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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
& JULIET (STEPHEN SONDHEIM) |
$877,834 | $877,834 | $117 $324 |
7,527 | 8,208 | 8 | 91.70% |
|
ALADDIN (NEW AMSTERDAM) |
$1,328,174 | $1,328,174 | $103 $240 |
12,920 | 13,816 | 8 | 93.50% |
|
ALL OUT: COMEDY ABOUT AMBITION (NEDERLANDER) |
$409,041 | $409,041 | $172 $449 |
2,382 | 2,382 | 2 | 100.00% |
|
ART (MUSIC BOX) |
$1,543,419 | $1,543,419 | $193 $523 |
7,979 | 7,992 | 8 | 99.80% |
|
BEETLEJUICE (PALACE) |
$663,040 | $663,040 | $86 $299 |
7,671 | 13,184 | 8 | 58.20% |
|
BUENA VISTA SOCIAL CLUB (SCHOENFELD) |
$1,094,652 | $1,094,652 | $140 $397 |
7,802 | 8,392 | 8 | 93.00% |
|
CHESS (IMPERIAL) |
$1,887,488 | $1,887,488 | $169 $497 |
11,179 | 11,568 | 8 | 96.60% |
|
CHICAGO (AMBASSADOR) |
$707,054 | $707,054 | $106 $237 |
6,694 | 8,640 | 8 | 77.50% |
|
DEATH BECOMES HER (LUNT-FONTANNE) |
$1,350,360 | $1,350,360 | $120 $349 |
11,255 | 11,928 | 8 | 94.40% |
|
HADESTOWN (WALTER KERR) |
$938,943 | $938,943 | $129 $249 |
7,259 | 7,344 | 8 | 98.80% |
|
HAMILTON (RICHARD RODGERS) |
$2,804,662 | $2,804,662 | $263 $575 |
10,664 | 10,592 | 8 | 100.70% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$2,986,734 | $2,986,734 | $230 $600 |
12,976 | 12,976 | 8 | 100.00% |
|
HELL'S KITCHEN (SHUBERT) |
$1,011,121 | $1,011,121 | $99 $347 |
10,191 | 11,656 | 8 | 87.40% |
|
JUST IN TIME (CIRCLE IN THE SQUARE) |
$1,470,022 | $1,470,022 | $258 $675 |
5,701 | 5,520 | 8 | 103.30% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
LIBERATION (JAMES EARL JONES) |
$429,694 | $429,694 | $81 $297 |
5,297 | 8,488 | 8 | 62.40% |
|
LITTLE BEAR RIDGE ROAD (BOOTH) |
$433,794 | $433,794 | $96 $187 |
4,528 | 6,160 | 8 | 73.50% |
|
MAMMA MIA! (WINTER GARDEN) |
$1,914,060 | $1,914,060 | $162 $398 |
11,796 | 12,072 | 8 | 97.70% |
|
MARJORIE PRIME (HAYES) |
$292,842 | $292,842 | $73 $269 |
4,031 | 4,648 | 8 | 86.70% |
|
MAYBE HAPPY ENDING (BELASCO) |
$1,264,105 | $1,264,105 | $165 $475 |
7,683 | 7,784 | 8 | 98.70% |
|
MJ (NEIL SIMON) |
$1,441,939 | $1,441,939 | $145 $352 |
9,959 | 11,096 | 8 | 89.80% |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$1,123,709 | $1,123,709 | $115 $249 |
9,763 | 10,400 | 8 | 93.90% |
|
OEDIPUS (STUDIO 54) |
$849,754 | $849,754 | $116 $327 |
7,302 | 8,120 | 8 | 89.90% |
|
OH, MARY! (LYCEUM) |
$1,214,117 | $1,214,117 | $170 $375 |
7,160 | 7,160 | 8 | 100.00% |
|
OPERATION MINCEMEAT: A NEW MUSICAL (GOLDEN) |
$729,708 | $729,708 | $131 $475 |
5,588 | 6,320 | 8 | 88.40% |
|
RAGTIME (VIVIAN BEAUMONT) |
$1,343,015 | $1,343,015 | $159 $349 |
8,424 | 8,424 | 8 | 100.00% |
|
SIX: THE MUSICAL (LENA HORNE) |
$731,167 | $731,167 | $108 $279 |
6,789 | 8,248 | 8 | 82.30% |
|
STRANGER THINGS: THE FIRST SHADOW (MARQUIS) |
$1,610,132 | $1,610,132 | $128 $305 |
12,591 | 12,752 | 8 | 98.70% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,118,337 | $1,118,337 | $135 $279 |
8,281 | 8,528 | 8 | 97.10% |
|
THE GREAT GATSBY (BROADWAY) |
$1,320,470 | $1,320,470 | $117 $474 |
11,270 | 11,880 | 8 | 94.90% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$2,370,958 | $2,370,958 | $180 $315 |
13,161 | 13,568 | 8 | 97.00% |
|
THE OUTSIDERS (JACOBS) |
$1,205,240 | $1,205,240 | $153 $497 |
7,869 | 8,192 | 8 | 96.10% |
|
THE QUEEN OF VERSAILLES (ST. JAMES) |
$792,190 | $792,190 | $98 $249 |
8,068 | 10,488 | 8 | 76.90% |
|
TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK) (LONGACRE) |
$634,437 | $634,437 | $99 $375 |
6,402 | 8,376 | 8 | 76.40% |
|
WAITING FOR GODOT (HUDSON) |
$1,285,710 | $1,285,710 | $166 $599 |
7,756 | 7,792 | 8 | 99.50% |
|
WICKED (GERSHWIN) |
$2,763,955 | $2,763,955 | $179 $277 |
15,408 | 15,408 | 8 | 100.00% |
| TOTAL | $43,941,878 | $1,255,482 | $145.83 $376.06 |
301,326 | 330,102 | 274 | 91.28% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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