BWW Review: HARD TO BE SOFT — A BELFAST PRAYER at Irish Arts Center
You don't have to be from Belfast to appreciate the themes explored through raw physicality in Oona Doherty's Hard to Be Soft — A Belfast Prayer.
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You don't have to be from Belfast to appreciate the themes explored through raw physicality in Oona Doherty's Hard to Be Soft — A Belfast Prayer.
The opening night for MacMillan’s Romeo and Juliet, a production much loved by the audiences of Covent Garden, saw another dubious opportunity for Artistic Director Kevin O’Hare to take to the Opera House stage and announce “significant changes” to the billed cast.
‘Tis the season for Nutcracker performances.
Nightcrawlers (NY Premiere) is a moody piece showcasing three couples in hot pursuit filled with passion, drama, and stunning choreography by Peter Anastos.
Yet another holiday tradition for Houstonians returns to its beloved stage for live and in-person performances.
The evening, at the fabulous Avalon Hollywood, which used to be where they filmed The Hollywood Palace back in the day, filled with pizazz, fabulous old Hollywood theatre decor, gorgeous people on and off stage, awards and honors given in appreciation, former honoree recipients in attendance, and sp
The season features premieres, favorites, and a “greatest hits” retrospective of Robert Battle’s choreography.
A little over a year ago, I attended a performance of Giselle from the Staatsballett Berlin whilst in the knowledge that the next day Corona restrictions would mean a premature end to the run.
The New York City Ballet’s production of George Ballanchine’s The Nutcracker at Lincoln Center is more lovely and charming than ever.
Artistic Director and Choreographer David Parsons himself introduced the single performance evening at The Segerstrom to a thirsty audience, eager to see the dance company that had been lauded in advance at the beginning of this year's season and of course the much awaited return to live performance
Anyone who enjoys that unmistakable Singin’ in the Rain aesthetic, the razzle dazzle of Hollywood and dreamy Broadway scores will have a very happy hour watching Scottish Ballet’s Starstruck.
Parsons Dance opened on Tuesday night at The Joyce Theater to the delight of a captivated audience.
The company hasn't visited The Kennedy Center for more than a decade.
While watching SNATCHED BACK, it hit me; Complexions is the ultimate American Contemporary Dance company.
It’s weird and wonderful to be in the theatre again.
A triple bill by three choreographers with global acclaim
Celebrating their 20th anniversary this year, Black Black return to the Linbury Theatre with a double bill of new work, and in signature style you’ll be hard pressed to leave without your heart feeling a little fuller than before.
Cape Town City Ballet has entered its Spring season with a vibrant trio of performances in ALCHEMY - THREE DANCES.
There’s a particular anticipation for this new triple bill from Birmingham Royal Ballet.
Pytor Ilyich Tchaikovsky's masterpiece is brought to life in Christopher Anderson's stunning adaptation.
Sir Peter Wright's Giselle is one of the Royal Ballet's most recognisable productions and offers the most coveted of roles for any ballerina.
For me, an exciting evening in the theater and in the world of ballet.
The Paul Taylor Dance Company has brought a brief but cheerfully charming program to the Eisenhower Theater at the Kennedy Center for a short run through October 9.
The Pacific Northwest Ballet was back on stage in Seattle’s McCaw Hall in September of 2021, dancing for a live audience for the first time since the pandemic closed dance studios and theaters worldwide.