Riedel's column comes out Wednesdays and Fridays. Hopefully we'll get some scoop from him tomorrow. Whatever happened, it sounds like it was for the best if it means Marshall is a goner.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
I'm sorry, but when did Kathleen Marshall become the go-to director for shows that needed fixing? I understand that she's a great choreographer (except for in Grease), but her direction isn't anything special. The Pajama Game was good because of the components, including the chemistry between Harry and Kelli. Wonderful Town was nicely done, but it was hardly the most thrilling direction that's been on Broadway. They definitely don't need her on the show to make it successful.
Michael Blakemore and Jack O'Brien are much better directors for farce. They have much greater comic sensibilities than Kathleen Marshall and their conceptual footprints really make a show sparkle. I'd love to see either one of them tackle this.
"..but her direction isn't anything special. The Pajama Game was good because of the components, including the chemistry between Harry and Kelli"
Which was casting by Kathleen Marshall, the director.
Anyways, I wonder what Rob Ashford is doing. This seems like a really good project for him. Although I know he is very, very close with Kathleen Marshall (I'm referring to her tony speech when she says something along the lines of them moving to New York together back in the day). So i'm not sure if he would get involved. Or even Jerry Mitchell if they wanted to keep it director/choreographer instead of seperating it.