The MUNY 2024 Season Equity Principal Actors - Municipal Theatre Association of St Louis Auditions

Posted December 21, 2023
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The MUNY 2024 Season - Municipal Theatre Association of St Louis

The MUNY 2024 Season - St. Louis, MO EPA Municipal Theatre Association of St Louis | St. Louis, MO

Notice: Audition Call Type: EPA

AUDITION DATE

Wednesday, January 24, 2024

4:00 PM - 8:00 PM (C)

APPOINTMENTS

Auditions are by appointment times only. To sign up for an appointment please fill out the form at:


https://muny.formstack.com/forms/stlouis_resi dent_equity_auditions_2024

Sign-ups will begin on January 3rd, 2024

CONTRACT

MSUA

$1262 weekly minimum

SEEKING

Equity actors for roles in the MUNY's 2024 season (see breakdown).

Equity actors of all ethnicities, backgrounds, gender identities, body types, and abilities are encouraged to audition for all available roles. The Muny serves a diverse, nationwide audience and strives to hire performers that reflect the diversity of our audience. This theatre exists as a safe and creative place whose mission is to enrich lives by producing exceptional musicals that are accessible to all. The Muny is committed to maintaining a diverse and inclusive environment and is proud to be an equal employment opportunity workplace.

PREPARATION

Please prepare a short song in a style appropriate to the season’s shows. Be prepared to sing an additional contrasting selection if requested. Bring sheet music, picture/resume and your repertoire book; an accompanist will be provided.

BREAKDOWN

THE MUNY 2024 SEASON

LOCATION

The Muny

1 Theatre Drive

Saint Louis, MO 63112-1098

PERSONNEL

Artistic Director/Executive Producer: Mike Isaacson

Casting: The Telsey Office

See breakdown for production-specific personnel.

EXPECTED TO ATTEND:

Associate Artistic Director: Michael Baxter

OTHER DATES

See breakdown for production-specific dates.

OTHER

The season rehearses and performs outdoors in St. Louis, MO.

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

SEEKING:

LES MISÉRABLES

A musical by Alain Boublil and Claude-Michel Schönberg 

Based on the novel by Victor Hugo

Music by Claude-Michel Schönberg 

Lyrics by Herbert Kretzmer  

Original French Text by Alain Boublil and Jean-Marc Natel

Additional material by James Fenton

Director: Seth Sklar-Heyn

Choreographer: Jesse Robb

Music Director: James Moore

Associate Music Director: Michael Horsley

Casting: The Telsey Office | Lindsay Levine, Charlie Hano & Alex Cortinas

Rehearsal: June 6 – June 16

Performances: June 17 – June 23 (7 Performances)

[JEAN VALJEAN] ROLE HAS BEEN OFFERED. Character is male (cis, trans or non-binary), any ethnicity, 35-40s. Sings to B (high lyric baritone or tenor with both strong low notes and a strong falsetto). A poor man who rises to affluence, he has great natural nobility and dignity. A powerful figure, a physically and morally large man with a character of operatic size and passion. His voice has a pop/rock sound or a classical sound of extraordinary textual clarity.

[JAVERT] ROLE HAS BEEN OFFERED. Character is male (cis, trans or non-binary), any ethnicity, 35-40s. Baritone, sings to G. Policeman who relentlessly hunts Valjean. An imposing character. The ultimate “law and order” figure. Obsessed, to the point of irrationality, with a rigid and merciless moral code. He, too, is a character of operatic size and passion. Both belt voice and classical can suit this role. Has a natural gravitas and a darker vocal quality than Jean Valjean.

[THÉNARDIER] Character is male (cis, trans or non-binary), any ethnicity, late 30s-40s. Strong comic character role. A dishonest innkeeper, later a petty, amoral thief. Greedy, irreverent, selfish, boorish, vulgar. Baritone, sings to F sharp. Has a strong handle on using text in song.

[MARIUS] Character is male (cis, trans or non-binary), any ethnicity, late teens to early 20s. High baritone (sings to A) with a strong bottom (to A). A member of the aristocracy who joins the revolutionary student movement. Romantic but in a sensitive, 19th century “Byronic” way.

