Milwaukee Repertory Theater
**REVISED** Seeking and submission address updated.
CONTRACT
LORT Non-Rep WEEKLY MINIMUMS: A Christmas Carol: $1685; Steel Magnolias, Toni Stone: $1156; As You Like It, Titanic, Murder on the Orient Express: $1202; Dad's Season Tickets: $884; All others: $911
SEEKING
All Equity stage managers have been engaged for our 2021-22 season. Resumes may be submitted for future consideration.
INSTRUCTIONS
Please send resume to Laura Braza, Artistic Producer.
Deadline: Wed, Apr 21, 2021
SUBMIT TO
kcarolus@milwaukeerep.com
PERSONNEL
Laura Braza, Artistic Producer
See breakdown for production-specific personnel.
OTHER DATES
See breakdown for production dates.
OTHER
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
BREAKDOWN
Milwaukee Repertory Theater 2021-2022 Season
Dad’s Season Tickets (Stackner Cabaret)
by Matt Zembrowski, directed by Ryan Quinn
First Rehearsal: 10/5/21
Tech: 10/26/21
First Preview: 10/29/21
Opening: 10/31/21
No performance: 11/25, 12/24, 12/25, 1/1
Closing: 1/2/21
Steel Magnolias (Quadracci Powerhouse Theater)
by Robert Harling, directed by Laura Braza
First Rehearsal: 10/12/21
Tech: 11/3/21
First Preview: 11/9/21
Opening: 11/12/21
No performance: 11/25
Extra Show: 11/10 mat, 12/1 mat
Closing: 12/5/21
A Christmas Carol (Pabst Theater)
adapted from Charles Dickens' text by Mark Clements, directed by Mark Clements
First Rehearsal: 11/2/21
Tech: 11/23/21
No rehearsal: 11/25/21
First Preview: 11/30/21
Opening: 12/3/21
Extra Show: 12/1 mat, 12/7 mat, 12/15 mat
Closing: 12/24/21
Toni Stone (Quadracci Powerhouse Theater)
by Lydia Diamond, directed by Tinashe Kajese-Bolden, choreographed by Ameenah Kaplan
First Rehearsal: 12/7/21
Monday rehearsal:12/20, 12/27
No rehearsal: 12/25, 1/1
Tech: 12/28/21
First Preview: 1/4/22
Opening: 1/7/22
Extra Show: 1/26 mat
Closing: 1/30/22
My Way (Stackner Cabaret)
by Todd Olsen and David Grapes, directed by Kelley Faulkner
First Rehearsal: 2/8/22
Tech: 3/1/22
First Preview: 3/4/22
Opening: 3/6/22
Closing: 5/1/22
As You Like It (Quadracci Powerhouse Theater)
adapted by and directed by Daryl Cloran
First Rehearsal: 2/1/22
Tech: 2/9/22
First Preview: 2/15/22
Opening: 2/18/22
Extra Show: 3/2 mat, 3/16 mat
Closing: 3/20/22
New Age (Stiemke Studio)
by Dael Orlandersmith (world premiere), directed by Jade King Carroll
First Rehearsal: 2/15/22
Tech: 3/16/22
First Preview: 3/22/22
Opening: 3/25/22
Extra Show: 3/30 mat
Closing: 5/1/22
Titanic (Ensemble Version) (Quadracci Powerhouse Theater)
book by Peter Stone and music/lyrics by Maury Yeston, with orchestrations by Josh Clayton, directed by Mark Clements, choreographed by Jenn Rose, music direction by Dan Kazemi
First Rehearsal: 3/8/22
Sitzprobe: 3/27/22
Tech: 3/29/22
First Preview: 4/5/22
Opening: 4/9/24
Extra Show: 4/27 mat, 5/4 mat
Closing: 5/15/22
Murder on the Orient Express (Quadracci Powerhouse Theater)
adapted from Agatha Christie's text by Ken Ludwig, directed by Marti Lyons
First Rehearsal: 5/3/22
Tech: 5/24/22
First Preview: 5/31/22
Opening: 6/3/22
Closing: 7/1/22
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
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