BWW Review: Audra McDonald and Dr. Phillips Center Make History with Duke Ellington's BLACK, BROWN & BEIGE
It's not every day that Audra McDonald stands twenty feet in front of you and says, 'Tonight, we are all a part of history.' Then again, it's not every day that music history gets made in Orlando - real-deal, textbook-worthy history - so when it does happen, I reckon Audra McDonald is as eager to be...
BWW Review: Symphonic Return To Bid Farewell to John Varineau at An American in Paris!
I was fortunate enough to get to head down to DeVos Hall for the first live event I have been to there in over two years, the last being to see Charlie and the Chocolate Factory the week the tour was put on pause due to Covid. I was very excited to come back for a very special event, to not onl...
BWW Review: THE NEW YORK POPS featuring Kelli O'Hara brings Carnegie Hall BACK HOME FOR THE HOLIDAYS
With only 3 days of rehearsal, Ms. O'Hara doesn't disappoint...
BWW Review: THE WASHINGTON CHORUS A CANDLELIGHT CHRISTMAS at The Music Center At Strathmore / Kennedy Center Concert Hall
A Candlelight Christmas is a warm and welcoming way to spend a holiday evening, with something for everyone to enjoy....
BWW Review: A JOYFUL NOISE at Carnegie Hall
Under the direction of their superb artistic director and conductor, Tony Award winner Ted Sperling, MasterVoices’ 100+ members presented “A Joyful Noise” as their 80th Season opener. T...
BWW Review: THE LA JOLLA MUSIC SOCIETY PRESENTS LEONIDAS KAVAKOS AND YUJA WANG at the Balboa Theatre
Although they don’t fill stadiums violinist Leonidas Kavakos and pianist Yuja Wang are classical music’s equivalent of huge pop stars. Wang is the better-known of the two partly because of the attention she’s garnered by dressing like one, surely more conservatively than Lady Gaga and Cher, bu...
BWW Review: The Dessoff Choirs Premiere CONSIDERING MATTHEW SHEPARD
The famed Dessoff Choirs, conducted by Malcolm J. Merriweather, presented the first New York production of Craig Hella Johnson’s acclaimed choral work...
BWW Review: DIE MEISTERSINGER VON NÜRNBERG at the Metropolitan Opera
For the first time in almost seven years, the Metropolitan Opera has revived Wagner's DIE MEISTERSINGER VON NURNBERG. Considered by many to be Wagner's masterpiece, today's matinee performance gave credence to that opinion. The production is that of Otto Schenk with scenery by Gunther Schneider-...
BWW Review: The San Diego Opera Presents STEPHANIE BLYTHE IN RECITAL at the Balboa Theatre
The imposing mezzo soprano Stephanie Blythe is known for her roles in Wagner, Verdi and Stravinsky. Why would she begin a Balboa Theatre recital for the San Diego Opera with Johnny Mercer’s 'Ac-Cent-Tchu-Ate the Positive?” Here’s what she said in a recent interview, “I’ve been a great fan ...
BWW Review: SAN DIEGO SYMPHONY at Rady Shell, Jacobs Park
The Jacob's Masterworks Series has been the centerpiece of the San Diego Symphony's concert season for many years. But the pandemic put the series on hold and delayed the launch of Rafael Payare's first full season as music director and conductor. The opening of the outdoor Rady Shell has allowed th...
BWW Review: AMERICAN CLASSICAL ORCHESTRA with RACHELL ELLEN WONG at Damrosch Park At Lincoln Center
A wonderful way to start the season, 'Reunion' is a great name for this concert!...
BWW Review: RIGOLETTO, Royal Opera House
Rigoletto delves deep into the human psyche to ask questions both through its subject matter and its melding of music and voices...
BWW Review: THE SAN DIEGO SYMPHONY PERFORMS TCHAIKOVSKY at The Rady Shell
Classical music is supposed to be serious, difficult to understand, intimidating, right? Who are all these people laughing at what the conductor says, ordering bottles of wine, jumping up to applaud, even, gasp, clapping between movements. Was I amongst Philistines? Had I trustingly followed Waze to...
