The latest news on performances of Dance in UK / West End.
Audience members got two for the price of one with English National Ballet School and Rambert School collaborating on a joint show for the continuing Next Generation Festival at the Royal Ballet and Opera's Linbury Theatre.
Director of The Royal Ballet Kevin O'Hare has announced promotions, new joiners and leavers for The Royal Ballet's 2025/26 Season.
Some matinées can feel endless…and I'm sorry to say that was the case with the Paris Opera Junior Ballet.
Christopher Wheeldon's Alice's Adventures in Wonderland returns for a second block of shows at the Royal Ballet and Opera until June 28.
It's so refreshing to get a new proposition, and that was the case with The Youth Company of the Finnish National Ballet at the Next Generation Festival at the Royal Ballet and Opera Linbury Theatre.
John Cranko's Onegin returns to the Royal Ballet and Opera stage for a second block of shows this season, and it's largely good news for all involved.
The Royal Ballet brings together a host of young dance talent with its Next Generation Festival.
Ballet BC present a double bill at Sadler’s Wells with work by heavyweight contemporary dancemakers of the present day.
The dance world is all the richer for having different kinds of storytellers - no doubt.
Considering Kenneth MacMillan’s production of Romeo and Juliet is 60 years old…it looks as fresh as a daisy.
It's a big deal to have an entire evening dedicated to your work, so kudos to Christopher Wheeldon, who's achieved this accolade in his early 50s.
Collaborations are very now, and the Rambert x (LA)HORDE combination is a very worthwhile experiment.
Caroline Reece leads the company as the wicked Queen, but every moving part is in perfect sync
Back in 2018, English National Ballet premiered Playlist (Track 1, 2) as part of their Voices of America programme.
Choreography isn't easy, so choreographic platforms like International Draft Works (2025) are of the utmost importance.
Forgive the urban legend - but they say no one does a funeral like the Irish…and WAKE by THISISPOPBABY, a UK debut now showing at the Peacock Theatre, would suggest this statement is indeed fact rather than hearsay.
The Royal Ballet and Opera launches its 2025/26 Season, unveiling an unforgettable programme of new commissions, world premieres and much-loved revivals alongside the first annual festival connecting the worlds of opera and technology.
The Royal Ballet continue The Dance Reflections by Van Cleef & Arpels Festival with Balanchine: Three Signature Works.
The Dance Reflections by Van Cleef & Arpels Festival continues at Sadler’s Wells with Outsider by Rachid Ouramdane & Ballet du Grand Théâtre de Genève.
The Dance Reflections by Van Cleef & Arpels Festival continues across venues in London with the Lyon Opera Ballet presenting Merce Cunningham Forever.
Oh Drum TAO…what to say? There's many good things about their show The Dream - but then there's some undeniable, less positive realities.
Galas aren't always the easiest of watches; endless pas de deux with bravado at the forefront of proceedings.
Natalia Osipova is not a dancer who likes to play by the rules.
Scottish Ballet return to Sadler’s Wells with a triple bill.
With NOW standing for many nows, thens, nowheres, future nows, past nows, and present nows, Jasmin Vardimon offers up revisited classic choreography fused with new material to create a beautiful and intense way to celebrate the company's 25th anniversary.
Sir Kenneth MacMillan’s Romeo and Juliet continues to enjoy endless popularity, this being its third run by the Royal Ballet since 2019, but when the results are as good, there’s no reason why not.
A work that uses the darkest of dark sets to shed light on the possibilities inherent in creative work, right here, right now
February 2025 is the inaugural month of Sadler’s Wells East, London’s newest dance house with a 550-seat theatre, six dance studios, and a public performance space all under one roof.
Sir David Bintley’s 2010 production of Cinderella has been long overdue an outing, and based on Wednesday’s opening night at Birmingham Hippodrome it is worth the wait.
Crystal Pite’s deeply moving work has themes of safe passage, displacement, community and mortality.
Desperation, desire and dance in a drowned world
In the new Sadler's Wells East venue, we are invited to observe and then enter the world of Club Groove in a pulsing, energetic, modern dance piece allowing the audience to mingle on the dance floor.
The prizes continue at Sadler’s Wells with both a Bloom and Rose contender showing their work.
Competition in the Arts.
Northern Ballet return to the Linbury Theatre for a triple bill of diverse works…or is it really a double bill with an additional third piece that's just five minutes long?!
The one thing we can always count on is a new reading of The Rite of Spring.
Cranko took the predictable love melodrama - I want you, I don't, actually I do, well now I don’t - and turned it into a full-length, 3 act ballet.
Light of Passage, Crystal Pite's meditation on safe movement, displacement, community and mortality, returns to the Main Stage of the Royal Opera House this February.
When I first saw The Nutcracker, I was convinced one of these things must be true: either someone had spiked my drink, the cast were all on drugs or we were all in some kind of baffling nightmare.
Get a look behind the scenes of the pumpkin transformation from The Royal Ballet's Cinderella with Flys Assistant Manager Henry Desmond in the video here!
