HEDWIG TOUR- Page 16

[VotePeron]

Posted: 5/17/17 at 10:53pm

It's up on goldstar for NJ! I got 11th row center orchestra for $52!

[Hamilfan2]

Posted: 5/19/17 at 9:58am

Anyone know why this show has had no B-Roll footage at all?  Even on Broadway I can't remember it having any B-Roll.  Seems like an odd choice in today's day and age.

Updated On: 5/19/17 at 09:58 AM

[Jane2]

Posted: 5/19/17 at 10:06am

It has B roll from off broadway.

[Jane2]

Posted: 5/19/17 at 10:06am

It has B roll from off broadway.

[Wee Thomas2]

Posted: 6/12/17 at 9:04am

Saw the 4PM show in Boston on Saturday.  We had a busy week and Saturday was our only chance to go and there weren't any discounts for those two showings until they showed up on Goldstar and the local version of TDF (Bostix) on Wednesday, so we grabbed two tix then, for $49.  Promised "Orchestra or Mezzanine" seats.

 

We saw very little publicity for the show.  Nothing on TV or radio, no ads in the Boston Globe, but there was one or two articles about the show.  I did learn later that it was heavily pushed in the GLBQ community, and the timing of the run being during Pride Week seems to have been a good choice.  Euan, as Hedwig, was one of the Grand Marshalls of the parade earlier in the day, but seats at the performance was barely 50% full.  Maybe it started too close to parade time for folks to plan to see it then?  Our seats were on the aisle in the 8th row of the Orchestra.

 

Eaun was good, not great.  First half he seemed wiped out (from the parade?) or sick, second half he got more energetic.  We had Shannon as Yitzhak (she was doing the weekend) and she was great and they seemed to have good chemistry.

Sets weren't as fancy as NY, but they did a good job with what they had to work with.

Was nice that they updated the Hurt Locker playbills, so that was fun again.

Experience was better than Taye Diggs. Not as good as the others in NYC.  Wish Lena would have come here.

[thatspoetic]

Posted: 6/12/17 at 12:50pm

Just wanted to say thanks to the people who advised me earlier on this thread to go for seats closer to the stage my first time seeing Hedwig instead of trying to be thrifty. I luckily scored a one-day sale ticket for orchestra row F (for $40) a while ago and saw it for the first time last Thursday. I loved it so much that I took my chances and bought a half price ticket from Bostix to see it again on closing night in Boston last night. It was general admission somewhere in the orchestra or mezz and I ended up in orchestra row A! I was all the way to the side and had to lean for a few parts, but it was still amazing. For anyone else debating on ticket location, closer is definitely way better for this show to see all of Hedwig's expressions and the audience interaction up close. 

In terms of Boston crowds, Thursday night the theater seemed mostly full, at least the orch and mezz. Sunday night the orchestra was only half full and the mezz and balcony were almost completely empty. The small crowd was still fun, but it did make me sad that more people weren't seeing this stellar production. I'd say it was because it was Tony night, but I saw a lot of discount tickets available for other nights too. 

I found Euan Morton's performance both nights to be incredibly powerful, and I am absolutely thrilled to have his version of Hedwig as my first and currently only memory of the character. He was funny, energetic, raw, open (fully emotionally dilated!), and moving, and his singing blew away Neil Patrick Harris's on the album (much as I love NPH and that recording). As an added bonus, he's also apparently a nice guy. I got to ask him a quick question at the stage door, which he thoughtfully answered, and he very kindly made sure to talk to everyone waiting there even though it was obvious he hoped to get out quickly and must have been exhausted. I'm offering this as a counterpoint to Wee Thomas2's opinion of Euan's performance, which may have been an off night for Euan unless we just prefer different performance aspects. I was lucky enough to see two different Yitzaks. Both Hannah and Shannon were excellent and played off Euan well. If you can see the tour in DC, I very strongly recommend it! 

[sparepart973]

Posted: 6/12/17 at 1:48pm

Happy to hear that the show in Boston is doing well. I saw it in Boston as well last week on the 9pm Saturday show, and half of the orchestra was empty, and by the looks of it the balcony was hardly full either. It was a good crowd and clearly into it, but far far from a half full house. 

[munkustrap178]

Posted: 6/12/17 at 6:53pm

As far as I can tell, Hedwig did not sell well in Boston, and I'm not entirely sure why. As has already been mentioned, there was very little press and advertising. I have found both Hedwig and the Boch Center's social media adeptness to be lacking. 

The show was not marketed well and, if you ask me, the tickets were overpriced. 

With that said, I found Euan to be tremendous and the show tours well. 

[LJD123]

Posted: 6/12/17 at 9:26pm

munkustrap178 said: "As far as I can tell, Hedwig did not sell well in Boston, and I'm not entirely sure why. As has already been mentioned, there was very little press and advertising. I have found both Hedwig and the Boch Center's social media adeptness to be lacking. 

The show was not marketed well and, if you ask me, the tickets were overpriced. 

 

I also think that since it was not part of the Broadway in Boston season, that hurt tix sales.  I know I would have liked to see it, but with spending so much on season tix already, I passed on it...

