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WASHINGTON, DC OPERA NEWS COVERAGE

The latest news on performances of Opera in Washington, DC.

Exclusive: Washington National Opera Forges Ahead Following Kennedy Center Split
by Joshua Wright - February 19, 2026

Washington National Opera General Director Timothy O'Leary discusses the company's transition, community support, rebuilding operations, and future plans, including upcoming productions of TREEMONISHA, THE CRUCIBLE, and WEST SIDE STORY....

Washington National Opera Negotiates Kennedy Center Exit & Endowment Ownership
by Joshua Wright - January 22, 2026

Washington National Opera’s planned separation from the Kennedy Center is moving into a complex legal stage, with negotiations underway over assets, facilities, and the future of the Kennedy Center Opera House Orchestra....

Post Kennedy Center Split, Washington National Opera Sets Stephen Schwartz Hosted WEST SIDE STORY Gala & More
by Joshua Wright - January 16, 2026

Washington National Opera announces spring 2026 performances at venues across the D.C. area, including Treemonisha, The Crucible, and additional concerts during its 70th anniversary season....

Washington National Opera Announces Plans to Leave the Kennedy Center
by Joshua Wright - January 09, 2026

The Washington National Opera has approved a resolution to move its performances out of the John F. Kennedy Center for the Performing Arts, ending a relationship that has spanned more than five decades....

Washington Concert Opera Opens Season with Gluck’s IPHIGÉNIE EN TAURIDE In November
by A.A. Cristi - October 23, 2025

Washington Concert Opera will open its 2025–26 season with Gluck’s Iphigénie en Tauride on Sunday, November 23, 2025, at 6 p.m. at Lisner Auditorium in Washington, DC. ...

Review: CARMEN at Wolf Trap
by David Friscic - August 18, 2025

The ever popular and hardy perennial of the operatic canon, composer Georges Bizet’s Carmen, was given a unique yet solid interpretation by the Wolf Trap Opera under the direction of John de los Santos. (Originally directed by Anne Bogart, according to the program). This opera is so well-known (an...

Opera Lafayette's 2025–2026 Season Celebrates Female Power in New Season DRAMA QUEEN
by A.A. Cristi - June 25, 2025

Opera Lafayette has announced its 31st season, Drama Queen, a daring and celebratory lineup that places women’s voices and stories at the center of the stage. ...

Review: THE MARRIAGE OF FIGARO at Wolf Trap
by David Friscic - June 24, 2025

The Marriage of Figaro, Mozart’s beloved opera of amorous lovers, mistaken identities, and affairs of the heart, is replete with warmth, lyricism, and a touch of sweetness. Though there is formal elegance galore in Mozart, Director E. Loren Meeker has opted for a warm and affectionate approach to ...

Following Trump Takeover Kennedy Center Subscription Sales Drop 36%
by Joshua Wright - June 03, 2025

Kennedy Center subscription sales fall 36% compared to 2023, with theater revenue dropping 82%. The decline follows President Donald Trump’s appointment as board chair and Richard Grenell as president....

Review: PORGY AND BESS at Kennedy Center
by David Friscic - May 27, 2025

The pivotal and star-crossed main characters and the Catfish Row community come alive in the highly influential, thought-provoking, and engrossing opera Porgy and Bess. This much discussed opera has its partisans and detractors but there is a distinct need to ponder and consider a work of this quali...

Review: AMERICAN RHAPSODY at Kennedy Center
by David Friscic - May 07, 2025

An evening of the myriad modes of music that constitute the American Experience was celebrated at the Kennedy Center’s production of American Rhapsody. The evening was a rich treasure trove of the glory that is American music from opera, spirituals, modern composers, classic songwriters, and Broad...

Review: THE (R)EVOLUTION OF STEVE JOBS at Kennedy Center
by Roger Catlin - May 05, 2025

It’s not so strange, really, that there’s  a serious opera about Apple co-founder Steve Jobs. His life’s work is usually invoked before every production of the last decade or more, when audiences are asked to silence their smartphones....




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