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CLASSICAL MUSIC THEATER REVIEWS

The latest reviews and critic recommendations from Classical Music
BWW Review: MADAME BUTTERFLY at Opera Wroclaw

BWW Review: MADAME BUTTERFLY at Opera Wroclaw

by Natalia Jarczynska — June 20, 2022
If you want to witness the materialization of the word beauty, see this show. With thrilling voices, amazing Puccini music, and vital presentation this opera will lead you straight to musical heaven....
BWW Review: AKHNATEN at the Met Opera

BWW Review: AKHNATEN at the Met Opera

by George Weinhouse — May 26, 2022
One of the greatest successes of recent Met seasons is Philip Glass's AKHNATEN, first seen in 2019.I saw it three times that year and fell under its spell each time.It is being revived this season....
BWW Review: SAN DIEGO SYMPHONY CONCERT at Rady Shell Amphitheater

BWW Review: SAN DIEGO SYMPHONY CONCERT at Rady Shell Amphitheater

by Ron Bierman — May 25, 2022
Musical impressionism ruled the San Diego Symphony’s early-evening Rady Shell concert this past weekend. First came conductor-composer Esa-Pekka Salonen’s reaction to Nyx, a daughter of Chaos, the earliest Greek god. Nyx, rarely mentioned in extant ancient Greek-literature, is goddess of the nig...
BWW Review: CARMEN at The Kennedy Center

BWW Review: CARMEN at The Kennedy Center

by Rachael F. Goldberg — May 24, 2022
While this production of 'Carmen' is very traditional on its face, the thoughtfulness and sheer talent packed into this performance elevates it to something far more engaging, and absolutely enchanting. It’s more than worthy of audiences’ time, and hopefully WNO’s fresh interpretation will hel...
BWW Review: PARK AVENUE CHAMBER SYMPHONY's Mahler's Fifth at DiMenna Center

BWW Review: PARK AVENUE CHAMBER SYMPHONY's Mahler's Fifth at DiMenna Center

by Joanna Barouch — May 23, 2022
When some people hear the word 'community' before the word(s) chorus, theater, band, or orchestra, they really hear 'amateur.' Although amateur means to do something for the love of it, the word also seems to have a negative connotation when it comes to quality. After all, if there's no money involv...
BWW Review: Odyssey Records Recording of HENRY VIII by Saint-Saens

BWW Review: Odyssey Records Recording of HENRY VIII by Saint-Saens

by George Weinhouse — May 20, 2022
A new recording of Saint-Saens's opera HENRY VIII, by Odyssey Opera, has come my way. It is a complete version of the work which is dated 1883. Odyssey Opera is a company dedicated to the performance of operas that are out of the mainstream but are deemed worthy of recognition. ...
BWW Review: San Diego Opera's Production of AGING MAGICIAN at The Balboa Theatre Show

BWW Review: San Diego Opera's Production of AGING MAGICIAN at The Balboa Theatre Shows Off Magical Mystery

by Ron Bierman — May 20, 2022
'What the hell was that?' an opera fan asked her friend as we shuffled into a parking-garage elevator. Not an easily answered question after a viewing of AGING MAGICIAN. Ambiguity abounds and reality is mixed with fantasy. The reality side is clear, mostly. Harold is a middle-aged watch repairman...
BWW Review: ST. MATTHEW PASSION at Carnegie Hall

BWW Review: ST. MATTHEW PASSION at Carnegie Hall

by George Weinhouse — May 17, 2022
Bernard Labadie led a transcendent performance of Bach's ST.MATTHEW PASSION at Carnegie Hall....
BWW Review: ORATORIO SOCIETY OF NEW YORK SPRING CONCERT at Carnegie Hall

BWW Review: ORATORIO SOCIETY OF NEW YORK SPRING CONCERT at Carnegie Hall

by Joanna Barouch — May 15, 2022
Bible stories are not always the easiest to listen to, and sometimes have the net effect of putting the listener to sleep. When Felix Mendelssohn (1809-1847) was inspired to write about the life of the prophet Elijah, however, he took the story to the next level...
BWW Review: LA TRAVIATA's Powerhouse Cast and Crew Provide a Timeless, Stunning Produ

BWW Review: LA TRAVIATA's Powerhouse Cast and Crew Provide a Timeless, Stunning Production of The Verdi Classic at the Canadian Opera Company

by Isabella Perrone — April 27, 2022
The Canadian Opera Company marked its return-to-stage after nearly two years with this all-around stunning production of one of Verdi’s most well-known works. Clocking in at just shy of three hours, the four-act opera tells the tale of Parisian courtesan Violetta (Amina Edris, making her COC debut...
BWW Review: THE PEARL FISHERS Proves to Be a Real Catch at The Dallas Opera

BWW Review: THE PEARL FISHERS Proves to Be a Real Catch at The Dallas Opera

by Zac Thriffiley — April 6, 2022
The Dallas Opera's production of Bizet's THE PEARL FISHERS acts as a satisfying palate cleanser, providing the talent audiences have come to expect from the company as well as a dream of a show....
BWW Review: UCO Opera's THE CONSUL Is a Haunting Tale of Caution

BWW Review: UCO Opera's THE CONSUL Is a Haunting Tale of Caution

by Adrienne Proctor — April 5, 2022
UCO's opera department offers a cautionary tale. The Consul tells the story of one family trying to escape a country they can no longer call home. Though it ran on Broadway in 1950, it brings to mind current images that are seen on the news every night. Parallels to refugees and the bureaucratic sys...
BWW Review: EUGENE ONEGIN at the Metropolitan Opera

