THE PHANTOM OF THE OPERA (TOUR) — Principal Actors Auditions

THE PHANTOM OF THE OPERA (TOUR) - NYC EPA

Company: Box 5 Company, LLC | Columbia, MD

Notice: Audition

Call Type: EPA

AUDITION DATE

Wednesday, November 4, 2026
10:00 AM - 6:00 PM (E)
BREAK: 1:30 PM - 2:30 PM

CONTRACT

Touring Agreement
$2,599 weekly minimum (Level 1)

SEEKING

Equity actors for future replacements in the Touring production of THE PHANTOM OF THE OPERA (see

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PREPARATION

Please be prepared to sing a brief song from legit musical theatre repertoire. Do not sing pop or rock music. Please bring your book of music in case you are asked to sing a second selection. An accompanist will be provided. Please bring a current picture and resume, stapled together.

LOCATION

Pearl Studios
500 8th Ave
New York, NY 10018-6504
Studio 401 (Auditions), 404 (Holding Room)

PERSONNEL

See

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PERSONNEL

EXPECTED TO ATTEND

Casting Director: Claire Burke, CSA
Casting Director: Peter Van Dam, CSA

OTHER DATES

Currently on tour.

OTHER

EPA Procedures are in effect for this audition. An Equity Monitor will be provided.

Equity's

CONTRACT

Always bring your Equity Membership card to auditions.

BREAKDOWN

PHANTOM OF THE OPERA (TOUR)

Produced By: Cameron Mackintosh, The Really Useful Company, and NETworks Presentations
Music By: Andrew Lloyd Webber
Lyrics By: Charles Hart
Book By: Richard Stilgoe and Andrew Lloyd Webber
Directed By: Seth Sklar-Heyn
Original Direction by: Harold Prince
Adapted Staging and Choreography By: Chrissie Cartwright
Original Musical Staging and Choreography by: Gillian Lynne
Musical Supervisor: Kristen Blodgette
General Manager: Gentry & Associates; Gregory Vander Ploeg
Casting: Claire Burke, CSA & Peter Van Dam, CSA

NOTES

Box 5 Company, LLC is committed to diverse, inclusive casting. Submissions for non-descript roles will be accepted for all performers, regardless of age, sex, ethnicity, disability, race, color, national origin, sexual orientation, or gender identity.

Box 5 Company, LLC is an equal opportunity employer. Qualified individuals will receive consideration for employment without regard to race, color, religion, national origin, gender, sexual orientation, gender identity or expression, age, mental or physical disability, and genetic information, marital status, citizenship status, military status, protected veteran status or any other category protected by law.

SEEKING

THE PHANTOM: 30's – 40's. Needs a dynamic, bravura, star performance, with excellent acting and singing ability. The Phantom is both frightening and irresistible. High baritone or tenor (with a strong low range) with a contemporary sound. Able to sustain from low A flat to high A flat, with ease in full voice and high C# in falsetto.

CHRISTINE DAAE: 18 – mid 20's. A beautiful lyric soprano voice that combines elements of classical and musical theatre singing. Sings G below middle C to high E. Christine is initially a part of the Corps de Ballet at the Opera Populaire within the show; some dance training is an advantage but not a requirement.

RAOUL, VICOMTE de CHAGNY: Late 20's – early 30's: dashing, handsome young aristocrat. Contemporary high baritone/tenor (2 octave range from A flat to A flat).

ANDRE & FIRMIN: Late 30's – 50ish. The Managers of the Paris Opera House. Trying to be elegant, they are slightly befuddled. Need good instincts for stylish comedy. Good supporting roles. Firmin is the hard money man, a boar. Andre is charming with an artistic temperament, a dilettante. Firmin is a baritone and sings to high E/F. Andre is a baritenor with a lyric quality and sings to high G with ease.

CARLOTTA GIUDICELLI: 30's – 40's. The prima donna of The Paris Opera. The archetypal diva in every sense of the word. Strong operatic singer with a good comic sense. Italian coloratura soprano who sings to high E. NOTE: This role requires opera training.

MADAME GIRY: Late 30's – early 50's. Ballet Mistress of the Opera Populaire. An enigmatic, stern, forbidding figure. Mezzo soprano to high B flat.

MEG GIRY: Late teens – early 20's. A member of the Corps de Ballet and Madame Giry's daughter. Needs strong classical dance technique and excellent pointe work. Vocally a sweet, light soprano sound with secure mix. The Act One septet requires her to sing to G5.

UBALDO PIANGI: Late 30's – 40's. Archetypal, Italian operatic leading tenor. Companion to Carlotta within the Opera Populaire. Sings to legit high C. NOTE: This role requires opera training.