[thatspoetic]

Posted: 6/13/17 at 9:49am

That's a good point about it not being part of the Broadway in Boston season. I'm a subscriber for that too, and I also almost didn't go to Hedwig for budget reasons. I'm glad I did, but I had to skip some other shows I wanted to see as well to do that. I wish it had been in the BinB season since Hedwig has been my favorite of all the touring shows I've seen this year and deserves a bigger audience. Then again, the Opera House may have felt like too big a venue for Hedwig, and I saw people walk out of Curious Incident of all things so who knows what the reaction to Hedwig would have been there. I'd like to think it would have won hesitant subscribers over though when they actually saw it. 

It came at a bad time of the year too. The college students already left for the summer, and it would probably have been popular with students. It's finally getting warm here after a long cool spell, and people are doing more outside things. Also, it had a lot of competition with easier to sell and describe, big-name shows like Mama Mia and Wicked in town on tour and Arrabal at A.R.T. and with Boston Pride Week events happening last week. The advertising for it wasn't great as others have said. I saw some MBTA ads, but that was it aside from Hedwig being in the Pride Parade at the very end of the run. I hope it gets the bigger audience it deserves in DC and that the tour cast and crew enjoyed their time in Boston and felt the appreciation and love from the crowds here even if they were smaller crowds. 

[Dave13]

Posted: 6/13/17 at 9:53am

Looks like I have tickets for the show the last night in DC and possibly the tour.  Hope Euan is on. 

[LJD123]

Posted: 6/13/17 at 12:39pm

Ha!  That is just what happened, my kids want to see Wicked which is an add on for Broadway in Boston so thats where the budget went!  As we both subscribe to Broadway in Boston I also wonder if you think they are spreading shows over too many venues?  Personally I like the Opera House, and when shows they thought may not sell as well came into town, they went to the colonial & were still included in the subscription.  Now with Wang, Shubert & Opera House I feel like the subscription to BinB no longer has as many touring shows I would prefer to see....  

[thatspoetic]

Posted: 6/13/17 at 1:28pm

The shows that go to the Boch Center and the Shubert are run by one company, and the Opera House shows are run by a different company, Broadway Across America. BAA used to have the Colonial as one of their venues too before it closed (I miss the Colonial!). My general understanding of how the tour scheduling works is that a lot of it depends on logistics like which venues happen to be not booked already for other things when a tour is coming to the area. And if several tours are coming to Boston at the same time, I'm assuming the two big companies fight for and choose the show they think will make their company the most money. So in this case, if BAA sees Mama Mia, Wicked, and Hedwig all looking for a venue in Boston in late May/early June, they probably went for Mama Mia and Wicked because those are safer bet to sell more tickets. Thus Hedwig ends up in the venue for the other competing company.

Maybe it also has to do with venue size. I could see the Hedwig team deliberately choosing to go to a smaller house too. I do wish they were all with the same company though or you could customize subscriptions more and do like a three show subscription instead of 5/6. Although I enjoy my subscription a lot, I would have preferred Gentleman's Guide to Murder and Hedwig to Something Rotten and King and I this year.

[LJD123]

Posted: 6/14/17 at 6:27am

thatspoetic said: "The shows that go to the Boch Center and the Shubert are run by one company, and the Opera House shows are run by a different company, Broadway Across America. BAA used to have the Colonial as one of their venues too before it closed (I miss the Colonial!). My general understanding of how the tour scheduling works is that a lot of it depends on logistics like which venues happen to be not booked already for other things when a tour is coming to the area. And if several tours are coming to Boston at the same time, I'm assuming the two big companies fight for and choose the show they think will make their company the most money. So in this case, if BAA sees Mama Mia, Wicked, and Hedwig all looking for a venue in Boston in late May/early June, they probably went for Mama Mia and Wicked because those are safer bet to sell more tickets. Thus Hedwig ends up in the venue for the other competing company.

Maybe it also has to do with venue size. I could see the Hedwig team deliberately choosing to go to a smaller house too. I do wish they were all with the same company though or you could customize subscriptions more and do like a three show subscription instead of 5/6. Although I enjoy my subscription a lot, I would have preferred Gentleman's Guide to Murder and Hedwig to Something Rotten and King and I this year.

THANKS for the insight.  I also wish we could customize the subscription and choose the shows we prefer to see.  Broadway in Boston has let me drop one show from the season for the past 7 or 8 years, but with Hamilton coming in this season, they did not allow it this year.  Hope that changes again next year, to free up funds for something else I would prefer to see more!  Just an FYI, depending on where you live, you can also check PPAC in Providence.  Their seats are less expensive, parking is cheaper, and traffic is usually much less.  They also offer a 3 show Encore season.

 

 

[Valentina3]

Posted: 6/30/17 at 12:43pm

So... looks like this tour is officially closing this weekend. " Final performance July 2 in Washington DC"

 

https://www.facebook.com/HedwigOnBway/photos/rpp.109351192418813/1568631506490767/?type=3&theater

[BroadwayConcierge]

Posted: 6/30/17 at 12:45pm

Saw that on Facebook, too. Thrilled that this tour made such a splash, but I so wish it was running longer. Oh well

[Eliza2]

Posted: 6/30/17 at 1:06pm

I took a trip to DC last week to see it again before it closes. So sad it's ending.