of many things-Iggy's music, the conventions of dance and storytelling, the boundaries between performer and audience, the use of the space -are the right kinds of envelope-pushing to tick off all the highbrow boxes, while managing the nearly impossible task of not also ...
BWW Review: BLIND DATE at Centaur Theatre

BWW Review: BLIND DATE at Centaur Theatre

by Marilla Steuter-Martin — April 10, 2019
Going on a blind date is a risky thing. If you don't know the first thing about the person in the chair across from you, it can be nerve-wracking and lead to embarrassment, awkward silences and end in disaster. Or, it can be warm, sweet and uproariously funny....
BWW Review: NUMBERS INCREASE AS WE COUNT... at MAI — Not a Performance, but a Prote

BWW Review: NUMBERS INCREASE AS WE COUNT... at MAI — Not a Performance, but a Protest

by Tara McGowan-Ross — March 5, 2019
Since the beginning of the American occupation of Iraq, thousands of women and girls have been lost to human trafficking, abuse, violence, and murder. Ülfet Sevdi brings these forgotten women into visceral awareness....
BWW Review: ALMOST, MAINE at The Harold Greenspoon Auditorium—The Intimacy of Winte

BWW Review: ALMOST, MAINE at The Harold Greenspoon Auditorium—The Intimacy of Winter

by Tara McGowan-Ross — March 3, 2019
Almost, Maine gives us so many different versions of love and intimacy-but which ones melt through this reviewer's cold, dead, winter heart?...
BWW Review: BOOM X at Segal Centre

BWW Review: BOOM X at Segal Centre

by Andee Shuster — February 22, 2019
Rick begins his solo performance breaking the fourth wall as he lets the audience know that they are about to see him perform one hundred different characters in just over two hours....
BWW Review: THE LAST WIFE at Centaur Theatre

BWW Review: THE LAST WIFE at Centaur Theatre

by Marilla Steuter-Martin — February 15, 2019
I made the mistake of seeing this play on Valentine's Day (it just worked out that way) and perhaps that influenced my expectations away from the actual promise of what this production was going to deliver....
BWW Review: RUDDIGORE at The McGill Savoy Society

BWW Review: RUDDIGORE at The McGill Savoy Society

by Andee Shuster — February 10, 2019
Well-staged and nicely choreographed by Coralie Heiler and Stefania Bertrand, Savoy's Ruddigore was a sweet show, but quite traditional and safe. This production strayed away from the updated modern-day lyric changes that Savoy was always infamous for....
BWW Review: BLACKOUT at D. B. Clarke

BWW Review: BLACKOUT at D. B. Clarke

by Tara McGowan-Ross — February 7, 2019
In February of 1969, computer data papers fell like snow on the streets around the Hall Building. 50 years later, some of Montreal's most celebrated theatre artists shed new light on this part of our history....
BWW Review: ELSEWHERE at Centaur Theatre - Classical Mask as Protest Theatre

BWW Review: ELSEWHERE at Centaur Theatre - Classical Mask as Protest Theatre

by Tara McGowan-Ross — February 1, 2019
Odd Stumble and Imago collaborate on a work of protest theatre that offers different perspectives against Nicolas Maduro's regime in Venezuela, mounted the day after the country's presidency became heatedly contested....
BWW Review: CHILDREN OF GOD at Segal Centre

BWW Review: CHILDREN OF GOD at Segal Centre

by Marilla Steuter-Martin — January 30, 2019
How do you transform decades of trauma and silence into a moving piece of musical storytelling? Ask Corey Payette....
BWW Review: SPRING AWAKENING at AUTS (Moyse Hall)

BWW Review: SPRING AWAKENING at AUTS (Moyse Hall)

by Andee Shuster — January 27, 2019
A rock musical about students dealing with teenage angst and sexual curiosity, Spring Awakening found a suitable home at Moyse Hall, as this year's offering by McGill University's Arts Undergraduate Theatre Society (AUTS)....
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