The season opens with scenes from Pasquale Tassone's opera Seven Rabbits on a Pole, based on the drama by John C. Picardi, with a libretto by Elizabeth Searle. Through the story of an Italian immigrant family struggling to establish a life in America, the opera explores poverty...
The Memory of Melodies explores how composers remember, borrow and transform music from the past. Melodies can survive borders, generations and political change, becoming a form of cultural inheritance that connects us to where we came from. The program features soloists Wei...
Blissful Insolence celebrates artists who refuse to conform. Bernstein's Serenade after Plato's Symposium and Beethoven's Symphony No. 7 share the program with a new commission by Ryan Suleiman and works selected through LCO's International Call for Scores. Violinist David...
The season concludes with Pride: A Rainbow of Repertoire, celebrating LGBTQ+ composers and artists whose contributions have helped shape musical culture, often during periods when their identities could not be openly acknowledged. The program affirms that belonging means more...
What did our critic think of COME FROM AWAY at Bill Hanney's North Shore Music Theatre?…
What did our critic think of MOON MAN WALK at Natti-Willsky Theatre?…
Murder-for-hire seems dark, and yes, some of the language can be a bit colorful (a few F-bombs are dropped), but really, this is a delightful little production with the emphasis on comedy that one might almost label as cute, possibly endearing.…
. During a roughly 20-minute near silent stretch the cast execute a near flawless, complex, scene employing “Controlled Chaos”. Even the most `curmudgeonly of audience members find themselves rolling along with the rest of the crowd.…
What did our critic think of RHINOCEROS at American Repertory Theater?…
What did our critic think of DALLOWAY: FIRST LOVE at Gloucester Stage Company?…
What did our critic think of ROCK OF AGES at Bill Hanney's North Shore Music Theatre?…
Shakespeare’s most searching play – a gripping story of grief, conscience, and the cost of inaction. Haunted by his father’s ghost, a young prince must navigate a world of secrets, power, and betrayal, where nothing is as it appears.…
Making his debut with the Boston Pops at Tanglewood on August 11, Hugh Jackman dazzled his sold-out audience – under the Koussevitzky Music Shed and stretching as far as the eye could see on the lawn that surrounds it – from the moment he took the stage.…
Typical of BSC efforts, everything about this production is of first-rate quality. Pharel’s script is well blended with elements that “the kids say” as well as those which are more universally applicable.…
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Bat Boy: The Musical Umbrella Arts (9/25-11/08) |
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Brian Henson's Puppet Up! Boch Center Shubert Theatre (9/27-9/27) |
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Covenant SpeakEasy Stage Company (9/25-10/17) |
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Monty Python's SPAMALOT Boch Center Wang Theatre (10/06-10/11) |
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The Norwegians Elayne P. Bernstein Theatre (9/04-10/04) |
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An evening with LaChanze Berklee Performance Center (11/01-11/01) |
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BOUNCERS by John Godber The Modern Theatre (10/01-10/24) |
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This Is Your Song: The Elton John Songbook Norton Singers (10/02-10/03) |
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A Revolution of Her Own!™ Deborah Sampson Old North Church (11/06-11/06) |
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Frozen The Company Theatre (11/27-12/20) |