[ENJOLRAS] Character is male (cis, trans or non-binary), any ethnicity, 20s-early 30s. High baritone (to G sharp/B flat) very strong singer. Charismatic political figure. Leader of the revolutionary movement.

[FANTINE] Character is female (cis, trans or non-binary), any ethnicity, 20s-early 30s. Belt up to C, sings to E flat. Dignified and elegant factory worker, struggling to support her fatherless daughter. Later is a pauper, a prostitute, a consumptive and a ghost. Earthy and poignant. Although finally defeated by circumstances, she should appear to be strong and a survivor. She puts up a valiant fight against the horrors of her life.

[COSETTE] Character is female (cis, trans or non-binary), any ethnicity, late teens to early 20s. Fantine’s daughter (first seen as and played by a child). Delicate, elegant, and vulnerable. Cosette is also loyal, confident, intelligent and has a curiosity and spirit that pushes her to strive for a life of her own beyond the comfortable but sheltered life she was brought up in. Falls in love with and later marries Marius. Soprano (to high C) but a light, young “floating” sound, without heavy vibrato.

[ÉPONINE] Character is female (cis, trans or non-binary), any ethnicity, late teens to early 20s. An enormous and beautiful belt voice, with a contemporary edge. Belts to C sharp (sings to E flat). Daughter of the Thénardiers but in no way behaves like them. Fired by an unrequited love for Marius. Gamine, forlorn. Hasn’t learned to disguise her emotions; wears her heart on her sleeve.

[MADAME THÉNARDIER] ROLE HAS BEEN OFFERED. Character is female (cis, trans or non binary), any ethnicity, late 30s-early 40s. Strong character comedienne role. Belter. Tough, sharp, coarse, boorish, vulgar.

[GAVROCHE] Boy, any ethnicity, 7 - 11. Entrance height must be no taller than 53” or 4’5. Spunky street urchin. Lots of personality. Sings very well.

[LITTLE COSETTE] Girl, any ethnicity, 7 - 11. Entrance height must be no taller than 51” or 4’3. Sweet innocent waif. Pretty soprano voice.

[LITTLE ÉPONINE] Girl, any ethnicity, 7 - 11. Entrance height must be no taller than 51” or 4’3. Sweet innocent waif. Pretty soprano voice.

DREAMGIRLS

Book and Lyrics by Tom Eyen

Music by Henry Krieger

Director: Robert Clater

Choreographer: Lesia Kaye

Music Director: Anne Shuttlesworth

For our production, we are adapting the original Broadway choreography and staging by Michael Bennett

Casting: The Telsey Office | Rashad Naylor & Destiny Lilly

Rehearsal: June 16 – June 26

Performances: June 27 – July 3 (7 Performances)

SEEKING:

[EFFIE WHITE] Character is female (cis, trans, or non-binary). Black. Ages from teens — early 40s. Versatile mezzo soprano with a high belt/mix and strong pop sensibility. Effie is one of the founding members of The Dreams. A powerhouse and a soaring singer with undeniable talent. The true underdog. A vibrant, confident, and outspoken young woman who wears her heart of gold on her sleeve. Becomes overcome with anger, jealousy, and paranoia when Curtis betrays her trust. Her journey from snappy confidence to depths of betrayal ultimately ends in triumph. Moves very well.

[DEENA JONES] Character is female (cis, trans, or non-binary). Black. Ages from teens — early 40s. Versatile mezzo soprano with crossover sound and pop sensibility. Initially modest backup singer for The Dreamettes, turned lead singer of The Dreams. An endearing ingenue with regality, grace, and quiet confidence. Her humble beginnings make her an unsuspected underdog. As the lead singer, she is magnetic, effortless, and effervescent. Replaces her best friend, Effie under pressure. Embodies both innocence and star power. Moves very well.

