THE PHANTOM OF THE OPERA (TOUR) — Ensemble Singers (All genders) Auditions
Box 5 Company, LLC
THE PHANTOM OF THE OPERA (TOUR) - NYC ECC SINGERS (AFTERNOON - ALL GENDERS)
Producer: Box 5 Company, LLC | Columbia, MD
Notice: Audition
Call Type: ECC
AUDITION DATE
Wednesday, November 18, 2026
2:30 PM (E)
CONTRACT
CONTRACT
Touring Agreement
$2599 weekly minimum (Level 1)
SEEKING
Equity chorus singers for possible future replacements in the Touring company of THE PHANTOM OF THE OPERA (See
BREAKDOWN
).Box 5 Company, LLC is committed to diverse, inclusive casting. Submissions for non-descript roles will be accepted for all performers, regardless of age, sex, ethnicity, disability, race, color, national origin, sexual orientation, or gender identity.
Box 5 Company, LLC is an equal opportunity employer. Qualified individuals will receive consideration for employment without regard to race, color, religion, national origin, gender, sexual orientation, gender identity or expression, age, mental or physical disability, and genetic information, marital status, citizenship status, military status, protected veteran status or any other category protected by law.
PREPARATION
Please be prepared to sing 16-32 bars from legit musical theatre repertoire. Do not sing pop or rock music. Please bring your book of music in case you are asked to sing a second selection. An accompanist will be provided. Also, please bring a current picture and resume, stapled together.
LOCATION
Pearl Studios (Studio 500)
500 8th Ave
New York, NY 10018-6504
Holding room - Studio 404
PERSONNEL
Expected to attend:
- Kristen Blodgette: Musical Supervisor
- Claire Burke and/or Peter Van Dam: Casting Directors
See
BREAKDOWN
for otherPERSONNEL
.OTHER DATES
Currently running.
OTHER
ECC Procedures are in effect for this audition. An Equity Monitor will be provided.
Equity's
CONTRACT
s prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
PERSONNEL
Produced By: Cameron Mackintosh, The Really Useful Company, and NETworks Presentations
Music By: Andrew Lloyd Webber
Lyrics By: Charles Hart
Book By: Richard Stilgoe and Andrew Lloyd Webber
Directed By: Seth Sklar-Heyn
Original Direction by: Harold Prince
Adapted Staging and Choreography By: Chrissie Cartwright
Original Musical Staging and Choreography by: Gillian Lynne
Musical Supervisor: Kristen Blodgette
General Manager: Gentry & Associates; Gregory Vander Ploeg
Casting: The TRC Company / Claire Burke, CSA & Peter Van Dam, CSA
Casting Note: These characters can be Black, Latine, MENASA, API, Indigenous, Mixed, or White.
SEEKING
SINGER ENSEMBLE: Performers with strong legit musical theatre or opera trained voices to contribute to an operatic choral sound. Sopranos (lyric or coloratura), mezzo sopranos, contraltos, tenors, baritones, or basses. Two of the basses in the chorus must sing to low F. A range of interesting character players to play small roles and cover all principals. Including:
JOSEPH BUQUET: 30s – 50s. The head flyman of the Opera Populaire. A dark character. Bass baritone; required to sing to E.
DON ATTILIO: 30s – 40s. Basso buffo with a solid and legitimate low F. A physically interesting character man with a good sense of comedy.
CONFIDANTE: 30s – 40s. Contralto or low mezzo. A physically interesting character woman.
MONSIEUR REYER: 30s – 40s. Tenor. Character role. The repetiteur (vocal coach) of the Opera Populaire. An agitated, finicky, meticulous fellow. A strict disciplinarian, always on the verge of hysteria.
PASSARINO: 30s – 40s. Baritone with top F#. Character role. Manservant and sidekick of Don Juan in Don Juan Triumphant, one of the operas within the show.
