The Catastrophic Theatre's Production of Sarah Kane's CLEANSED Canceled Due To Unforeseen Tragedy

In honor of the 45th Anniversary of the internationally prestigious Susan Smith Blackburn Prize, 4th Wall Theatre Company is hosting a special one-night only reading of this year's Prize Winner, IN THE AMAZON WAREHOUSE PARKING LOT by U.S. playwright Sarah Mantell.  Presented on Sunday, June 4 at 7pm, the reading will be followed by a reception and conversation with the playwright.

​I first read THE LEGEND OF GEORGIA MCBRIDE when I was cast to play Jo in a directing class production. It seemed like such a fun show, with sassy lines, hilarious scenarios, and endearing characters. However, the logistics of the constant costume, set, and mood shifts seemed like a nightmare. However, Stages has made magic once again! ​

On May 10th, I had the joy of seeing Mildred's Umbrella's latest production, Elizabeth A.M. Keel's TOOTH AND TAIL. Even though the show's short run is now over, I wanted to share my thoughts about TOOTH AND TAIL to shine a light on Keel's work as well as the artistry that every person involved with the show brought to Houston.

Dirt Dogs’ current incarnation of AUGUST: OSAGE COUNTY is the finest work they have done in over eight years at the MATCH, and it is easily among the best things running this year in Houston theater. This show is cast immaculately, technical design nears flawless, and direction is tight and wrought. It is operatic, it is epic, and it is a must-see for fans of excellence in theatrical arts.