Okay, so I watched Piazza for the first time on PBS and loved it but the one thing in the storyline that i thought was a little weird was the whole pony thing. I just thought it was a random thing to make a story about. It didn't seem very real to me. I don't know i've only seen it once... so maybe i'll grow to like it. Has this been discussed before? Does anyone find this odd?
In its defense i'll say that it was really very good with outstanding music and cast. Loved it. Updated On: 9/6/06 at 11:14 PM
Well, I remember reading that the the condition Clara has is fictional, so that is probably why the pony story is weird to you. I also wouldnt say that its really random, because Margaret telling that story gives some background as to how Clara is the way she is and it gives some character development for both Margaret and Clara.
Hope that makes sense.
"Chicago is it's own incredible theater town right there smack down in the middle of the heartland. What a great city! I can see why Oprah likes to live there!" - Dee Hoty :-D
What's so weird about it. She got kicked in the head by a pony (Have you ever been kicked by a horse? Does some MAJOR damage, especially if it's out of anger/ as opposed to annoyance.) and it did some pretty serious brain damage.
I don't think it's random, either. It's obvious by the family's dress and Margeret's phone conversations with Roy that they are at least moderatly wealthy. Every little girl's dream is to have a pony, what better excuse than a birthday to rent one for her?
there have actually been about a dozen threads on this topic, addressing it from a variety of perspectives (what is the nature of Clara's condition? is it plausible? how severe would the trauma be? why is it important in the story? is it the central theme of the story or just a plot twist? etc.). if you're really interested you might do a search for some of the previous threads.
In a nutshell, it is no more "random" a story topic than anything else. It is what makes the Piazza love story more than just another romance set in Italy. It provides the impetus for Margaret's protectiveness, Clara's innocence, Fabrizio's growth to be an emotional protector and provider, etc.
It's an oddball story, period. The movie does what it can with the material but it's much more interesting than the disappointing, boring, and unnecessary musical.
Tootie 'The Most Horrible' Smith St. louis, MO Updated On: 6/20/06 at 12:33 AM
I won't comment on your thoughts on the musical but, no, the movie's awful. Some of the choices they made had me going "What the heck?" And the guy playing Fabrizio was just plain bad.
Jimmy, what are you doing here in the middle of the night? It's almost 9 PM!
The pony kicked her in the head and caused her severe head trauma. When Guettel was researching for Piazza, he went to a head trauma specialist for a number of hours. The specialist said, in Clara's condition, anything was game. Brain trauma is something that manifests in an infinite number of ways. It's a wide spectrum.
I've never seen the movie and I've been trying to find it with no luck. It didn't come up on my blockbuster.com or Amazon search -- what am I doing wrong?
The movie is excellent, the novella is excellent, and George Hamilton was brilliant as Fabrizio....probably the only role where he actually was believable as a straight man.....Rossano Brazzi, Olivia de Havilland, Yvette Mimieux....all fabulous in the movie.
You youngins would not know a good older movie it it rose up and smacked you on your head
It is ridiculous to set a detective story in New York City. New York City is itself a detective story...
AGATHA CHRISTIE, Life magazine, May 14, 1956
Well Isabella I am sorry that you find this gorgeous piece of theater so wierd, because the story is far from wierd, and it is one of the most beautiful stories that I have ever heard. But I guess we all think different wierd things are wierd, and you think that this wierd thing is wierd while we dont. Now isnt that wierd.
The concept of something being disappointing means you went in with expectations - and if you're not mature enough to know that leads to nothing, then there's no point in discussing that aspect of your critique.
Whether something is boring or not is completely subjective, and has no meaning to the general audience.
But I must admit a rather masochistic fascination with what you might consider a 'necessary' musical . . .
"The concept of something being disappointing means you went in with expectations - and if you're not mature enough to know that leads to nothing, then there's no point in discussing that aspect of your critique."
So in other words, when you're hungry and you go to a restaurant and order your meal, you'll be perfectly content if the food tastes like ****?
A young girl- still maturing and growing physically and mentally- gets kicked by a pony in a VERY vulnerable area of her neck/head... and in that era in time? *Not* a good situation. I find it COMPLETELY plausible, not "weird."
"In a nutshell, it is no more "random" a story topic than anything else. It is what makes the Piazza love story more than just another romance set in Italy. It provides the impetus for Margaret's protectiveness, Clara's innocence, Fabrizio's growth to be an emotional protector and provider, etc."
--- Well said and true, Ourtime992.
"The pony kicked her in the head and caused her severe head trauma. When Guettel was researching for Piazza, he went to a head trauma specialist for a number of hours. The specialist said, in Clara's condition, anything was game. Brain trauma is something that manifests in an infinite number of ways. It's a wide spectrum."
--- Thank you BillFinn
And on the cynical side, yes- it's certainly no more "weird" than... "A deformed man obsesses over a chorus girl with an Electra complex...
A barber and his downstairs neighbor turns people into pies...
A green lady flies around on a broom and has all sorts of completely unspecified magic powers and high belt notes...." ... as PegasusRising pointed out
And I love those shows, too.
"TO LOVE ANOTHER PERSON IS TO SEE THE FACE OF GOD"- LES MISERABLES---
"THERE'S A SPECIAL KIND OF PEOPLE KNOWN AS SHOW PEOPLE... WE'RE BORN EVERY NIGHT AT HALF HOUR CALL!"--- CURTAINS
They have the movie sometimes on that old movie channel network.
I cant remember the name of it .... its a bit old of a movie ... i just remember a few months ago i was flipping channels and saw "light in the piazza" and stopped and watched it for 10 min. Actuallly i stopped on the scene where she is calling roy the second time i believe.
I didn't really like Piazza on TV. If everyone's saying that you need to be in the theater to get the full experience, then the TV recording really did not do it justice at all. I was bored out of my mind and practically falling asleep. I don't know if I'll be spending my money any time soon to see this - maybe the tour.
"We like to snark around here. Sometimes we actually talk about theater...but we try not to let that get in our way." - dramamama611
The only thing I find weird about this show is towards the end of Act I, when Margaret sings that lullabye to Clara, to help her sleep:
"There's a moon on a hill, and a hidden stream / a lagoon and a red horizon dream / silhouette, set away from time forever / There's a valley beyond the setting sun / where waters shine and horses run..."
Why on earth would you sing about horses to calm a child who was kicked in the head by a pony?