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DANCE THEATER REVIEWS

The latest reviews and critic recommendations from Dance
BWW Review: ACOSTA DANZA UP CLOSE, Royal Opera House

BWW Review: ACOSTA DANZA UP CLOSE, Royal Opera House

by Gary Naylor — February 20, 2020
This show, by the company of ex-Principal dancer at The Royal Ballet, Carlos Acosta, gives the audience a mixed bill, as up close as the title suggests, with as much Cuba as you would find in a hand-rolled cigar....
BWW Review: THE CELLIST / DANCES AT A GATHERING, Royal Opera House

BWW Review: THE CELLIST / DANCES AT A GATHERING, Royal Opera House

by Vikki Jane Vile — February 18, 2020
The first mixed programme of 2020 from the Royal Ballet sees Cathy Marston's much anticipated and arguably long overdue first work for the main stage at Covent Garden. Renowned for her lucid and atmospheric storytelling, most recently in The Suit (Ballet Black) and Victoria (Northern Ballet), she no...
BWW Review: DANCE INNOVATIONS at San Francisco Ballet Delivers Thrills and Heartbreak

BWW Review: DANCE INNOVATIONS at San Francisco Ballet Delivers Thrills and Heartbreak

by Jim Munson — February 18, 2020
San Francisco Ballet's latest mixed repertoire program, a?oeDance Innovations,a?? covers a lot of territory thematically and choreographically, and has a wealth of transcendent moments. Two of the ballets were made expressly for SFB, and the other is a classic from the mid-20th century....
BWW Review: Nashville Ballet's ATTITUDE/OTHER VOICES at Tennessee Performing Arts Cen

BWW Review: Nashville Ballet's ATTITUDE/OTHER VOICES at Tennessee Performing Arts Center

by Melia Kraus-har — February 18, 2020
Nashville Ballet's Artistic Director, Paul Vasterling, approached the company's annual Attitude series - Other Voices - with questions on gender: what does it mean to be a man, what does it mean to be a woman, what does it mean to be both, and what does it mean to be neither? Vasterling commissioned...
BWW Review: CLASSICAL (RE)VISION at San Francisco Ballet Offers a Sparkling Program o

BWW Review: CLASSICAL (RE)VISION at San Francisco Ballet Offers a Sparkling Program of Contemporary Dance

by Jim Munson — February 13, 2020
How lucky we are to be living in the age of Mark Morris! My first thought watching San Francisco Ballet's opening night performance of their a?oeClassical (Re)Visiona?? program was a?oeGod, they're good!a?? SF Ballet presents a sparking and varied program of contemporary ballet that will leave you s...
BWW Review: The Delightful Melodrama of ABT's GISELLE

BWW Review: The Delightful Melodrama of ABT's GISELLE

by Lora Strum — February 12, 2020
ABT does the melodrama of 'Giselle' with an acute attention to detail, diversity and dramatic flair....
BWW Review: RETURN TO HEAVEN, Tobacco Factory Theatres Bristol

BWW Review: RETURN TO HEAVEN, Tobacco Factory Theatres Bristol

by Shane Morgan — February 6, 2020
A post-apocalyptic road warrior, an astronaut and a shark walk into a bara??...
BWW REVIEW: Alvin Ailey Has Something to Say

BWW REVIEW: Alvin Ailey Has Something to Say

by Lora Strum — February 6, 2020
In its annual Kennedy Center residency, the company tackles gun violence, love, youth and more in a program that includes new works and the seminal classic a?oeRevelations.a??...
BWW Review: BWW REVIEW:  MATTHEW BOURNE REIMAGINES SWAN LAKE at New York City Center

BWW Review: BWW REVIEW: MATTHEW BOURNE REIMAGINES SWAN LAKE at New York City Center

by Rose Marija — February 7, 2020
​​​​​​​The first performance of Matthew Bourne's contemporary Swan Lake was performed at the Sadler's Wells Theater, London, in 1995. It has endured twenty-five years with the staying power of a new classic -- for very good reason. Bourne has reinvented the swans from maidens who have ...
BWW Review: PACIFIC NORTHWEST BALLET'S CINDERELLA at McCaw Hall

BWW Review: PACIFIC NORTHWEST BALLET'S CINDERELLA at McCaw Hall

by Sondra Forsyth — February 3, 2020
On the afternoon of February 2nd, 2020, a nearly sold-out audience for a performance of Pacific Northwest Ballet's “Cinderella” proved that diehard dancegoers and eager young ballet students will show up in full force even though plenty of other people decide to opt for watching Superbowl Sunday...
BWW Review: BWW REVIEW:     COMPLEXIONS CONTEMPORARY BALLET BRINGS ITS FLAVOR TO THE

BWW Review: BWW REVIEW: COMPLEXIONS CONTEMPORARY BALLET BRINGS ITS FLAVOR TO THE JOYCE THEATER at Joyce Theater

by Rose Marija — February 7, 2020
Founding Artistic and Executive Directors Dwight Rhoden and Desmond Richardson founded Complexions Contemporary Ballet in 1994. Richardson enjoyed a stellar performing career, having danced with numerous prestigious dance companies, including American Ballet Theatre where he was the first African Am...
BWW Review: BEYOND THE MINT Crosses the Street for Inspiration

BWW Review: BEYOND THE MINT Crosses the Street for Inspiration

by Perry Tannenbaum — February 3, 2020
The latest edition of Innovative Works, BEYOND THE MINT, sends three choreographers across the street to soak in Spirit Drift's 'Immersed in Light' installation at the Mint Museum Uptown. Chelsea Dumas and Duane Cyrus are particularly successful in their quests for inspiration....
BWW Review: SADLER'S SAMPLED, Sadler's Wells

