ANDREA CHENIER

It’s a big season at the Met for tenor Jonathan Tetelman—born in Chile, raised in New Jersey—and he’s taking every advantage of it. He’s come to town with a reputation as a Puccini specialist (not that there’s anything wrong with that). How does he feel about that? “Well, I basically built my voice on Puccini repertoire. I’ve taken it as a gift because he’s a great writer for my voice.” His debut at the Met in March was in LA RONDINE but he’s looking forward to showing off more of his dramatic ...

Musicologist Joseph Kerman is probably most widely remembered for calling Puccini’s TOSCA “a shabby little shocker.” I wonder whether he’d have something similar to say about Giordano’s FEDORA, which brought the Met audience to its feet on New Year’s Eve?...

PBS has announced that it will air Great Performances at the Met: Jonas Kaufmann in Concert this spring....

In the latest in the Met’s live, pay-per-view concert series from varied fascinating locales around the world, Radvanovsky boldly chose Verdi’s “Pace, pace” from LA FORZA DEL DESTINO as her “warm up”--a whopper of a piece under any circumstances--while Beczala went for the composer’s “Quando le sere al placido…” from LUISA MILLER to tune up his tonsils. The result gave us a good preview what lay ahead in the next 90 minutes....