You're testing my memory, but I remember liking it...I haven't heard it for years. But I remembered liking Diane Langton's(was that her name?) version of "Coloured Lights".
what about the Broadway cast???...Jason Alexander has to be one of the best male singers out there...and Liza is fierce!!!
"People have their opinions and that doesn't mean that their opinions are wrong or right. I just take it with a grain of salt because opinions are like as*holes, everyone has one".
-Felicia Finley-
I REALLY liked the OLC recording. One of the few Brits playing Yanks recordings that works for me.
I have a problem with the score. I've always thought the songs, while great on their own, are much to "showbiz" for such ordinary characters. Updated On: 12/8/05 at 03:33 PM
The London recording is much more complete that the OBCR. It includes a lot of dialogue that is paramount to the understanding of the story. Anna and Angel are extremely well-played by Blake and Langton, respectively.
I think this is a BRILLIANT Kander and Ebb score. It was one of the first CDs I ever bought. I mainly got it because Scott Holmes was in it, and I did theatre with him in NC when I was a child. I think, however, it was probably not a very "healthy" time in Liza's life. Her voice is good for most of it, but you hear the beginnings of that huge wobble in her voice that's only gotten bigger. Anyone know where this work falls in her history of ups and downs with addiction? I just don't know why I feel in listening to that cast recording that she's dealing with major problems. It's just a vibe I get.
Liza was indeed not healthy. She missed many performances and left the show after only a few months (Stockard Channing replaced her). Her understudy, a then-unknown Mary Testa, went on numerous times throughout the run.
From what I heard, this was a very dark period for Liza. I believe Chita has gone on the record and said she basically had to hold Liza up for several performances.
Kander and Ebb sort of blamed Liza for The Rink flopping in their interview book, stating that Liza's fans weren't willing to accept her in an unglamorous role.
I always was amused by the fact that because of the flashback structure of the show, Jason Alexander had to sing a love song to a woman literally old enough to be his mother (Jason is exactly my age, Chita is exactly my mother's age).
Thanks for vote of confidence Bobby! This is a recording I actually on have on cassette tape!!! How sad is that! I never got around to getting the CD reissue!
Some time ago there was a thread that speculated that the lowest note ever sung by a female on Broadway was the one sung by Chita in the song "We Can Make It".
The lowest note ever sung by a female on Broadway was indeed sung by Chita Rivera, but not in "The Rink". It was in "Spider Woman"--a C-sharp below middle C--the "I" in "I Do Miracles."
Close second--"With Every Breath I Take" from "City of Angels"--the "morning" of the first line ("There's not a morning that I open up my eyes/And feel I didn't dream of you.') It's a D-sharp below middle C, I believe.
I ask in all honesty/What would life be?/Without a song and a dance, what are we?/So I say "Thank you for the music/For giving it to me."
I was told that Diane Langton got very frustrated with Kander & Ebb, who had a habit of giving her direction prefaced with "Liza played it like this...."
"The lowest note ever sung by a female on Broadway was indeed sung by Chita Rivera, but not in "The Rink". It was in "Spider Woman"--a C-sharp below middle C--the "I" in "I Do Miracles.""
I just remembered that Chita hit even lower notes in THE RINK when she sang the line "scratch my back" during "The Apple Doesn't Fall". AMAZING!