The latest reviews and critic recommendations from Dance.
Back in full swing, after Covid interruptions, is the Glendale Brand Library and Associates’ annual spring dance series, always curated with love and care by Jamie Nichols, and organized by Art Librarian Erin Herzog on the grounds and at the beautiful Glendale Brand Library.
Save for COVID, German Cornejo and his company of Tango dancers have thrilled audiences with their sultry, authentic displays of the much loved Ballroom dance for countless seasons in London.
Cassa Pancho’s Ballet Black turned 20 last year and to mark this milestone they celebrated with a double bill of two works seen at the Barbican earlier this year and now touring; one an out and proud affirmation on their journey as a company and the second a tribute to their ancestry and heritage.
Kent Stowell’s “Swan Lake” was back on stage from April 15th to 24th 2022 as part of Pacific Northwest Ballet’s post-pandemic return to live performances at Macaw Hall in Seattle.
Five years since its premiere, Kenneth Tindall’s Casanova remains a distinctive and highly engaging addition to Northern Ballet’s repertoire.
Forty-four years ago, in 1978, the original Bob Fosse's 'Dancin'' opened on Broadway.
BroadwayWorld reviews San Francisco Ballet's glorious production of Helgi Tomasson's 'Swan Lake' running through May 8th.
In GALLIM Dance Company's 'BLUSH,' so many moments feel like a mental breakdown.
With the closing months of Staatsballett Berlin’s 21/22 season turning its attention to some full length classics including Sleeping Beauty and Onegin, an alternative is offered in the form of George Balachine’s plotless ballet, Jewels.
In a diverse, three-part program featuring choreography by Robert Garland, Claudia Schreirer and Annabelle Lopez Ochoa, audiences are gently guided through the hope and despair at war in every place.
BroadwayWorld reviews San Francisco Ballet's stunningly varied Program 6.
Martha Graham Dance Company is now on stage as part of the City Center Dance Festival.
BroadwayWorld reviews San Francisco Ballet's dazzling new Program 5 running through April 16th, which includes a world premiere by Helgi Tomasson and a reprise of Yuri Possokhov's popular 'Magrittomania.
The 'American' in American Ballet Theatre is more evident than ever before.
Making its New York premiere at the City Center Dance Festival April 1-3, Doña Perón is an explosive and emotional retelling of the life of Eva “Evita” Perón, one of the most recognizable and controversial women in Argentinian history.
Just under a year ago, English National Ballet debuted one of the first post-COVID programmes of new work entitled Reunion.
Virtual reality and the music of David Bowie come to life in Jean Grand-Maître's sci-fi ballet.
Ailey II, The Next Generation of Dance is now on stage at the Ailey Citigroup Theater and it’s a marvel for dance aficionados and many more.
Pacific Northwest Ballet’s Rep 4 for the 2021-2022 season is “Plot Points”, a quadruple bill of mesmerizingly inventive works that includes a PNB Premiere by Justin Peck and a World Premiere by Robin Mareko Williams.
The Kennedy Center's 50th anniversary (whose celebrations have largely been pushed back a year due to the pandemic) coincides with the golden anniversary of the annual residency there of New York's American Ballet Theatre, whose first performance there came the day after the venerable Washington Per
It’s clear that night three of the City Center Dance Festival will not be a carefree return to our yesteryears, but a step into what comes next in the arts.
The combination of the music, dancing, acting, and exquisite colors displayed by attire of the company brought the show to life, telling the many different stories of Okinawa.
BroadwayWorld reviews San Francisco Ballet's richly-rewarding Program 4, which runs lives onstage at the War Memorial Opera House through Sunday, March 20th.
The internationally renowned Trinity Irish Dance Company opened at The Joyce Theater on Tuesday evening and the audience was wowed.
Some nights at Covent Garden feel heavy with a sense of occasion and this particular performance of Swan Lake, taking place a week after opening night, was certainly one of them.
