Dead Accounts
Closing: January 06, 2013Dead Accounts - 2012 Broadway History , Info & More
Music Box Theatre (Broadway)
239 West 45th St. New York, NY
In DEAD ACCOUNTS, Jack's (Norbert Leo Butz) unexpected return throws his family into a frenzy, and his sister Lorna (Katie Holmes) needs answers. Is he coming home or running away? Where is his wife (Judy Greer) everyone hates? And how did he get all that money? Theresa Rebeck's new comedy tackles the timely issues of corporate greed, small town values, and whether or not your family will always welcome you back - with no questions asked.
Dead Accounts - 2012 - Broadway Cast
PREVIEW Dead Accounts - 2012 - Broadway
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FEATURED REVIEWS FOR Dead Accounts
Review: 'Dead Accounts' with Katie Holmes doesn't add up to serious drama
5 / 10
[Holmes is] charming, natural and, yes, about as fresh-faced as a moisturizer model. But there's only so much that can be done with a Rebeck play that has more topical urgency (greed, ethics and banking funny business) than dramatic finesse. Sharing the stage with Holmes is two-time Tony winner Norbert Leo Butz, who pulls out all the stops in the play's leading role…he delivers a performance of frenetic gusto as Jack...Butz practically ricochets off the walls of the simple Midwestern kitchen that's the setting for 'Dead Accounts,' but not even he can transcend the contrived nature of a character who is really nothing more than a collection of manic playwriting impulses...director Jack O'Brien...isn't able to sort out the problem through his staging. His production draws out the sharpest colors in the cast, magnifying the characters' most salient qualities in an amped-up TV sitcom manner.
'Dead Accounts' on Broadway: Reality's in short supply in this mystery
6 / 10
Rebeck clearly intends to lampoon her mercurial Manhattan milieu and treat the Midwest without the usual condescension. But one of the many problems with this script, which is entertaining and zesty in a moment-by-moment way but really does not hang together as a credible dramatic story, is that it relies on the dodgy assumption that people in Cincinnati actually define themselves, all the time, as heart-of-America Midwesterners, when, in fact, they think of themselves as Cincinnatians, residents of a pretty urbane locale…'Dead Accounts' holds one's attention, not least because it allows the hyperkinetic Butz to energize the piece. He is a lot of fun throughout, especially when playing opposite Houdyshell's dry wit. Holmes...generally lacks sufficiently expansive definition, but, in the few moments of actual revelation, she finds some poignancy in her relationship with her character. None of these actors, though, can help the lack of credibility of some of the play's central devices.
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| 2012 | Broadway |
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