Biographies, show books, musical scores, history, and must-read theatre books.
Although John Dryden the poet is best known for his alexandrine epics, John Dryden the playwright is most honored for this blank verse tragedy. The summit of Dryden's dramatic art, All For Love (1677) is a spectacle of passion as felt, feared, and disputed in the suspicious years following the English Civil War.
The Sorrows of Young Werther (Die Leiden des jungen Werthers) is an epistolary and loosely autobiographical novel by Johann Wolfgang von Goethe, first published in 1774; a revised edition of the novel was published in 1787. Werther was an important novel of the Sturm und Drang period in German literature, and influenced the later Romantic literary movement. The book made Goethe one of the first international literary celebrities. Toward the end of his life, a personal visit to Weimar became cr...
Johann Wolfgang von Goethe's Faust is a tragic play. Faust is a closet drama, meaning that it is meant to be read rather than performed. It is Goethe's most famous work and considered by many to be one of the greatest works of German literature.
One of the most neglected areas of study in nineteenth-century theater is pantomime: this book provides a comprehensive overview of pantomime in the Victorian period, ranging from the ideological positions perpetrated by pantomime to discussions of practitioners and enthusiastic spectators, such as E.L. Blanchard, Lewis Carroll and John Ruskin.
For nearly three decades, Ping Chong and his company have written and staged some of the most innovative and arresting examinations of "the Other" on stages in the U.S., Europe, and Asia. His work more than any other artist has explored the ways Asian cultures have intersected with contemporary American society and throughout history. This volume collects four of his masterworks created over the past decade, including: Deshima (1990), a documentary collage of the history of the West and...
This excellent translation makes available a classic work central to one of the most interesting controversies of the eighteenth century: the quarrel between Rousseau and Voltaire. Besides containing some of the most sensitive literary criticism ever written (especially of Molière), the book is an excellent introduction to the principles of classical political thought. It demonstrates the paradoxes of Rousseau's though and clearly displays the temperament that led him to repudiate the hopes of ...
'One evening,' wrote Jean Genet in a prefatory note to The Blacks, 'an actor asked me to write a play for an all-black cast. But what exactly is a black? First of all, what's his colour?' - which is, perhaps, as good an introduction as any to this immensely interesting and exciting play. Translated by Bernard Frechtman, The Blacks is another striking example of the intensity, the depth and the complete originality that was Genet's view of life
Set in contemporary Paris, the movie is a variation of the classic Greek myth of Orpheus. At the Café des Poètes, a brawl is staged by acolytes of the Princess (Casares) and the young poet Cègeste (Edouard Dermithe), a rival of Orpheus, is killed. Cègeste's body is taken to the Princess's car by her associates, and Orpheus (Marais) is asked to accompany them as a witness. They drive to a chateau (the landscape through the car windows are presented in negative) accompanied by abstract poetry...
Writer, filmmaker, visual artist, and celebrated leader of the French avant-garde, Jean Cocteau (1889–1963) once announced, "One must know how to go too far." The astounding scope of his work stands as a testament to that revolutionary spirit. Throughout his life he boldly experimented in almost every medium and achieved enduring success in them all: novels like Les Enfants Terribles; films such as The Blood of a Poet, Beauty and the Beast, and Orphee; as well as plays, ballets, drawings, poem...
Performance and Evolution in the Age of Darwin reveals the ways in which the major themes of evolution were taken up in the performing arts during Darwin's adult lifetime and in the generation after his death. The period 1830-1900 was the formative period for evolutionary ideas. While scientists and theorists investigated the law and order of nature, show business was more concerned with what was out of the natural order. Missing links and throwbacks, freak taxonomies and exotic races were fav...
Focusing on examples of live performance in drama, dance, opera and light entertainment, Jane Goodall explores a characteristic as compelling and enigmatic as the performers who demonstrate it. The mysterious quality of ‘presence’ in a performer has strong resonances with the uncanny. It is associated with primal, animal qualities in human individuals, but also has connotations of divinity and the supernatural, relating to figures of evil as well as heroism. Stage Presence traces these th...
Based on the true story of an Irish family with seven sons and one daughter immigrating to Biddulph Township near London, Ontario, in 1844, The Donnellys tells the tale of mystery and truths stranger than fiction. It is the story of a secret society and a massacre that shocked the Canadian public, a story overlooked by the artistic community until Reaney's play elevated the events to the level of legend. First published in 1975, this script takes its place among other true Canadian classics on ...
