The Memory of Melodies explores how composers remember, borrow and transform music from the past. Melodies can survive borders, generations and political change, becoming a form of cultural inheritance that connects us to where we came from. The program features soloists Wei...
Blissful Insolence celebrates artists who refuse to conform. Bernstein's Serenade after Plato's Symposium and Beethoven's Symphony No. 7 share the program with a new commission by Ryan Suleiman and works selected through LCO's International Call for Scores. Violinist David...
The season concludes with Pride: A Rainbow of Repertoire, celebrating LGBTQ+ composers and artists whose contributions have helped shape musical culture, often during periods when their identities could not be openly acknowledged. The program affirms that belonging means more...
What did our critic think of THE WASH at Front Porch Arts Collective?…
The national tour of “The Bodyguard,” a musical based on the 1992 blockbuster movie starring Whitney Houston and Kevin Costner that spawned the bestselling soundtrack of all time, came to Worcester this past weekend at the Hanover Theatre and Conservatory for the Performing Arts.…
What did our critic think of A STREETCAR NAMED DESIRE at Boston Lyric Opera?…
This might well be the perfect time for the American Repertory Theater at Harvard University to present the world premiere of the rock opera “1972,” at Farkas Hall in Harvard Square through December 6, if the post-midterms mood of relief of the recent press-night audience is any indication.…
What did our critic think of DR. JEKYLL AND MR. HYDE at Merrimack Repertory Theatre?…
Getting blood sucked out of your neck doesn’t sound like much fun, but with the always game Paul Melendy as the corpuscle-craving Transylvanian vampire Count Dracula, it provides just one of the many laugh-out-loud moments in Actors’ Shakespeare Project’s devilishly funny “Dracula: A Comedy …
From multiple marriages and a neck broken mid-performance to the downsides of aging, nothing was off limits in “Laura Benanti: Nobody Cares,” the one-person comedy show that Tony Award winner Benanti brought to Boston’s Calderwood Pavilion at the Boston Center for the Arts recently as part of …
What did our critic think of BOUNCERS at The Modern Theatre At Suffolk University?…
When the Broadway musical “Operation Mincemeat” opened at New York’s Golden Theatre in March 2025, it was slated to have a 16-week run. A recent 11th extension, through April 2027, was just the latest confirmation that audiences have yet to get enough of the 2025 Tony Award nominee for Best Mu…
What did our critic think of TO KILL A MOCKINGBIRD at The Huntington?…
The season opens with scenes from Pasquale Tassone's opera Seven Rabbits on a Pole, based on the drama by John C. Picardi, with a libretto by Elizabeth Searle. Through the story of an Italian immigrant family struggling to establish a life in America, the opera explores poverty...
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The Sound of Music Boch Center Wang Theatre (11/17-11/22) |
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Lesley Ann Warren: In My Own Little Corner Emerson Colonial Theatre (4/01-4/01) |
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Misleading Lady with Jolene Cuisine Huntington Theatre, Maso Studio (11/21-11/21) |
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Water for Elephants Hanover Theatre for the Performing Arts (2/26-2/28) |
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Adia & Clora Snatch Joy Huntington Theatre (11/24-12/13) |
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Rodgers + Hammerstein's Cinderella Weston Friendly Society (12/05-12/13) |
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It's STILL a Wonderful Life, a new musical The Chester H. Hawrylciw Theater at Northern Essex Community College (12/18-12/19) |
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Made For TV: Songs That Stole The Show StageWorks Arts (11/20-11/22) |
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Hadestown Emerson Colonial Theater (11/10-11/14) |
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Christmas Swings Again starring Lucas Beltran Club Cafe Boston (12/04-12/04) |
