CURRENT STANDINGS | |||
| Howell Binkley | COME FROM AWAY (Royal Alexandra Theatre) | ||
| Mike Slater | THE THREEPENNY OPERA (Video Cabaret / Unbridled Theatre Collective) | ||
| Bonnie Beecher | MAJOR BARBARA (Shaw Festival) | ||
| Kimberly Purtell | NATASHA, PIERRE & THE GREAT COMET OF 1812 (Royal Alexandra Theatre, Mirvish, Crow's Theatre, The Musical Stage Company) | ||
| Christian Horoszczak | THE BIDDING WAR (Crow's Theatre) | ||
| Mathilda Kane | RIDE THE CYCLONE (Shifting Ground Collective) | ||
| Niall Durcan | THE LITTLE MERMAID (TYT Theatre) | ||
| Franco Pang | TALKING TO DEAD CATS IN THE NIGHT (Arrowwood Theatre presented by Bygone Theatre) | ||
| Niall Durcan | CABARET (TheatreTO) | ||
| Colin Grenfell | PRIDE & PREJUDICE (*SORT OF) (CAA Theatre) | ||
| Justine Cargo | CTRL ALT DELETE: AN ALPHABETICAL MUSICAL (Toronto Fringe, Theatre Passe Muraille) | ||
| Niall Durcan | THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (Shifting Ground Collective) | ||
| Kimberley Purtell | NATASHA & PIERRE (Mirvish, Crow's Theatre, The Musical Stage Company) | ||
| Zarha Esmail | NOT A CULT THE MUSICAL (Small but Mighty Productions) | ||
| Imogen Wilson | WIGHTS (Crow's Theatre) | ||
| Linas Kairys | STRANGER SINGS! (Randolph Theatre) | ||
| Sruthi Suresan | THE MERCHANT OF VENICE (Shakespeare BASH'd) | ||
| Laura Wheeler | THE ELEPHANT GIRLS (Red Sandcastle Theatre) | ||
| Johnson Wang | MINIMUM (The Players' Guild of Hamilton) | ||
| Raha Javanfar | FLEX (A Crow's Theatre & Obsidian Theatre Company Co-Production) | ||
| Imogen Wilson | ALMOST EVER AFTER (Playground) | ||
| Glenn Davidson | ESTELLE SINGERMAN (Harold Green Jewish Theatre) | ||
| Steve Lucas | POWERS AND GLORIA (Blyth Festival) | ||
| Michelle Ramsay | TRIDENT MOON (Crow's Theatre) | ||
| Shania Scott | BLUEBIRDS (Theatre on the Ridge) | ||
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* Note: These results are un-audited numbers. All voting results will be tabulated, and will be audited at the conclusion of the voting process to remove fake, duplicate and other invalid votes. The results you see here may alter slightly or significantly as a result of that auditing process.
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