"Big Slide," (116 pp.) by James Howard Kunstler, is a three-act play set in the autumn of an unspecified near-future year, at an Adirondack "great camp" where three generations of the Freeman family have taken refuge from New York and Boston during a severe national political maelstrom. We are never fully apprised of the exact nature of this event, but it appears to involve a coup d'etat in the White House and the uprising of local militias all over the nation in response. The estate at Big Slid...
IN the morning of the world, while his tribe makes its camp for the night in a grove, Red Cloud, the first man of men, and the first man of the Nishinam, save in war, sings of the duty of life, which duty is to make life more abundant. The Shaman, or medicine man, sings of foreboding and prophecy. The War Chief, who commands in war, sings that war is the only way to life. This Red Cloud denies, affirming that the way of life is the way of the acorn-planter, and that whoso slays one man slays th...
Jacinto Benavente y Martínez (August 12, 1866 – July 14, 1954) was one of the foremost Spanish dramatists of the 20th century. He was awarded the Nobel Prize for Literature in 1922. Born in Madrid, the son of a celebrated pediatrician, he returned drama to reality by way of social criticism: declamatory verse giving way to prose, melodrama to comedy, formula to experience, impulsive action to dialogue and the play of minds. Benavente showed a preoccupation with aesthetics and later with eth...
Fortune's Fool had its Broadway premiere a century and a half after it was written (1848) and proceeded to win two Tony Awards for the highly acclaimed performances of its stars, Alan Bates and Frank Langella, as well as a Tony nomination for best play. Set in the Russian countryside of grand houses and serfs, the play depicts the tragicomic events precipitated by the return of a young heiress to her family estate. As the members of the household bait and react to each other, the first act ...
These four one-act plays deal with the African-American experience of today. Their central elements are love and hatred echoed in violently explosive words, actions, thoughts and metaphor. The sum total of three hundred years of contained fury, they are powerful statements about the real meaning of white oppression of black people. In their militancy and anger, they perfectly express the mood and frustrations of black America and are as relevant today as when they were first publicly performed....
Best-selling historian Howard Zinn is celebrated for looking at history not from the perspective of those in power but rather from the viewpoint of those who speak truth to power. In his plays Marx in Soho, Emma, and Daughter of Venus, Zinn applies that principle with enormous zest and great doses of drama and humor. A much-admired public intellectual himself, Zinn here brings to life the radicals Emma Goldman and Karl Marx, and in the previously unpublished Daughter of Venus explores ethical q...
The rich history of African-American theatre has often been overlooked, both in theoretical discourse and in practice. This volume seeks a critical engagement with black theatre artists and theorists of the twentieth century. It reveals a comprehensive view of the Art or Propaganda debate that dominated twentieth century African-American dramatic theory. Among others, this text addresses the writings of Langston Hughes, W.E.B. DuBois, Alain Locke, Lorraine Hansberry, Amiri Baraka, Adrienne Kenn...
This series of contemporary plays includes structured GCSE assignments for use by individuals or groups. These include questions which involve close reading, writing and discussion. This play is based on the novel "Washington Square" by Henry James. --This text refers to an out of print or unavailable edition of this title.
Brand is a play by the Norwegian playwright Henrik Ibsen. It is a verse tragedy, written in 1865 and first performed in Stockholm on 24 March 1867. Brand was an intellectual play that caused many people to "think outside the box". Brand is a priest who wants to take consequence of his choices, and is therefore deeply bound to doing the "right thing". He believes primarily in the will of man, and lives by the device "all or nothing". To make compromises is therefore difficult, or by his moral s...
The plays in this volume focus on the family and how it struggles to stay together by telling lies - and exposing them. In "Ghosts", Osvald Alving returns home only to discover the truth about the father he always looked up to, and learns the horrific effect his father's debauchery has had on him. It was Ibsen's most provocative drama, stripping away the surface of a middle-class family to expose layers of hypocrisy and immorality. "A Public Enemy" sets two brothers against each other when one w...
Considered by many critics as Ibsen's masterpiece, "Rosmersholm" is the story of Johannes Rosmer, a former clergyman and owner of the title estate Rosmersholm. When Rosmer intends to use his position in the community to help the newly elected reformist government his ruling-class brethren turn against him. A series of tragic consequences ensue in this classic drama of social and political change.