BWW Review: EUGENE ONEGIN at the Metropolitan Opera

by George Weinhouse — March 29, 2022
The 2013 production of Tchaikovsky's Pushkin-inspired opera EUGENE ONEGIN has triumphantly returned to the Met. I attended the final dress rehearsal and can attest to the fact that the story of Tatyana's infatuation with, and later rejection of, the eponymous 'hero' is vocally in superb hands. Both ...
BWW Review: Plunge Into An ART BATH at The Blue Building

BWW Review: Plunge Into An ART BATH at The Blue Building

by Marakay Rogers — March 22, 2022
Violin, dance, opera singers and the sounds of Nina Simone are just a few possible experiences you can have at one time at The Blue Building....
BWW Review: THE LA JOLLA MUSIC SOCIETY PRESENTS JOSHUA BELL AND THE ACADEMY OF SAINT

BWW Review: THE LA JOLLA MUSIC SOCIETY PRESENTS JOSHUA BELL AND THE ACADEMY OF SAINT MARTIN IN THE FIELDS at San Diego Civic Center

by Ron Bierman — March 18, 2022
When he was four-years old Joshua Bell's parents found him making music by plucking rubber bands stretched to different lengths on dresser drawers. Clearly, he needed a real instrument. Fortunately, they bought a violin rather than a guitar. Ten years later he was the youngest ever to solo with the ...
BWW Review: RESPIGHI'S PINES OF ROME & JOYCE YANG at Colorado Symphony

BWW Review: RESPIGHI'S PINES OF ROME & JOYCE YANG at Colorado Symphony

by Jon Bee — March 17, 2022
In their recent concert, the Colorado Symphony opened with Apu: Tone Poem for Orchestra before moving on to Mozart's Piano Concerto No. 24, K. 491 featuring guest artist Joyce Yang, piano....
BWW Review: NY Pops Enchants With GET HAPPY: THE NELSON RIDDLE SOUND at Carnegie Hall

BWW Review: NY Pops Enchants With GET HAPPY: THE NELSON RIDDLE SOUND at Carnegie Hall

by Ricky Pope — March 17, 2022
Nelson Riddle, the legendary arranger/orchestrator/composer is largely responsible for what we think of as the sound of The Great American Songbook. His arrangements and orchestrations for artists like Ella Fitzgerald, Frank Sinatra, Peggy Lee, Nat King Cole Dean Martin, Judy Garland, Johnny Mathis,...
BWW Review: THE MAGIC FLUTE at Des Moines Metro Opera

BWW Review: THE MAGIC FLUTE at Des Moines Metro Opera

by DC Felton — March 10, 2022
I love seeing in the arts when a company takes a classic work and reimagines it for a modern audience. This often allows for more imaginative and innovative production that brings a brand new audience to your company. As they begin their 50th Season, Des Moines Metro Opera brings Wolfgang Amadeus Mo...
BWW Review: DON JUAN at Wroclaw Opera

BWW Review: DON JUAN at Wroclaw Opera

by Natalia Jarczynska — March 9, 2022
A romantic burlesque turns out to be an abstract path to nothingness through perverse vanity. Must see....
BWW Review: WRITTEN IN STONE at Kennedy Center's Eisenhower Theater

BWW Review: WRITTEN IN STONE at Kennedy Center's Eisenhower Theater

by Mary Lincer — March 7, 2022
The Washington National Opera has gathered a company of first rate singers for a portmanteau of four, one-act operas called Written in Stone. Unfortunately, their fine skills and exceptional voices cannot make silk purses out of scores, libretti, and orchestrations that evade aesthetics, emphasize n...
BWW Review: Lise Davidsen Soars Over Naxos in Strauss's ARIADNE at the Met

BWW Review: Lise Davidsen Soars Over Naxos in Strauss's ARIADNE at the Met

by Richard Sasanow — March 4, 2022
I flipped over Lise Davidsen when she made her Met debut in QUEEN OF SPADES—the voice, the acting, the overall subtlety--but I was still unprepared for the performance she gave as the Prima Donna who became Princess Ariadne of Crete in Strauss’s ARIADNE AUF NAXOS. She was altogether divine....
BWW Review: La Jolla Music Society Presents THE DOVER AND ESCHER QUARTETS at Baker-Ba

BWW Review: La Jolla Music Society Presents THE DOVER AND ESCHER QUARTETS at Baker-Baum Hall At The Conrad

by Ron Bierman — March 1, 2022
The La Jolla Music Society has been bringing some of the world’s best string quartets into the Baker-Baum Concert Hall at The Conrad. With a little over 500 seats and acoustics that allow you to hear off-stage whispers, it’ a setting that could only be improved upon if the performing quartet vis...
BWW Review: AN EVENING WITH DIANNE REEVES at Colorado Symphony

BWW Review: AN EVENING WITH DIANNE REEVES at Colorado Symphony

by Jon Bee — February 23, 2022
I suppose it’s true you can always find our way back home, especially if home is where the heart is, as they say. For Denver’s own Dianne Reeves making her return to Boettcher Concert Hall, it feels like Dolly Levy has come back to Harmonia Gardens. ...
BWW Review: San Diego Opera's MOZART'S COSI FAN TUTTE at San Diego Civic Center

BWW Review: San Diego Opera's MOZART'S COSI FAN TUTTE at San Diego Civic Center

by Ron Bierman — February 17, 2022
I admire the plucky inventiveness of the San Diego Opera. On an annual budget of roughly three percent of New York’s Metropolitan Opera, it has managed to mount a consistently appealing and entertaining variety of productions, traditional and contemporary, in both good times and plague times. The ...
BWW Review: ORPHEUS AND EURYDICE at Tagney Jones Hall

BWW Review: ORPHEUS AND EURYDICE at Tagney Jones Hall

by Erica Miner — February 14, 2022
Bold new production of Christoph Willibald Gluck’s iconic rendering of the classic Greek tragedy...
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