[LORRELL ROBINSON] Character is female (cis, trans, or non-binary). Black. Ages from teens — early 40s. Versatile high soprano with strong belt/mix. Lorrell is the third member of The Dreams. The group's youngest member. Bubbly, energetic, youthful, and pragmatic. Eager for success, she's swept off her feet by the married James Thunder Early. Speaks her mind. A high-energy, quirky, hopeless romantic. Has a keen sense of humor. Moves very well.

[MICHELLE MORRIS] Character is female (cis, trans, or non-binary). Black. Early 20s. Versatile mezzo soprano with pop sensibility. Effie’s replacement in The Dreams. A dynamic singer/performer that better fits into Curtis' aesthetic for The Dreams. Headstrong and sure of her place. Falls in love with C.C. and facilitates a reunion for him with his sister, Effie. Moves very well.

[CURTIS TAYLOR JR.] Character is male (cis, trans, or non-binary). Black. Early 30s. Lyric pop baritone. Curtis is the ambitious and business savvy manager of The Dreams. Former Cadillac dealer turned entertainment manager, turned music mogul. Charming, funny, handsome, smooth, and seductive but ruthless in the pursuit of his dreams. He is motivated by his hunger for mainstream success, an appreciation for crossover music, and keen business mind. Takes over the management of Jimmy Early's career and oversees the rise to stardom of The Dreams. Initially warm and approachable, he becomes lost in wealth, power, and control. Moves very well.

[JAMES THUNDER EARLY] Character is male (cis, trans, or non-binary). Black. Early 30s. Versatile tenor with a strong falsetto and a hard-edge R&B sound. Self-proclaimed King of Soul. A chart-topping and dynamic performer. A sexy, high-energy star full of flash, charisma, and pizazz. Once a trendsetter, the newer trends threaten to pass him by. A deeply troubled showman of the era, who lets loose in every aspect of his life. A strong dancer.

[MARTY] Character is male (cis, trans, or non-binary). Black. Mid 30s —50s. Bari-tenor, but essentially a non-singing role. Street savvy, long-time manager of Jimmy's career, and the one to clean up after his mistakes. Represents an earlier age of African American entertainment; honest and loyal, never overstepping his bounds. At odds with Curtis and his ideas and schemes. Later oversees Effie's comeback.

[C.C. WHITE] Character is male (cis, trans, or non-binary). Black. Early 20s. Tenor. Effie's songwriting younger brother. Idealistic, loyal, endearing, and soft-spoken. While initially inspired by Curtis's business savvy, his efforts to do the right thing are ultimately eclipsed by Curtis' controlling vision. Goes through the journey of losing and regaining himself. Moves well.

[WAYNE] Character is male (cis, trans, or non-binary). Black. 30s — 40s. Bari-tenor. A recording producer that helps The Dreams find their sound so they can crossover to the pop charts. Moves well.

DISNEY’S THE LITTLE MERMAID

Book by Douglas Wright 

Music by Alan Menken 

Lyrics by Howard Ashman 

Director: John Tartaglia

Choreographer: Patrick O’Neill

Music Director: Annbritt duChateau

Casting: The Telsey Office | Lindsay Levine & Jimmy Larkin

Rehearsal: June 27 – July 7

Performances: July 8 – July 16 (9 Performances)

[ARIEL] Character is female (cis, trans, or non-binary), any ethnicity, 16-25. A mermaid and King Triton's youngest daughter. She is obsessed with everything about the human world, and dreams of becoming a part of life above the water. Hardheaded, naive, and emotional, but also kindhearted. Funny, with strong physical comedy. Excellent singer. Vocal range top: Gb5; Vocal range bottom: Ab3

[PRINCE ERIC] Character is male (cis, trans, or non-binary), any ethnicity, 20-30. A human monarch who has no interest in taking the crown. A handsome, affable lad with a buoyant, adventurous nature. After Ariel saves his life, he becomes obsessed with finding her and hearing her voice once more. Excellent singer. Vocal range top: G4; Vocal range bottom: B2

[URSULA] Character is female (cis, trans, or non-binary), any ethnicity, 35-45. The banished Sea Witch and sister of King Triton. Supposedly spurned at childhood, she will use whatever method necessary to steal the kingdom and claim it as her own. Funny, vampy, but malevolent, calculating, and deceptive. Belter. Vocal range top: C5; Vocal range bottom: Eb3