The Master Builder is a play by Norwegian playwright Henrik Ibsen. It was first published in 1892 and first performed in Berlin on 19 January 1893.
Henrik Ibsen's "The Feast at Solhoug" is set at the annual feast to celebrate the wedding anniversary of Margit and Bengt Guateson. Knut Gesling, the King's sheriff, comes prior to the feast to ask for Margit's approval for marrying her sister, Signe. Knowing that Knut can be a brutal and violent man, Margit gives her permission on the condition that Knut can demonstrate he can be peaceful for a period of one year. In typical Ibsen fashion, anything but a peaceful outcome ensues. Written in 1855...
The publisher continues its "Great Translations for Actors" series with this 1873 epic, from Ibsen's middle period, which Ibsen considered his masterpiece. The story of Emperor Julian the Apostate, this was his last play to have a classical setting, and it signaled his adoption of a more prosy and less poetic dialog. But it is still drama on a vast scale; written in two parts, with five acts in each part, it covers the years 351-363 C.E. Under Constantine, Prince Julian becomes emperor, turns a...
1928. The works of the Norwegian playwright Henrik Ibsen, who is generally acknowledged as the founder of modern prose drama. Contents: Hedda Gabbler; Ghosts; An Enemy of the People; A Doll's House; The League of Youth; The Wild Duck; The Master Builder; Pillars of Society; Rosmersholm; and Peer Gynt.
"Pillars of Society" is the story of Karsten Bernick, a prominent businessman in a small Norwegian coastal town. Karsten comes from a wealthy shipping and shipbuilding family yet he has aspirations for an even greater enterprise. When he begins secretly buying up land in the valley between the town and the main rail line, which he is backing a new rail connection to, his scandalous past suddenly comes back to him in the form of Johan Tonnesen, his wife's younger brother, who has just returned fr...
From Munich, on June 29, 1890, Ibsen wrote to the Swedish poet, Count Carl Soilsky: "Our intention has all along been to spend the summer in the Tyrol again. But circumstances are against our doing so. I am at present engaged upon a new dramatic work, which for several reasons has made very slow progress, and I do not leave Munich until I can take with me the completed first draft. There is little or no prospect of my being able to complete it in July.
It's a book about show business, where fame is the stock in trade. Each year there are hundreds of stagestruck kids arrive in New York determined to crash the theatre, firmly convinced they're destined to be famous Broadway stars or playwrights.
Book jacket/back: When this triptich of new plays by Harold Pinter opened in London in October 1982 it was celebrated by critics and audiences alike as an electrifying theatrical event that confirmed once again the author's undisputed place in the forefront of today's dramatists. "The first two plays in 'Other Places' are strange, comic, ansd fascinating, but you would know they were Pinter if you met them in yoru dreams. However, the third play, 'A Kind of Alaska,' (which strikes me on ins...
For more than twenty years, Mel Gussow, a drama critic for the New York Times, has been meeting Harold Pinter to talk about work and life, plays and people. At the core of this book is a series of lengthy interviews - some of the most extensive that Pinter has ever given - all published here in full for the first time. Pinter and Gussow first meet in 1971, when Old Times is a new play and Pinter's status as a major writer is still being confirmed. Then come public and private conversations in t...
An elephant hunter's chronicle of his safari into the interior of South Africa to search for a fabled diamond mine and to rescue the brother of the English gentleman who accompanies him across the deserts and mountains.
With a stunning command of the Greek language and a mastery of poetic nuance, this translation of Euripides' play breathes unparalleled life into an ancient masterpiece. Using vocabulary that gives the sense that the play was written with an appreciation of and application to the 20th and 21st centuries, this adaptation goes beyond the timeless plot of the consequences of war and the fate of both the victors and the losers and focuses on the modern-day issues of feminism and women's rights. Also...
A play that satirizes the political confusions of both youthful activists and middle-aged believers in gradual reform. Translated by A. Leslie Willson and Ralph Manheim. A Helen and Kurt Wolff Book.
Part of the Writers' Britain series, first published in the 1940s, this book offers Graham Greene's evaluation of British drama, from its roots in the Mystery and Miracle plays of the market carnival through Shakespeare and the Restoration to the 20th century.
A reissue of a volume of Graham Greene's eight plays: "The Return of A.J. Raffles", "Carving a Statue", "The Complaisant Lover", "The Living Room", "The Potting Shed", "Yes and No", "For Whom the Bell Chimes" and "The Great Jowett".
