IRVING BERLIN'S WHITE CHRISTMAS Equity Principal Auditions - National Tour Auditions

Posted April 21, 2018
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IRVING BERLIN'S WHITE CHRISTMAS - National Tour

IRVING BERLIN’S WHITE CHRISTMAS - NYC EPA

Blue Skies Tour LLC


AUDITION DATE

Fri, May 11, 2018

10:00 am - 6:00 pm (EDT)

Lunch 1:30 to 2:30


CONTRACT

Production (League) Tier D; $1286/week min

SEEKING

Equity actor/singers for various roles in the upcoming tour. see breakdown.

PREPARATION

Please prepare a traditional music theatre song from the 1940s. Berlin, Gershwin, Porter, Rodgers and Hammerstein, and Kern plus any Golden Age Musical Theatre Material.

LOCATION

Ripley-Grier Studios (520)

520 8th Ave

New York, NY 10018-6507

Sign in: Studio 16D Audition: 16E


PERSONNEL

Director/Choreographer: Randy Skinner
Music & Lyrics: Irving Berlin
Book: Paul Blake and David Ives
Musical Director: Michael Horsley
Casting: Binder Casting/Jay Binder, CSA and Justin Bohon

OTHER DATES

Rehearsal: 10/24/2018 (NYC)
Open: 11/8/2018
Close: 12/30/2018


OTHER

EPA Procedures are in effect for this audition.

An Equity monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

NOTE: This is the musical based on the classic movie musical White Christmas, featuring the timeless songs “Blue Skies”, “Love You Didn’t Do Right By Me”, “I Love a Piano”, and of course the title song “White Christmas”. THIS IS A NATIONAL TOUR THAT INCLUDES DATES IN: PADUCAH, KY; CHATTANOOGA, TN (TBC); NASHVILLE, TN; TULSA, OK; ATLANTA, GA; DENVER, CO; ORLANDO, FL; AND MIAMI, FL.

SEEKING THE FOLLOWING ROLES:

PRINCIPALS

RALPH SHELDRAKE (mid to late 30s): Former Army buddy of BOB and PHIL’s, now a major television executive with the Ed Sullivan Show. Fast-talking, New York professional. Covers BOB WALLACE. Baritone.

SUSAN WAVERLY (to play 9 years old): 49”-52” – no taller. Seeking actress aged 11-13. We are seeking two actresses who will alternate each playing four performances per week and understudy each other. The GENERAL’s granddaughter visiting from California for Christmas. A charming, loveable, and outgoing real kid – very intelligent, but knows nothing about show business. Once bitten by the showbiz bug, she demonstrates everything that is winning in the ultimate child performer. Excellent belt voice, must move well. Must have previous professional performing experience.

BOB WALLACE (late 20s to mid 30s, no older): Easygoing, charming, decent principled man. A major singing star in post-World War II America. He wears his fame easily, but is seeking something more important: a decent, fulfilling life and true love. While helping his Army unit general regain his dignity, he defines his own life and meets his true love. Seeking a superb singer with a crooning style who moves very well. Basic tap is a plus. Baritone. THIS ROLE IS CAST

EZEKIEL FOSTER/MR. SNORING MAN (early 40s to early 50s): Heavy-set comic, character man. Excellent legit baritone. EZEKIEL: Vermont local with dry delivery who is a stagehand for the show and comes to love show business. MR. SNORING MAN: Passenger on the train to Vermont; vocal feature in the song “Snow”. This track also covers GENERAL WAVERLY. THIS ROLE IS CAST

PHIL DAVIS (late 20s to mid 30s, no older): The ambitious, go-getting, song-and-dance partner of the team of Wallace and Davis. An irrepressible clown, operator, incorrigible skirt-chaser… and definite ladies man. He saved BOB’s life during the war and became his partner and engine behind their fabulous success. He must have boyish charm and sex appeal. Strong tap and theatre jazz needed. Seeking a major song-and-dance comic performer. Bari-tenor. THIS ROLE IS CAST

BETTY HAYNES (mid to late 20s): The sensible responsible half of the up-and-coming song-and-dance team the Haynes Sisters. She has a beautiful, rich singing voice that matches her decent, upstanding principles. She is overprotective of her younger sister and – like BOB – she needs something more. Of course they are ultimately the perfect couple. Seeking a major female singer of quiet beauty and charm with a rich chest-mix sound & a soprano extension. THIS ROLE IS CAST

JUDY HAYNES (early 20s): The younger, more ambitious Haynes sister. While wholesome and adorable, she is sexy and flirty – a winning charmer no man can resist. Strong tap and theatre jazz needed. Seeking a major song-and-dance performer. Chest-mix. THIS ROLE IS CAST

GENERAL HENRY WAVERLY (late 50s to mid 60s): A retired U.S. Army General, adjusting to returning to civilian life in post World War II America. Once a powerful leader now struggles to run an inn in Vermont. He remains a man of great principal and dignity. Beneath his hard, curmudgeon, military exterior, lays a warm compassionate man in need of family and love. Still a handsome, vital man. Non-singing role. THIS ROLE IS CAST


ARTHA WATSON (late 40s to mid 50s): Once a musical comedy star, now the general’s housekeeper at the Inn. She has a VERY dry, wry, honest wisecracking sense of humor. Big-hearted but completely unsentimental. She runs the GENERAL’s life in spite of his protestations. An irrepressible meddler but always for what she believes to be the other guy’s best interests. Seeking a winning, appealing character comedienne with a clarion belt voice. THIS ROLE IS CAST

MIKE NULTY (late 20s to mid 30s): Strong singer, first or second tenor preferred but not absolutely necessary. Harassed, overworked, frustrated stage manager of Bob & Phil's show. A Jason Alexander/Nathan Lane-type comic actor, but not necessarily short and/or round. Covers RALPH SHELDRAKE. THIS ROLE IS CAST

NOTE: ACTORS OF ALL BACKGROUNDS TO ARE ENCOURAGED TO ATTEND.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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