BWW Review: SADLER'S SAMPLED, Sadler's Wells

by Vikki Jane Vile — February 2, 2020
Sadler's Sampled is Sadler's Wells' annual parade of varied dance offerings - although this year proved somewhat of a disappointment from previous iterations. The selected work felt unbalanced in favour of contemporary performances, and for this traditionalist, the lack of any classical work weighe...
BWW Review: RUSSIAN BALLET ICONS GALA, London Coliseum

BWW Review: RUSSIAN BALLET ICONS GALA, London Coliseum

by Vikki Jane Vile — January 28, 2020
It's always a tough choice, at this annual Ballet Icons Gala, to know whether to review the performances on stage or the extravagant antics of it's animated Russian audience. It's a starry evening, where the glamorous attendees don floor length gowns, the men wear tuxedos and although it's meant to ...
BWW Review: MATTHEW BOURNE'S SWAN LAKE at The Kennedy Center

BWW Review: MATTHEW BOURNE'S SWAN LAKE at The Kennedy Center

by Rachael Goldberg — January 24, 2020
Sir Matthew Bourne's 'Swan Lake' has a reputation as a beloved, fascinating, and powerful ballet. The latest production certainly justifies this reputation....
BWW Review: THE DAY at Tennessee Performing Arts Center

BWW Review: THE DAY at Tennessee Performing Arts Center

by Melia Kraus-har — January 23, 2020
Individually, Beiser and Whelan captivated - Whelan walking contemplatively across the stage, Beiser seated in a power stance, limbs enfolding her cello. Together, they grounded the work's multi-disciplinary, hybrid structure with their various expertise along the spectrum of creative function. As a...
BWW Review: CLD Explores Character Development at APAP 2020

BWW Review: CLD Explores Character Development at APAP 2020

by Christina Pandolfi — January 21, 2020
During this present time of great cultural and political strife, the world at large is yearning for humanity—for honesty, for truth, and for authentic connection. It's why more so than ever, creators are inspired to bring this to life in their chosen mediums to give audiences a greater sense of me...
BWW Review: BWW REVIEW: GRAND SWAN LAKE IS PRESENTED BY SHANGHAI BALLET & CHINA ARTS

BWW Review: BWW REVIEW: GRAND SWAN LAKE IS PRESENTED BY SHANGHAI BALLET & CHINA ARTS AND ENTERTAINMENT GROUP LTD at David H. Koch Theater

by Rose Marija — January 21, 2020
​​​​​​​Shanghai Ballet was founded in 1966. Spanning over thirty years, this company embraces a blend of traditional and Western dance styles. Xin Lili, Artistic Director since 2011, has brought to the company English versions of Swan Lake, Romeo and Juliet, a French version of Coppeli...
BWW Review: ONEGIN, Royal Opera House

BWW Review: ONEGIN, Royal Opera House

by Vikki Jane Vile — January 20, 2020
John Cranko's Onegin was last performed by the Royal Ballet in 2015. Now five years later, there is a new wave of rising stars who are keen to showcase their take on the great dramatic classical roles on offer, and how palpably Onegin is a ballet that needs those stars. With only four key characters...
BWW Review: ENGLISH NATIONAL BALLET'S 70TH ANNIVERSARY GALA, London Coliseum

BWW Review: ENGLISH NATIONAL BALLET'S 70TH ANNIVERSARY GALA, London Coliseum

by Vikki Jane Vile — January 19, 2020
Galas are peculiar beasts. In attempting to please everyone, you sometimes please no one at all, but fortunately, for this nostalgic run through the rich history of English National Ballet, no one was disappointed by the varied and often emotive selection of greatest hits....
BWW Interview: Maya Beiser and Wendy Whelan on THE DAY

BWW Interview: Maya Beiser and Wendy Whelan on THE DAY

by Melia Kraus-har — January 17, 2020
Whelan finds the yin and yang in their performance chemistry, saying, 'we're very opposite in nature, which creates balance. I'm more androgynous with clean, clear lines while she has a big, vibrant presence.' Beiser affirmed Whelan's value for respecting collaboration saying she learned from Lang t...
BWW Review: THE NUTCRACKER, Royal Albert Hall

BWW Review: THE NUTCRACKER, Royal Albert Hall

by Vikki Jane Vile — December 30, 2019
In true balletomane style, my first thought when I knew I would be in London over the Christmas and New Year period was that I would finally be able to catch Birmingham Royal Ballet's (BRB) Nutcracker which runs for just seven performances....
BWW Review: THE RED SHOES, Sadler's Wells

BWW Review: THE RED SHOES, Sadler's Wells

by Vikki Jane Vile — December 16, 2019
It's fitting that Matthew Bourne's The Red Shoes returns to London to finish up another year of reviewing dance. By far Bourne's most accomplished, creative and complete work, it's a theatrical joy from start to finish that is performed with confidence by a cast who have now had time to perfect it s...
BWW Review: NASHVILLE'S NUTCRACKER at Tennessee Performing Arts Center

BWW Review: NASHVILLE'S NUTCRACKER at Tennessee Performing Arts Center

by Melia Kraus-har — December 13, 2019
Artistic Director Paul Vasterling has set Nashville's Nutcracker with the Nashville Symphony at the 1897 Tennessee Centennial Exposition. Here, Drosselmeyer introduces Clara to the magical imagination and diversity of Nashville. In the ballet's opening, Clara sees a Nutcracker doll made by a German ...
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