Frankie & His Fingers Release New Single 'Sad To Let You Down Like This'

They will release their anticipated album Universal Hurt on March 26.

By: Mar. 16, 2021
Get Access To Every Broadway Story

Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click.




Existing user? Just click login.

Frankie & His Fingers Release New Single 'Sad To Let You Down Like This'

New York's Hudson Valley-based band Frankie & His Fingers will release their anticipated album Universal Hurt on March 26 via SubFamily Records (pre-order). As a final preview to the record, the band has shared their final pre-release single "Sad To Let You Down Like This." The lyric video for "Sad To Let You Down Like This" debuted today at New Noise Magazine and can also be shared at YouTube. About the song the band's Frank McGinnis says, "The track confronts the disappointments and consolations of adulthood. It's a song about the boundaries of self-reflection, the tricky line between healthy self-critique and indulgent neurosis. It started as a demo with a single guitar, vocal, and hand claps but was itching to become the jaunty number it is now."

"Sad To Let You Down Liek This" follows up singles "Just Because You Are, Doesn't Mean You Have To" and "To Die Would Be A Great Adventure" which are available on digital streaming platforms to add to your favorite playlists.

Before Frankie & His Fingers broke up in 2010, the trio of guitarist and singer Frank McGinnis, drummer Sammi Niss, and bassist Adam Stoutenburgh were the stars of a homegrown scene in New York's Hudson Valley. Since forming as a guitar/drums duo at Bennington College in 2004, their nervy indie rock had drawn comparisons to classics like the Talking Heads as much as to their contemporaries in groups like The Get Up Kids and The Anniversary. On widely-pirated releases like One Hell of a Skeleton and Hell Broke Loose, Frank wrote witty, wordy, and at times acid-tongued stories of loneliness and heartbreak over razor-sharp guitar and springy rhythm section interplay. They sounded like a band about to break out, and they very nearly did.

But life made other demands. Adam went back to college, Frank explored '80s kitsch and folk-rock in a plethora of other bands, and Sammi sits behind the kit for acts as various as Real Estate and Laura Stevenson, as well her pursuing own solo work in Hiding Behind Sound. The band stayed close, and made various stabs at getting back together over the years, including a sold-out reunion show in 2013.

Universal Hurt sees the addition of long-time fan, and brother of Adam, Ryan Stoutenburgh on lead guitar and all the pieces fell back into place. Now Frankie & His Fingers are back from the grave.

Recorded largely at Frank's home in Poughkeepsie, New York, Universal Hurt sounds like a group of friends reconsidering their original spark. Tracks like "Celebrate!" and second single "Just because you are... doesn't mean you have to..." find the band leaning into the riffy power-pop of groups like Bad Moves and Diarrhea Planet, while "There's a dragon in that cave" brings the album to a close with a nine-minute synth-pop jam reminiscent at various times of both Thin Lizzy and Flock of Dimes.

Traces of Big Star, The Get Up Kids, Cheap Trick, The Weakerthans, Teenage Fanclub, The Hold Steady, Bruce Springsteen and Elvis Costello permeate the record's 10 tracks. Punk Rock Theory says, "Fans of the Get Up Kids and The Anniversary should take note."

Universal Hurt is the smartest, most complex music the band has ever made, and yet often their most emotionally direct, reaching out to the listener with soaring choruses and walls of guitars. But much has changed in the intervening decade, and Frank's lyrics these days strike a more cynical tone, flashed through with moments of melancholic self-doubt. "Why do you act like your youth is dead? / The day will come when you wish you were this age instead," he reflects on "Sad to let you down like this," while "Gene Kelly & The Truck My Dad Built" finds him settling into his mid-thirties, full of not-entirely discarded desires for something more from life. "Just recalled that I promised my mom I'd be famous by now / And I'd buy her a house" he sings at the song's opening, but by the end he's committed to something approaching acceptance: "Let's try to let go / Of what we can't know / I think if we turn left here there's a new road."

Listen here:

Photo Credit: Roberto Hull / Carry-On Photo



Videos