[GRIMSBY] Character is male (cis, trans, or non-binary), any ethnicity, 40-60. Prince Eric's British guardian. Droll, stuffy, and constantly urging Eric towards his royal duties, specifically marriage. Vocal range top: C4; Vocal range bottom: C3

[KING TRITON] Character is male (cis, trans, or non-binary), any ethnicity, 35-45. King of the Sea and Ariel's father. Beneath his imposing presence and commanding nature lurks a harried single father who will do anything to protect his daughters. The death of his wife has also given him an irrational fear of humans. Vocal range top: F4; Vocal range bottom: Ab2

[SEBASTIAN] Character is male (cis, trans, or non-binary), Black, 20-40. A crab and advisor to King Triton. A musical virtuoso who is constantly distraught from keeping after Ariel. Despite his paranoia, he can't bring himself to stand in Ariel's way. Charming, and hilarious. A true song and dance man, and funny! Vocal range top: C5; Vocal range bottom: Bb2. NOTE: Puppetry skills are a plus.

[FLOUNDER] Boy, any ethnicity, 10-13. A fish and smitten with Ariel, his best friend. Rambunctious but cautious, fearful of the dangers that lurk in and above the water. Vocal range top: G4; Vocal range bottom: A2. Unchanged voice. NOTE: Puppetry skills are a plus.

[SCUTTLE] Character is any gender (cis, trans, or non-binary), any ethnicity, 20-40. A disheveled seagull and expert in human artifacts. Bumbling and forgetful but has a heart of gold. Funny, loudmouthed, optimistic, and a bit ignorant, despite their supposed expertise. Vocal range top: G4; Vocal range bottom: C3. Strong dancer. NOTE: Tap skills are a plus.

[FLOTSAM] Character is male (cis, trans, or non-binary), any ethnicity, 20-40. An eel and one of Ursula's lackeys. Oily and spineless, he will say anything you want or need to hear. Vocal range top: C5; Vocal range bottom: E3. NOTE: Puppetry skills are a plus.

[JETSAM] Character is male (cis, trans, or non-binary), any ethnicity, 20-40. An eel and one of Ursula's lackeys. Oily and spineless, he will say anything you want or need to hear. Vocal range top: A4; Vocal range bottom: B2. NOTE: Puppetry skills are a plus.

[CHEF LOUIS] Character is male (cis, trans, or non-binary), any ethnicity, 30-50. The French palace chef, diabolical and violent. A culinary perfectionist with an affinity for blades; seafood in particular. Lots of physical comedy and featured comic singing. Great comedic timing. Vocal range top: A4; Vocal range bottom: Bb2.

FIDDLER ON THE ROOF

Book by Joseph Stein

Music by Jerry Bock

Lyrics by Sheldon Harnick

Director: Rob Ruggerio

Choreographer: Parker Esse

Music Director: Darryl Archibald

Casting: The Telsey Office | Rachel Hoffman & Charlie Hano

Rehearsal: July 8 – July 18

Performances: July 19 – July 25 (7 performances)

[TEVYE] ROLE HAS BEEN OFFERED. Character is male (cis, trans, or non-binary), 35-60s, Jewish. The likable, hard-working, pious dairyman who always tries to see the positive side of life. He is a proud patriarch and father of five daughters, closely raised according to the old scriptures.

[GOLDE] Character is female (cis, trans, or non-binary), 30s-60s, Jewish. Tevye's strong-willed wife who wishes for her daughters to have good husbands and live easier than she and Tevye. She brings her strength to the household. She is the practical, no-nonsense partner of her dreamer husband.

[TZEITEL] Character is female (cis, trans or non-binary), 18-25, Jewish. Tevye's eldest daughter. She is devoted and dutiful – but wary of having the choice of husband taken from her hands. She is in love with Motel the tailor, a gentle and sweet man with no money. Tzeitel is a good and helpful daughter who is devoted to her family and generally listens to her parents – but when it comes to matters of the heart, she can be incredibly willful and convincing.

