by Franco Milazzo - November 16, 2025
A poetic response to a remarkable work of anti-theatre....
by Neil Brewer - November 15, 2025
What did our critic think of AMÉLIE THE MUSICAL BY WITCH MUSIC THEATRE at The Hannah?...
by Becky Winter - November 15, 2025
What did our critic think of ON GOLDEN POND at Hanover Little Theatre?...
by Cade Lott - November 15, 2025
For an outrageously funny night out, CLUE at the BJCC is a must!...
by Sarah Dussome - November 15, 2025
This festive world premiere features a book by Georgina Escobar and Jess Milton along with original music and lyrics by Colleen Dauncey and Akiva Romer-Segal....
by Amanda Callas - November 15, 2025
While there are ample charms on display in this Pacific Opera Project production of Fra Diavolo, director Josh Shaw seems to lack the right kind of touch for this light-hearted, confectionary romp....
by Lora Strum - November 15, 2025
What did our critic think of QUADROPHENIA, A ROCK BALLET at New York City Center?...
by Gary Naylor - November 15, 2025
A touch of Grand Guignol and a soupçon of French farce can't land a show whose style swamps its substance...
by Courtney Castelino - November 15, 2025
What did our critic think of SHE KILLS MONSTERS at Kailash Mital Theatre?...
by Sara Altea Balestra - November 15, 2025
Joe Bastianich sale per la prima volta su un palco teatrale con Money – Il bilancio di una vita. Tra musica, racconti e riflessioni sul denaro e sul successo, lo spettacolo svela la sua storia in un viaggio tra USA e Italia che celebra ambizione, sfide e nuove strade, tra cui quella del teatro....
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