The Festival's artistic director, Matthew Whittall säveltäjävieras has worked as a designer for Hanna Kinnunen, together with flutist and harpist Lily-Marlene Puusepp.. The festival programs of the last couple of decades the backbone is composed in the North American music. The Americans and Canadians, in addition to the works of a number of Finnish colleagues, Matthew has chosen to hear the music.
The landscape is enriched with organ stops avauksilla to past epochs – styles which preceded and immediately followed through the power of music – romantic tonal klassis. Many people at the Festival, to be heard in today's composers seem to continue to Paris music scene at the turn of the 20th century, the analysis of the factors affecting the harmony of Debussy and Ravel, and the timbre of the champions of culture in the construction of the road opened by the sound. The composition of work have been inspired by the – so in the 21st century than in the 20th century, vaihteessakin – also in the Renaissance and Baroque periods in music and the Visual Arts.
Presentation of the selected range of styles reflects the teemasäveltäjä Matthew Whittallin interests and create a fertile environment for his works. Esiintyjäjoukko is composed of the Festival, as in previous years, the Zagros-Chamber band around. A few of the players are familiar with the players, also in the Baroque period and a part of the software being consulted on these instruments. Presentation slots are also influenced by the design of the software.
Halosenniemen concert innoittaneisiin Halosenkin refers to the work of the themes from the book selections, and a clue about the concert, the Festival's amerikkalaispainotteinen software to get the English colors. Ainolassa omistanutta of the Fifth Symphony Sibelius heard two of the English composers, and they are joined by some of their countrymen in other concerts.