[HODEL] Character is female (cis, trans, or non-binary), 18-23, Jewish. Tevye's second eldest daughter. She is intelligent and opinionated, coming to head with a young student, Perchik. Almost in spite of herself, she falls in love with him and eventually leaves Anatevka to join Perchik in Siberia.

[CHAVA] Character is female (cis, trans, or non-binary), 15-20, Jewish. Tevye's middle daughter who loves to read. She is sweet and shy and is the “favorite child” of her father Tevye. She falls in love and runs off with Fydeka, a Russian soldier, even though she knows that her family will disown her for marrying a gentile.

[SHPRINTZE] Girl, 9-12, Jewish. Tevye's second youngest daughter who takes lessons at home from Perchik.

[BIELKE] Girl, 6-9, Jewish. Tevye's youngest daughter. Takes lessons at home from Perchik.

[MOTEL] Character is male (cis, trans, or non-binary), 18-30, Jewish. The poor and meek tailor who shares a deep love with Tzeitel. Sensitive and nervous, but sincere and friendly. Proves himself to Tevye when he finds his strength.

[PERCHIK] Character is male (cis, trans, or non-binary), 20-30, Jewish. The outspoken student and visitor to Anatevka, who constantly challenges the traditions of the town. He eventually falls in love with Hodel despite the obstacles it presents.

[FYEDKA] Character is male (cis, trans, or non-binary), 18-25, Russian gentile. A handsome, strong, young Russian soldier who sees past his military obligations and falls in love with Chava. He challenges Tevye's imposed silence.

[LAZAR WOLF] Character is male (cis, trans, or non-binary), 50s-60s, Jewish. The feisty, brawny butcher and the town's wealthiest citizen who wishes to marry Tzeitel. NOTE: The actor playing Lazar Wolf will also understudy Tevye.

[YENTE] Character is female (cis, trans, or non-binary), 40s-60s, Jewish. The meddling matchmaker. She is a widow and village busybody who knows all of the town gossip.

[CONSTABLE] Character is male (cis, trans, or non-binary), 45-60, Russian gentile. Military official stationed near Anatevka who knows the villagers well, however he has superficial relationships with the villagers. He and Tevye share an unspoken respect which gets betrayed.

[RABBI] Character is male (cis, trans, or non-binary), 60-70, Jewish. A source of wisdom and guidance for the people of Anatevka – spiritually, religiously, and also with advice on their day-to-day lives.

[MENDEL] Character is male (cis, trans, or non-binary), 20-30, Jewish. The Rabbi’s son who is being groomed to one day, hopefully, become the Rabbi. He is one for rules and specifics and is a strong adherent of tradition.

[MORDCHA] Character is male (cis, trans, or non-binary), 40-60, Jewish. Runs the local bar in town and is a friend to Tevye.

[NACHUM] Character is male (cis, trans, or non-binary), 30-60, Jewish. A poor beggar.

[AVRAM] Character is male (cis, trans, or non-binary), 40-60, Jewish. Runs the local bookshop in town and keeps the town informed of all the news in the area—news which is mostly bad.

[FIDDLER] Character is any gender (cis, trans, or non-binary), Jewish. The fiddler appears, playing music on the roof, to show how delicate the balance of life is as the Jews of Anatevka are living it. A non-singing/speaking role. Plays violin.

WAITRESS

Music and Lyrics by Sara Bareilles

Book by Jessie Nelson

Director: Lili-Anne Brown

Choreographer: Patti Wilcox

Music Director: Andra Velis Simon

Casting: The Telsey Office | Priya Ghosh & Pat Goodwin

Rehearsal: July 19 – July 29

Performances: July 30 – August 5 (7 Performances)

[JENNA HUNTERSON] ROLE HAS BEEN OFFERED. Character is female (cis, trans or non-binary), any ethnicity, 30s. A woman stuck in her life as an unhappily married waitress in a small town. Finds some happiness and expression through her meticulous baking of pies and her friendships with her coworkers, Dawn and Becky. Lives her life paycheck-to-paycheck, day by day, and wants nothing more than to get away and start fresh, unbeknownst to her destructive husband, Earl. Has a fantastic pop/rock voice with great range. F3-F5

