RippedMan said: "What’s the design like? I feel like everything that comes from ART is kind of basic in design. Finding Neverland had no real magic or exciting moments - besides the ending - and Waitress is fairly basic design wise. Just curious!"
Production photos are out already on ART's FB and Instagram channels. It looks a bit Next to Normal-ish to me.
Does anyone know what this is actually about? There's a very vague description about a multi-generational family, race, gender, etc but nothing about characters or plot.
I'd hardly call it a "meeting" but when I was a student in Emerson College circa 2001 or 2002, Waiting in the Wings did its Broadway tryout at the Colonial (now Emerson Colonial) and I walked in one cold morning into the box office to buy a ticket. She was there with who I gather could have been her assistant. I just remembered nodding and smiling with little to say. She said good morning and approvingly saw me walk to buy a ticket.
I live overseas and was planning a trip to coincide with the Broadway Flea Market & Grand Auction. The 2018 dates aren't released yet, but noticed from back dated events that it seems to be held on the Sunday of last week of September. Can anyone confirm?
I got myself tickets to the first and second preview, and it looks like the early performances are selling rather well. I was surprised that my non-American AmericanExpress worked on the ATG Booking site, as it doesn't normally work on Ticketmaster, which I suppose only accepts AmEx cards issued in the US.
Can't wait for a casting announcement..Aaron Tveit seems to be all wrong to play the earnest and awkward writer. Karen Olivo is probably perfect, but I doubt she'd
John Adams said: "ljay889 said: "Verge had a stripped down and revised London production and that is now the official licensed version of the show. A few good songs were cut/replaced,the orchestra greatly reduced, and the epic overture was devastatingly cut."
Do you know if there's a cast album of the London version?
"
There is - but it was never officially released, but there are digital copies circulating around the web.
Does anyone know who will replace Joseph Morales as alternate Hamilton in Chicago? I saw him as well as Miguel Cervantes and wouldn't mind seeing someone new in June.
They defiantly re-recorded Omar Sharif. In the original promos Katrina pronounces Um Kulthoum "Um Kulsoum" (with an S), in the Broadway recording she pronounces it Um Kulthoum (with a th).
I haven't seen the original Palace Theatre version, besides the clips that are/were floating on YouTube. I can reassure everyone that this is a projection/video free zone.
Thom Southerland made an introductory speech on how this is the first preview and how things might look strange at times because it's a first performance, or just not work altogether. Luckily, the latter never happened, but there were instances when things d
I'm seeing this towards the end of previews. It looks good, and I've only heard good things, but I'm less and less inclined to trust MT fans in London these days. I think it could be good, and it has the potential to be a clever show. From what I've seen though, I'm afraid it could rail off to be a combination of Matilda meets Kinky Boots.
This was a beautiful show when I saw it in the Atlantic, and it was refreshing to see Arabs as non-terrorists, or non-non-terrorists as portrayed in Come From Away.
Being Arab myself, I would have never thought that I'd hear Arabic music performed in a Broadway show. My only issue, which I highlighted in a survey I took for the Atlantic while they were contemplating the transfer, was that the band speaks in classical Arabic together, where in the film (and in reality) they