Greene's novella, or "entertainment," was written in 1950 as a sort of preliminary draft for a screenplay and was not actually intended to stand alone as a written work. The motion picture, stated Greene, is better than the story because it is the story in its finished state, and it is the film, starring Joseph Cotten and Orson Welles, that most people will remember. This audiobook, however, brings the story to life very effectively, with all its suspense, odd turns of plot, and intriguing chara...
The Best Man crackles with the smart lines and situations inherent to the work of Gore Vidal. The political intrigues rampant in Vidals 1960 setting are strangly similar to the political intrigues of the present day. This darkly satirical drama finds two presidential contenders seeking the endorsement of an aging ex-president and explores how personal agendas can change the course of a nations destiny. A L.A. Theatre Works full-cast performance featuring: Terrence Currier, Johnny Holliday, Naom...
Primarily in recognition of his fruitful, varied and outstanding production in the realm of dramatic art, Gerhart Hauptmann recieved a Nobel Prize in 1912. Contents of Volume 1: Preface Introduction Before DawnThe Weavers (Die Weber)The Beaver Coat (Der Biberpelz)The Conflagration (Der rote Hahn) Contents of Volume 2:IntroductionDrayman Henschel (Fuhrmann Henschel)Rose Bernd (Rose Bernd)The Rats (Die Ratten)The present edition of Hauptmann's works contains all of his plays with the exception of...
The present edition of Hauptmann's works contains all of his plays with the exception of a few inconsiderable fragments and the historical drama _Florian Geyer_. The latter has been excluded by reason of its great length, its divergence from the characteristic moods of Hauptmann's art, and that failure of high success which the author himself has implicitly acknowledged. The arrangement of the volumes follows, with such modifications as the increase of material has made necessary, the met...
Hollywood Pinafore, or The Lad Who Loved a Salary is a musical comedy in two acts by George S. Kaufman, with music by Arthur Sullivan, based on Gilbert and Sullivan's H.M.S. Pinafore. It opened on Broadway at the Alvin Theatre on May 31, 1945, and closed on July 14, 1945 after 52 performances. It was directed by Kaufman himself and starred Shirley Booth, Victor Moore, George Rasely, and William Glaxton. The adaptation transplants the maritime satire of the original Pinafore to a satire of the g...
Edna Ferber and George S. Kaufman inebriated America during the Prohibition Twenties, then made everyone forget the Depression in the Thiries via gales of sophisticated laughter. The dynamic playwriting duo created three smash hits together: The Royal Family (1927) * Dinner at Eight (1932) * and Stage Door (1936. All three plays were promptly made by Hollywood into equally famous films - Dinner at Eight with Jean Harlow; Stage Door with a young Katharine Hepburn and Lucille Ball; and the Royal F...
Includes: The Royal Family • Animal Crackers • June Moon • Once in a Lifetime • Of Thee I Sing • You Can't Take It with You • Dinner at Eight • Stage Door • The Man Who Came to Dinner.
O'FLAHERTY. If you'd been brought up by my mother, sir, you'd know better than to joke about her. What I'm telling you is the truth; and I wouldn't tell it to you if I could see my way to get out of the fix I'll be in when my mother comes here this day to see her boy in his glory, and she after thinking all the time it was against the English I was fighting.
The misadventures of an alcoholic investigator.
LADY. Thank you, General: I have no doubt the sensation is very voluptuous; but I had rather not. I simply want to go home: that's all. I was wicked enough to steal your despatches; but you have got them back; and you have forgiven me, because (delicately reproducing his rhetorical cadence) you are as generous to the vanquished after the battle as you are resolute in the face of the enemy before it. Won't you say good-bye to me? (She offers her hand sweetly.)
John Bull's Other Island is a comedy about Ireland, written by G. Bernard Shaw in 1904. Shaw himself was born in Dublin, yet this is the only play of his where he thematically returned to his homeland. The play deals with Larry Doyle, originally from Ireland, but who has turned his back on his heritage to fit in with the English and Tom Broadbent, his English (and very Machiavellian) business partner. They are civil engineers who run a firm in London. They go to Roscullen, where Doyle was born...
BRASSBOUND. Nervous, sir! no. Nervousness is not in my line. You will find me perfectly capable of saying what I want to say--with considerable emphasis, if necessary. Sir Howard assents with a polite but incredulous nod.