[DAWN PINKETT] Character is female (cis, trans or non-binary), any ethnicity, 20s. She is the youngest of the waitresses. “Eccentric” is the nice way to say she’s slightly unusual, and not so slightly OCD. She sets the tables, painstakingly ensuring each salt and pepper shaker is equidistant from the napkin holder. Great comedic timing. Has an excellent pop/rock/folk voice. G3-E5

[BECKY] Character is female (cis, trans or non-binary), any ethnicity, early 40s-early 50s. The oldest of the three waitresses. Irreverent, irascible, been there, made it back, and somehow kept her forward and sometimes wicked sense of humor with excellent comedic timing. Has a soulful pop voice with an excellent pop belt. Eb3-Eb5

[DR. JIM POMATTER] Character is male (cis, trans or non-binary), any ethnicity, 30s-early 40s. Handsome, endearing, and neurotic. Has a warm, if clumsy, manner. Jenna’s gynecologist with whom an unexpected extramarital affair is born. Has a quirky sense of humor and a big heart, despite the fact that he’s contributing to the affair. Has impeccable comedic timing and must move well. A very strong pop/rock tenor that can navigate the musical style of Sara Bareilles with ease. Bb2-Bb4

[EARL HUNTERSON] Character is male (cis, trans or non-binary), any ethnicity, 20s-30s. Jenna’s husband. A lost soul. Peaked in high school, handsome in a gruff way, but that face is clouded with broken dreams, drowned with cheap beer. Just enough narcissism mixed with stupidity, to be a potent Molotov cocktail that can explode into unexpected anger one second and then turn into a sobbing mess the next.

[OGIE ANHORN] Character is male (cis, trans or non-binary), any ethnicity, 30s. Strange, yet oddly lovable. Becomes slightly obsessed with Dawn (in a hilarious yet endearing way) after she goes on a 5 -minute date with him. Quirky, incredibly persistent, and odd, yet kind. Excellent comedic timing. Has an excellent pop/rock tenor/bari-tenor sound, to Bb4

[JOE] ROLE HAS BEEN OFFERED. Character is male (cis, trans or non-binary), any ethnicity, 60s 70s. The owner of the diner where Jenna, Dawn, Becky, and Cal work. A seemingly old, curmudgeonly man who has a soft spot for Jenna (and her pie). A sarcastically funny and no nonsense guy with a keen ability to read people. B3-G#4

[CAL] Character is male (cis, trans or non-binary), any ethnicity, 40s. A chef at the diner. A “Salt of the Earth'' old school hash slinger. Brash, impatient, unsentimental, but somehow charming. Should have a strong pop/rock voice with great comedic chops. Has a strong contemporary baritone singing voice in the style of Sara Bareilles and has excellent comedic timing.

[LULU] Girl, any ethnicity, to play 4-5 years old. Jenna’s daughter. A sweet, carefree child who appears in the last scene of the show. Should be confident and be able to engage in a small amount of dialogue and movement on stage. Must be shorter than 42”.

IN THE HEIGHTS

Book by Quiara Alegría Hudes 

Music and Lyrics by Lin-Manuel Miranda

Conceived by Lin-Manuel Miranda

Director/Choreographer: William Carlos Angulo

Music Director: TBD

Associate Choreographer: Shani Talmor

Casting: The Telsey Office | Alexis Brown, Priya Ghosh & Bethany Knox

Rehearsal: July 29 – August 8

Performances: August 9 – August 15 (7 Performances)

[USNAVI DE LA VEGA] Character is male (cis, trans or non-binary), Latino, early 20's. Beloved bodega owner with a generous heart who embodies the spirit of the neighborhood. Energetic, charismatic, winsome, and nerdy, he dreams of finding a way back to the Dominican Republic. Bilingual, Caribeño, excellent rapper and singer.

