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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
& JULIET (STEPHEN SONDHEIM) |
$603,712 | $603,712 | $90 $324 |
6,710 | 8,208 | 8 | 81.70% |
|
ALADDIN (NEW AMSTERDAM) |
$902,558 | $902,558 | $76 $200 |
11,938 | 13,816 | 8 | 86.40% |
|
ART (MUSIC BOX) |
$1,421,946 | $1,421,946 | $181 $473 |
7,865 | 7,992 | 8 | 98.40% |
|
BEETLEJUICE (PALACE) |
$802,795 | $802,795 | $91 $299 |
8,846 | 13,184 | 8 | 67.10% |
|
BUENA VISTA SOCIAL CLUB (SCHOENFELD) |
$984,489 | $984,489 | $121 $397 |
8,160 | 8,392 | 8 | 97.20% |
|
CHESS (IMPERIAL) |
$1,715,632 | $1,715,632 | $162 $475 |
10,580 | 11,568 | 8 | 91.50% |
|
CHICAGO (AMBASSADOR) |
$470,046 | $470,046 | $101 $267 |
4,673 | 8,640 | 8 | 54.10% |
|
DEATH BECOMES HER (LUNT-FONTANNE) |
$1,073,454 | $1,073,454 | $100 $299 |
10,770 | 11,928 | 8 | 90.30% |
|
HADESTOWN (WALTER KERR) |
$703,670 | $703,670 | $100 $249 |
7,058 | 7,344 | 8 | 96.10% |
|
HAMILTON (RICHARD RODGERS) |
$3,434,288 | $3,434,288 | $320 $1500 |
10,732 | 10,592 | 8 | 101.30% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$925,065 | $925,065 | $81 $204 |
11,480 | 12,976 | 8 | 88.50% |
|
HELL'S KITCHEN (SHUBERT) |
$748,394 | $748,394 | $82 $297 |
9,141 | 11,656 | 8 | 78.40% |
|
JUST IN TIME (CIRCLE IN THE SQUARE) |
$1,290,198 | $1,290,198 | $231 $675 |
5,594 | 5,520 | 8 | 101.30% |
|
LIBERATION (JAMES EARL JONES) |
$214,401 | $214,401 | $44 $297 |
4,915 | 8,488 | 8 | 57.90% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
LITTLE BEAR RIDGE ROAD (BOOTH) |
$351,940 | $351,940 | $70 $187 |
5,048 | 6,160 | 8 | 81.90% |
|
MAMMA MIA! (WINTER GARDEN) |
$1,403,430 | $1,403,430 | $122 $348 |
11,468 | 12,072 | 8 | 95.00% |
|
MAYBE HAPPY ENDING (BELASCO) |
$1,080,473 | $1,080,473 | $147 $355 |
7,341 | 7,784 | 8 | 94.30% |
|
MJ (NEIL SIMON) |
$1,179,391 | $1,179,391 | $126 $329 |
9,326 | 11,096 | 8 | 84.00% |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$850,194 | $850,194 | $89 $199 |
9,518 | 10,400 | 8 | 91.50% |
|
OEDIPUS (STUDIO 54) |
$485,098 | $485,098 | $119 $327 |
4,061 | 4,060 | 4 | 100.00% |
|
OH, MARY! (LYCEUM) |
$1,103,367 | $1,103,367 | $154 $375 |
7,160 | 7,160 | 8 | 100.00% |
|
OPERATION MINCEMEAT: A NEW MUSICAL (GOLDEN) |
$560,124 | $560,124 | $113 $475 |
4,953 | 6,320 | 8 | 78.40% |
|
PUNCH (FRIEDMAN) |
$330,873 | $330,873 | $72 $275 |
4,578 | 5,096 | 8 | 89.80% |
|
RAGTIME (VIVIAN BEAUMONT) |
$1,265,357 | $1,265,357 | $150 $379 |
8,424 | 8,424 | 8 | 100.00% |
|
ROB LAKE MAGIC WITH SPECIAL GUESTS THE MUPPETS (BROADHURST) |
$219,109 | $219,109 | $42 $297 |
5,172 | 8,302 | 7 | 62.30% |
|
SIX: THE MUSICAL (LENA HORNE) |
$467,969 | $467,969 | $93 $269 |
5,007 | 8,248 | 8 | 60.70% |
|
STRANGER THINGS: THE FIRST SHADOW (MARQUIS) |
$755,797 | $755,797 | $93 $279 |
8,147 | 12,752 | 8 | 63.90% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$748,518 | $748,518 | $102 $249 |
7,329 | 8,528 | 8 | 85.90% |
|
THE GREAT GATSBY (BROADWAY) |
$722,933 | $722,933 | $84 $277 |
8,656 | 11,880 | 8 | 72.90% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$1,728,828 | $1,728,828 | $136 $232 |
12,717 | 13,568 | 8 | 93.70% |
|
THE OUTSIDERS (JACOBS) |
$736,474 | $736,474 | $107 $398 |
6,874 | 8,192 | 8 | 83.90% |
|
THE QUEEN OF VERSAILLES (ST. JAMES) |
$828,924 | $828,924 | $102 $249 |
8,121 | 10,488 | 8 | 77.40% |
|
TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK) (LONGACRE) |
$188,418 | $188,418 | $95 $275 |
1,987 | 2,094 | 2 | 94.90% |
|
WAITING FOR GODOT (HUDSON) |
$1,581,475 | $1,581,475 | $204 $599 |
7,749 | 7,792 | 8 | 99.40% |
|
WICKED (GERSHWIN) |
$2,001,656 | $2,001,656 | $130 $277 |
15,408 | 15,408 | 8 | 100.00% |
| TOTAL | $33,880,998 | $968,029 | $122.09 $360.13 |
277,506 | 326,128 | 269 | 85.09% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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