The latest reviews and critic recommendations from Charlotte.
Their third dive into August Wilson's ten-play Pittsburgh Cycle, Brand New Sheriff's FENCES may be their best yet, with an outstanding cast, led by Jonavan Adams - and an outstanding director, Corlis Hayes, who has been here before.
Director Billy Ensley has lured a bevy of seasoned Charlotte musical stars to a fine looking Matthews Playhouse production of MAMMA MIA! - and he has found a sensational newcomer to ignite the action.
Two American warhorses, Samuel Barber's 'Adagio' and Aaron Copland's APPALACHIAN SPRING, topped the marquee, but William Brittelle's 'Si Otsedoha' stole the show at Charlotte Symphony's all-American concert at Belk Theater.
With Andrea King as a disfigured war vet going through an excruciating rehab in Three Bone Theatre's UGLY LIES THE BONE, it's a perverse pleasure to have Scott Tynes-Miller and Peter Finnegan making asses of of themselves as they make the road to recovery that much tougher.
Bartlett Sher fiddles with the legendary perfection of MY FAIR LADY, freshly illuminating the characters of Professor Higgins, Eliza, and Freddy - while risking unexpected tech difficulties.
Broadway World awarded musical, Be A Lion, written by Rory D.
Sometimes orchestras program pieces to meet popular demand, and at other times, they program works to meet expectations or fulfill a sense of obligation.
Free Reign Theatre Company's following is surprisingly strong for a young company, but their daring and robust production of LEAR demonstrates why: they're the real deal.
With Hans Graf at the podium for the first time at Knight Theater, Charlotte Symphony and guest artist Angelo Xiang Yu were in top form on a program highlighted by Debussy's 'L'Après-midi,' Mozart's 'Turkish' Concerto, and a snippet of Piazzolla.
Opera Carolina has put a lot of trendy fun into its new take on Verdi's MACBETH, a bit over-the-top at times in applying 'Game of Throne' style - but never off-target
With a fine mix of veterans and rising stars among its suspects, Theatre Charlotte's AND THEN THERE WAS NONE keeps us one step behind a maniacal killer.
Not the most vicious satire you will ever see, Christian Spuck's LEONCE AND LENA is certainly among the zaniest, teeming with delightful eccentrics, anti-balletic antics, and shtick.
Charlotte Symphony continued its skein all-Russian concerts with somewhat diminished returns as they failed to conquer Mussorgsky's Night on Bald Mountain for the third time in the last 10 years, but with Christopher James Lee wielding the baton with more controlled fury, they slayed with Stravinsky
While his fixed-set concept is too confining and his Van Helsing isn't on her best form, Tony Wright's new COUNTESS DRACULA is plenty of fun at its best, smoking with feline sharpness, sexuality, and grace.
With the iconic song 'A Whole New World', Aladdin certainly delivered 'the magic' of Disney that took the audience on a mind-blowing journey of 'toe tappin' dance performances and tickled our imagination to believe that we too could embark on a fairy-tale infused 'magic carpet ride'.
Like its title, CYRANO is a shortened adaptation of Edmond Rostand's 'Cyrano de Bergerac.
There aren't many plays for pre-schoolers that boast the right pace and sustain their attention, Children's Theatre's new adaptation of A SICK DAY FOR AMOS MCGEE hits the sweet spot, quietly modeling friendship and kindness.
Outdoor Shakespeare is back in Charlotte with a fine Actor's Theatre production of A MIDSUMMER NIGHT'S DREAM.
GBS is often decried for his didacticism, but in SAINT JOAN, he allowed the story to carry him away from his usual soapbox.
The 2019 National Black Theatre Festival has ended with memories of grandeur and spectacular stage plays.
When the stars come out…there is magic in the air.
Although nuVOICES 5 was all about women playwrights, the staged readings in the revived Actor's Theatre of Charlotte festival at Queens University featured plenty of diversity - and plenty of onstage and tech talent.
You might think SHOW BOAT is impossibly quaint and politically incorrect.
Israeli filmmaker/director Amos Gitai has crafted a multimedia piece that hurls accusations at his countrymen - most fiercely in Hebrew rather than Arabic.
Getting over the seedy scenery and the pre-recorded orchestra, I found Theatre Charlotte's THE PRODUCERS more politically incorrect - and nearly as enjoyable - as the previous three times I've seen this Mel Brooks romp.
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Flatland Cavalry Skyla Credit Union Amphitheatre (9/26-9/26) |
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Maytag Virgin by Audrey Cefaly Carolina Actors Studio Theatre (10/16-10/31) |
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Sovereignty Three Bone Theatre (8/21-9/06) |
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2026-27 First Bank Broadway Season - Sunday Matinee Plan Steven Tanger Center for the Performing Arts (8/22-8/22) |
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2026-27 First Bank Broadway Season - Sunday Night Plan Steven Tanger Center for the Performing Arts (8/22-8/22) |
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SHOWSTOPPERS! Mountain Theatre Company (8/12-8/30) |
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A Flat Rock Playhouse Christmas Show Flat Rock Playhouse (11/27-12/20) |
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The Rocky Horror Picture Show Spooktacular Tour with Barry Bostwick Carolina Theatre (10/17-10/17) |
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Rumpelstiltskin Flat Rock Playhouse (11/12-11/15) |
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I'm Gonna Marry You Tobey Maguire Warehouse Studio Theatre (9/25-10/11) |