[NINA ROSARIO] Character is female (cis, trans or non-binary), Latina, 19. Overachieving daughter of Kevin and Camila Rosario. Fresh off her first year at Stanford, she was the first in her family to go to college. Brilliant, politically-minded (she registered half the block to vote), stubborn, and a little lost. Trying to navigate the pressures of success while staying true to herself. Bilingual, Boricua, excellent singer and great mover.

[VANESSA MORALES] Character is female (cis, trans or non-binary), Latina, 21. Magnetic stylist at Daniela’s Salon. Funny, determined, and resourceful, with traffic-stopping good looks. Cares for her alcoholic mother and dreams about getting out of the neighborhood. Bilingual, Caribeña, excellent singer and dancer. Proficient with Salsa.

[BENNY] Character is male (cis, trans or non-binary), Black, 21. Charismatic taxi driver and aspiring businessman. Usnavi’s best friend and Nina’s love interest. Ambitious and dedicated, Benny works for Nina’s parents and dreams of having a successful business of his own. Excellent rapper and singer. Great mover.

[SONNY DE LA VEGA] Character is male (cis, trans or non-binary), Latino, 15-20. Boisterous bodega worker and Usnavi’s cousin. Political activist with a goofy side. Passionate, idealistic, and loyal. Takes himself seriously and tries to act grown. Wants a better future for himself and for his community2. Bilingual, Caribeño, Excellent singer and rapper. Great mover.

[KEVIN ROSARIO] Character is male (cis, trans or non-binary), Latino, 40s. Charming businessman and co-owner of Rosario’s Car and Limousine. Husband to Camila and father of Nina. Moved to New York from Puerto Rico when he was 19. Determined, hard-working, resourceful, proud, stubborn, and hot-tempered. He loves hard and will do anything for his family. Bilingual, Boricua, excellent singer, good mover.

[CAMILA ROSARIO] Character is female (cis, trans or non-binary), Latina, 40s. Witty businesswoman and co-owner of Rosario’s Car and Limousine. Wife to Kevin and mother of Nina. Moved to New York from Puerto Rico when she was 19. Sharp, efficient, passionate, and no-nonsense, yet fun-loving and endlessly generous. Seems to be holding everything together with her fingertips. Bilingual, Boricua, excellent singer, good mover.

[ABUELA CLAUDIA] Character is female (cis, trans or non-binary), Latina, 70s. The heart and soul of El Barrio. Moved to New York from Cuba when she was a little girl. Generous, funny, fun-loving, witty, patient, and wise. Has some health problems but won’t take her medication. The surrogate grandmother of Usnavi, Vanessa, Sonny, and Nina. Her home is the neighborhood safe-haven. Bilingual, Caribeña, excellent singer.

[DANIELA] Character is female (cis, trans or non-binary), Latina, 30s/40s. Community organizer and business owner of a salon. Witty, sharp, driven, and outspoken. Loves to party and loves to gossip. Tía to the whole block. Bilingual, Boricua, excellent singer and great dancer.

[CARLA] Character is female (cis, trans or non-binary), Latine, 20s/30s. Idealistic hairdresser at Daniela’s salon. Quintessential New Yorker born and raised in Queens. Funny, loyal, easygoing, good-natured. Goes to church but loves to party. Bilingual, excellent singer and excellent dancer.

[GRAFFITI PETE] Character is male (cis, trans or non-binary), Filipino, Latino, AAPI or Black, 19. Resourceful artist and businessman. Best friends with Sonny. Creative, rebellious, passionate, independent, resilient. Like Usnavi, he embodies the spirit of The Heights. Great singer and rapper. Excellent break dancer - toprock, downrock, stunts/powermoves, and freezes. NOTE: Tumbling is a plus.

