DIANA - Longacre Theatre Auditions

Posted: October 4, 2019

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DIANA (Broadway) - NYC ECC / Female Singers

Producing Org TBD

AUDITION DATE

Thu, Oct 17, 2019
2:00 pm (EDT) Female Singers

CONTRACT

Production (League) $2095/week current min

SEEKING

Equity singers for the ensemble in this Broadway production.

PREPARATION

Please prepare 16-bars of a contemporary musical theatre song that shows off your voice. Bring picture and resume.

LOCATION

Pearl Studios NYC (500)
500 8th Ave
New York, NY 10018-6504
12th floor. Check lobby upon arrival for any changes.

PERSONNEL

Produced by Grove Entertainment, Frank Marshall & The Araca Group
Directed by Christopher Ashley
Choreography by Kelly Devine
Book by Joe DiPietro
Music and Lyrics by David Bryan
Music Supervision by Ian Eisendrath
Casting by Telsey + Company

OTHER DATES

1st Rehearsal: January 20, 2020
1st Performance: March 2, 2020
Longacre Theatre

OTHER

ECC Procedures are in effect for audition.
An Equity monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.

BREAKDOWN

[MALE ENSEMBLE SINGERS]
Any ethnicity. To play/cover various characters including Paul Burrell (Diana’s butler), Andrew Morton (an author), soldiers, hospital patients, paparazzi, reporters, etc. Excellent contemporary singing voices of all ranges. Dance/movement skills a plus.
[MALE ENSEMBLE u/s PRINCE CHARLES]
Charles is in his early-to-late 30's for the duration of the play. He's tall and slender and handsome in the most British of ways. Fiercely intelligent and educated, he's spent a life hiding his feelings -- and he's gotten quite good at it. He exhibits great rage and passion and confusion in the most Shakespearean of ways. His is a life devoted to duty and honor. Contemporary legit baritone voice (low B-flat to high G). ENSEMBLE
[GRAHAM/MALE ENSEMBLE DANCER/SINGER]
20s, especially seeking diverse performers. Graham is a patient in the AIDS ward of a hospital Diana visits. Open, vulnerable, and especially appreciative of the Princess. Possibly slight of build. Great singer; should have dance/movement ability. FEATURED ENSEMBLE
[COLIN/MALE ENSEMBLE DANCER/SINGER]
Male 20s-30s, any ethnicity, especially seeking diverse performers. Great dancer with an excellent solo singing voice to play various roles in the ensemble including COLIN: The head security agent for The Prince. Fiercely protective. A former military man, he possesses a quiet watchful intensity. FEATURED ENSEMBLE
[FEMALE ENSEMBLE SINGERS]
Any ethnicity. To play/cover various characters in the ensemble. Should have excellent contemporary singing voices of all ranges. Dance/movement skills a plus.
[FEMALE ENSEMBLE u/s DIANA]
20s – early 30s. fantastic ensemble singer (ideally with a flexible soprano voice as well as a contemporary pop/rock mix) to cover the role of DIANA: A beautiful English rose who dreams of marrying a prince. She begins the show as a wildly naive teenager. She's tempestuous and willful and joyful and sensible. She has a kindness and empathy that practically radiates off her. Contemporary pop/rock belter with a fantastic mix, who can easily sing up to a D#.
[FEMALE ENSEMBLE u/s QUEEN ELIZABETH II]
40s - 50s. Fantastic ensemble singer and actor to cover the role of QUEEN ELIZABETH II: A long-standing monarch who doesn't suffer fools. She has a great sense of duty and honor and is always in full control of her emotions. The role of Queen Elizabeth doubles with Barbara Cartland, the outrageously flamboyant romance novelist who wears yards and yards of pink.
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Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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