BWW Review: PAGLIACCI at Lyric Opera of Chicago
Lyric Opera of Chicago announced that registration is now open for audiences to secure a free link to screen its new, original film production of Leoncavallo’s Pagliacci, made at the Lyric Opera House. Audiences can now secure a free, on-demand viewing of this verismo production. More information...
BWW Review: TOUR DE PARIS WITH ALEX ROOSE at St. John's Church, Adelaide
A musical tour of Paris in the Baroque period....
BWW Review: PROM 17: VIKINGUR ÓLAFSSON, Royal Albert Hall
Tightly-buttoned Bach met a bombastic Shostakovich in this demonstration of four radically different works that came across as either under- or expressly overstated....
BWW Review: SAN DIEGO SYMPHONY'S OPENING CONCERT AT THE NEW RADY SHELL AMPHITHEATER in Jacobs Park
What was a makes-you-jump BOOM!! doing in Gershwin’s Rhapsody in Blue? Had someone mistakenly lit an 1812 Overture cannon? Were we under attack?! Oh wait! It was just a bass drum resonating through the San Diego Symphony’s spectacular new state-of-the-art sound system at the Rady Shell. And so, ...
BWW Review: A MIDSUMMER NIGHT'S DREAM Simulcast To Cars in Parking Lot
British stage director Netia Jones put her singular stamp on a production of Benjamin Britten’s A Midsummer Night’s Dream seen at the Santa Fe Opera on August 4, 2021. Performed in the opera house, it was simulcast to the lower parking lot where hundreds of patrons watched from the safety of th...
BWW Review: MAZEPPA - Opera Blockbuster at Bolshoi Theatre
Recently the Bolshoi Theatre presented Tchaikovsky's three acts opera 'Mazeppa', based on Pushkin's poem 'Poltava', part of cultural legacy of Mazeppa. Pushkin took some creative freedom in order to create powerful characters and grand passions. The opera was composed between June 1881 and April 188...
BWW Review: J'Nai Bridges Recital for LA Opera
On June 22, I watched J’Nai Bridges’ online recital at Los Angeles Opera’s website. Bridges has been making highly acclaimed debuts at major opera houses. For her LA Opera recital, she chose major selections by Johannes Brahms and Charles Gounod as well as many lesser-known shorter pieces. She...
BWW Review: BRYAN HYMEL RECITAL FOR ARIZONA OPERA AND TUCSON DESERT SONG FESTIVAL
On April 28, 2021, Arizona Opera, in partnership with Tucson Desert Song Festival, presented an online recital by dramatic tenor Bryan Hymel and pianist Michael Borowitz. They opened their streamed recital with the lyrical aria, 'Ombra mai fu” from Handel’s opera Xerxes. Sung by Xerxes I of Pers...
BWW Review: THE SAN DIEGO OPERA'S BARBER OF SEVILLE at Pechanga Sports Arena
The San Diego Opera continued its quixotic foray into parking-lot adventures with The Barber of Seville by Rossini, social distancing once again forcing substantial changes to a production's length and cast size. Revisions to libretto, costumes, set and lighting went all out for a zany farcical effe...
BWW Review: TIPPET RISE SPRING FESTIVAL at Streaming From Tippet Rise Art Center
Commencing Friday, April 16 running through Sunday, April 18, Tippet Rise on Tour will premiere ten short films featuring eclectic musical performances, readings of poetry, and live discussions with some of the musicians....
BWW Review: THE IMPRESARIO at Enigma Chamber Opera
There is a lot good about Enigma Chamber Opera’s new meta-comedy adaptation of Mozart’s The Impresario, but the highest praise must be reserved for its formatting as a highly scroll-able hour-long entertainment (mainly because it is actually at most a 20 minute performance trapped inside a redun...
BWW Review: Merola Opera Program: ANYTHING FOR LOVE AND HONOR
On Sunday, March 21, 2021, tenor Issachah Savage and collaborative pianist Laurie Rogers gave a half-hour recital called Anything for Love and Honor for the Merola Opera Program. Savage, a former member of Merola, won three prizes at Seattle’s International Wagner Competition in 2014: First Prize...
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