ANYTHING GOES

Music and Lyrics by Cole Porter

Original Book by Guy Bolton, P.G. Wodehouse, Howard Lindsay and Russel Crouse New Book by Timothy Crouse and John Weidman

Director: Marcia Milgrom Dodge

Choreographer: Jared Grimes

Music Director: Ben Whiteley

Casting: The Telsey Office | Jimmy Larkin & Alex Cortinas

Rehearsal: August 8 – August 18

Performances: August 19 – August 25 (7 Performances)

[RENO SWEENEY] Character is female (cis, trans or non-binary), any ethnicity, 40-50. Reno is a consummate performer and a real showstopper. A celebrated nightclub singer and former Evangelist with a confident, sexy, “brassy” personality, and great comic timing. She is practical and makes a good show of keeping it all together while romantic and tenderhearted underneath all her bravado. Mezzo soprano with strong Broadway belt. Strong dancer. NOTE: Tap skills are a plus.

[BILLY CROCKER] Character is male (cis, trans or non-binary), any ethnicity, 25-35. A quick-witted and idealistic young businessman who is always on the go and hopelessly in love. Very confident physically, and willing to be put in silly situations. Has a lyrical tenor voice and great comic timing. Strong dancer. NOTE: tap skills are essential.

[MOONFACE MARTIN] Character is male (cis, trans or non-binary), any ethnicity, age range 20- 60. “Public Enemy #13;” a hapless, quick-witted, and loveable gangster fleeing the law by pretending to be a minister. Lots of physical comedy and featured comic singing. Great vaudeville timing. Character tenor. Strong mover. NOTE: tap skills are a plus.

[HOPE HARCOURT] Character is female (cis, trans or non-binary), any ethnicity, 25-35. The innocent, young debutante who is engaged to the wrong man. Elegant but headstrong. Daughter of Evangeline Harcourt. Sweet, but with a strong sense of morals and duty. Great comic timing and can be mischievous. A strong legitimate soprano or legitimate mezzo. Strong dancer. NOTE: tap skills are essential.

[LORD EVELYN OAKLEIGH] Character is male (cis, trans or non-binary), any ethnicity, 40-50. An earnest and enthusiastic English aristocrat engaged to Hope Harcourt who delights in all things American. Very proper on the outside but a tiger on the inside. Great comic timing. A steady, believable upper crust Englishman. High character baritone/tenor to G. Strong mover. NOTE: Tap skills are a plus.

[ELISHA J. WHITNEY] Character is male (cis, trans or non-binary), any ethnicity, age range 40-70. Billy’s Wall-street boss. A successful, very nearsighted, Ivy league Wall Street banker/business tycoon who always believes he's right. High spirited who loves to drink spirits. Very loyal to his alma mater (Yale). A comedian who can sing. Some singing. Strong physical comedy. NOTE: Tap skills are a plus.

[ERMA] Character is female (cis, trans or non-binary), any ethnicity, 20-40. A flirty and vivacious gangster’s moll traveling with Moonface Martin. Animated, with a great sense of fun; a 1930s Jersey Girl; playful, independent and impulsive. Great comic timing and a fantastic tapper! Lovably clueless, “jersey” accent. Mezzo-soprano with strong Broadway belt. Strong dancer. NOTE: tap skills are essential.

[MRS. EVANGELINE HARCOURT] Character is female (cis, trans or non-binary), any ethnicity, 50- 70. Hope’s overbearing and widowed mother; a silly snob who is mainly concerned with social status and money. She is often confused yet a force to be reckoned with. Great comic timing. Strong singer in the mezzo-soprano/alto range. Strong mover. NOTE: Tap skills are a plus.

[CAPTAIN] Character is male (cis, trans or non-binary), any ethnicity, age range 20-60. The uptight captain of the “S.S. American”. Officious and authoritative, and a bit too concerned with prestige. He operates with order and formality. Great comic timing. Baritone. Strong dancer. NOTE: tap skills are essential.

[SHIP’S PURSER] Character is male (cis, trans or non-binary), any ethnicity, age range 20-40. The hardworking, often nervous and confused Purser of the “S.S. American.” Great comic timing. Tenor. Strong dancer. NOTE: tap skills are essential.

[SPIT & DIPPY] Characters are male (cis, trans or non-binary), any ethnicity, age range 20-40. Two rascally New York City Street toughs who are posing as converts traveling with Reverend Henry T. Dobson. Great comic timing. Baritone/Tenor. Strong dancers. NOTE: tap skills are essential.

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