I've been to a fair amount of the theaters on B'way this year, and I have to say, I wasn't impressed with the interior of the actual theater when I saw Wicked tonight. Was it purposely designed this way?
The wall paper was on purpose, and the set, well yes. The rest is just the theatre, I personally like that, in other theaters with a ton of designs, I get distracted.
I thought this thread was going to be about the sound system, it's been horrible since June!
2008: Feb. 18- Rent, Feb. 19- Curtains, April 18- Xanadu, April 22- Wicked, April 26- Legally Blonde, May 31- Wicked, June 13- The Little Mermaid, June 28- Wicked and Young Frankenstein, July 2- The Little Mermaid, July 6- A Chorus Line and Legally Blonde, August 16- Xanadu, September 13- Legally Blonde and 13, September 28- Xanadu and Spring Awakening, Oct. 12-GYPSY and [title of show], Oct. 19- Hairspray & Legally Blonde, Nov. 9- Wicked and 13, Dec. 14-13, Dec. 26- Billy Elliot, 2009: Jan 1- Shrek, Jan 2- 13 and Wicked, Jan 4- 13, Feb 17- In The Heights, Feb 19- Billy Elliot, Feb 22- Sweeney Todd (tour), March 28- Mary Poppins, April 4- Mamma Mia!, April 15- Jersey Boys (on tour), April 25- next to normal & 9 to 5
May 1- Billy Elliot, May 3- Spelling Bee (tour), May 8- Chicago, May 21- Wicked, June 6- Everyday Rapture, June 23- The Wiz, June 25- Hair July 15- Shrek, August 9- Wicked, September 7- Rock of Ages, October 11- Next To Normal, October 23- The Marvelous Wonderettes, November 7- Ragtime November 29- Dreamgirls, December 25- Billy Elliot, December 30- Finian's Rainbow, 2010: January 9- Bye Bye Birdie, January 16- Memphis February 17- The Phantom of The Opera, February 18- God of Carnage, March 7- Billy Elliot, March 31- American Idiot
True. Considering how large it is and how big Wicked is, you'd think they'd decorate it better.But in terms of comfort and leg room, I love that theater.
I really didn't find it to be that "large." I think the black helps make it seem smaller and less "barn like." Whereas the Hilton felt HUGE and the stage felt so far away from the mezz. And, I think the decor actually works for Wicked. The whole interior is black and the chandeliers have a sort of goth feel to them. I was surprised that the theater wasn't slightly more ornate, but I was surprised that the stage seemed so vast. What does the stage look like with out all of Wicked's extra scenic design on the wings? Eugene Lee worked wonders with it and helped incorporate it into the space at least.
Even though it doesn't seat as many people as the Gershwin, I too though the Hilton felt huge. And the stage felt so far away. Our theater here, the Buell, seats over 2,800 people and I feel closer to the stage in the mezzanine and front balcony here than I did at the Hilton.
I think it's because the Hilton seems so much bigger and open. Even the entrance is huge and the halls are huge. And if you look at it from the 43rd St. exit, the theater does seem huge. You can see the old exterior and then you can see the rest of it and it's just gigantic. I can't imagine how something like "Hot Feet" could have played there.
A lot of scenic designers have expressed a distaste for having to design a show for the Gershwin because it feels so cavernous and empty. Eugene Lee is one of the few who not only doesn't hate it, but actually really enjoys designing a show in there. Of course, considering the size of the shows he's put in there, Sweeney, Show Boat, and Wicked, it makes sense. He is also responsible for Ragtime, which I think is still the best looking show that the Hilton has had (though I haven't seen Young Frankenstein, which I've been told LOOKS amazing, and please note the emphasis on LOOKS).
As far as decor goes, the Gershwin is probably one of the most charmless theaters I've seen. The Hilton feels a lot bigger but IMHO, it also looks a lot better, both on the inside and the outside. The Gershwin is just so drab and dull.
"You drank a charm to kill John Proctor's wife! You drank a charm to kill Goody Proctor!" - Betty Parris to Abigail Williams in Arthur Miller's The Crucible
It's very drab and dull inside, but I do LOVE the amount of leg room you get there. The seats (and space between the row in front of you) are very comfy.
I went to the Gershwin in June and was in the veeery back of the orchestra seating, like the absolute last row. It was absolutely horrible because you don't see the Clock of the Time Dragon and when Elphaba goes up for Defy Gravity she gets a little cut off. Besides that I didn't see any ridiculous 'format' problems in the theatre.
The first time I saw a show at the Gershwin it reminded me of the Kennedy Center in DC - it feels like the interior of a concert hall as opposed to a Broadway Theatre -
Compared to what we have here in Dallas, The Music Hall at Fair Park, the Gershwin is intimate. Yes, it's ugly but so was everything else built in the 70's. Very ugly decade in my opinion. And it doesn't really have a procenium. That's why shows like starlight Express and Sweeney Todd went into that theater. They had scenic demands that most other Broadway theaters wouldn't have been able to accommodate. Also, if you really look at the Wicked set the actual playing area isn't much bigger than the average Broadway theater's stage. In other words, it's rather small. the set also isn't very deep which is a surprise. I'm sure they designed it with the tour production in mind.
Who cares what the theatre looks like? As long as I am comfy and enjoying the show I have a good time. The Gershwin is the most comfortable theatre on Broadway IMO.
Don't believe everything that you hear! Only the peeps involved know the truth!
I was completely shocked on how well I could see from the last row of the Gershwin. I always heard people saying that you would need to binoculars but the seats are GREAT!